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Author: Lucy R. Lippard
Publisher: Courier Corporation
ISBN: 0486456994
Category : Design
Languages : en
Pages : 194
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Book Description
A select anthology of the Dada movement focusing mainly on visual artists features prose, poetry, and polemics from such notables as Marcel Duchamp, Max Ernst, Tristan Tzara, Hanna Hèoch, George Grosz, and Jean Cocteau.
Author: Lucy R. Lippard
Publisher: Courier Corporation
ISBN: 0486456994
Category : Design
Languages : en
Pages : 194
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Book Description
A select anthology of the Dada movement focusing mainly on visual artists features prose, poetry, and polemics from such notables as Marcel Duchamp, Max Ernst, Tristan Tzara, Hanna Hèoch, George Grosz, and Jean Cocteau.
Author: Catherine Craft
Publisher: University of Chicago Press
ISBN: 0226116808
Category : Art
Languages : en
Pages : 326
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Book Description
An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.
Author: Maria Stavrinaki
Publisher: Stanford University Press
ISBN: 080479815X
Category : Art
Languages : en
Pages : 120
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Book Description
Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, François Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.
Author: William S. Rubin
Publisher:
ISBN:
Category :
Languages : en
Pages : 525
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Book Description
Author: Susan Hapgood
Publisher: Universe Publishing(NY)
ISBN:
Category : Art
Languages : en
Pages : 166
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Book Description
The ironic wit, the challenging images, and the experimental methods of the renegade artists of the late 1950s and early 1960s are closely examined, offering a fresh view of the many manifestations of the art that was once considered a movement. The works of the original Dadaists, Marcel Duchamp and Kurt Schwitters, are introduced as the main influences on the younger artists' own readymades, found objects, detritus, environmental, and performance pieces. The diverse works of Arman, Jasper Johns, Allan Kaprow, Robert Rauschenberg, Jean Tinguely, among others, are discussed, linking the previously unconnected movements of Pop Art, Fluxus, and Nouveau Realisme in the first catalogue to focus on this powerful and provocative phenomenon.
Author: John D. Erickson
Publisher: Boston : Twayne Publishers
ISBN:
Category : Art
Languages : en
Pages : 182
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Book Description
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
"Includes essays by Alfred H. Barr, Georges Hugnet, a brief chronology of the Dada and Surrealist movements, bibliography relevant to the exhibition held at the New York Museum of Modern Art in 1936-37"--AbeBooks.
Author: Lucy R. Lippard
Publisher: Prentice Hall
ISBN:
Category : Art
Languages : en
Pages : 234
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Book Description
Writings about surrealism by painters, poets, and other artists associated with the movement. Several translated from French.
Author: Francis M. Naumann
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Among the Americans were the photographer/painter/constructor Man Ray, the Precisionist painter and Fortune photographer Charles Sheeler, the Futurist Joseph Stella, and the Pennsylvania artists Charles Demuth and Morton Schamberg.
Author: Margarita Tupitsyn
Publisher: National Geographic Books
ISBN: 0262536390
Category : Art
Languages : en
Pages : 0
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Book Description
A lavishly illustrated volume that views Russian avant-garde art through the lens of Dada. This is the first book to approach Russian avant-garde art from the perspective of the anti-art canons associated with the international Dada movement. The works described and documented in Russian Dada were produced at the height of Dada's flourishing, between World War I and the death of Vladimir Lenin—who, incidentally, was a frequent visitor to Cabaret Voltaire in Zurich, the founding site of Dada. Like the Dadaists, the Russian avant-gardists whose works appear in this volume strove for internationalism, fused the verbal and visual, and engaged in eccentric practices and pacifist actions, including outrageous performances and anti-war campaigns. The works featured in this lavishly illustrated volume thrive on negation, irony, and absurdity, with the goal of constructing a new aesthetic paradigm that is an alternative to both positivist and rationalist Constructivism as well as metaphysical and cosmic Suprematism. The text and images show that, while not neglecting the serious project of public agitation for Marxist ideology, the artists often pushed the Dadaesque into Russian mass culture, in the form of absurdist and chance-based collages and designs. In such works, Russian “da, da (yes, yes)” was converted into a defiant “nyet, nyet (no, no)”. Russian Dada, which accompanies a major exhibition at the Museo Reina Sofia, Madrid, includes 250 images, almost all in color, and essays by leading art historians. An appendix provides a wide selection of primary texts—historical writings by such key figures as Nikolai Punin, Kazimir Malevich, Varvara Stepanova, and Aleksandr Rodchenko. Essays by Margarita Tupitsyn, Victor Tupitsyn, Natasha Kurchanova, Olga Burenina-Petrova Artists Natan Altman, Vasilii Ermilov, 41°, Ivan Kluin, Gustav Klutsis, Aleksei Kruchenykh, Valentina Kulagina, Vladimir Lebedev, Kazimir Malevich, Aleksei Morgunov, the Nothingdoers, Ivan Puni, Aleksandr Rodchenko, Olga Rozanova, Sergei Sharshun, Varvara Stepanova, Wladyslaw Strzeminski, Vladimir Tatlin, Igor Terentiev, Nadezhda Udaltsova, Ilya Zdanevich, Kirill Zdanevich Copublished with Museo Nacional Centro de Arte Reina Sofia in Madrid
