Cy Twombly, Paintings and Drawings, 1954-1977

Cy Twombly, Paintings and Drawings, 1954-1977 PDF Author: Cy Twombly
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 122

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Cy Twombly, Paintings and Drawings, 1954-1977

Cy Twombly, Paintings and Drawings, 1954-1977 PDF Author: Cy Twombly
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 122

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Book Description


Cy Twombly

Cy Twombly PDF Author: Cy Twombly
Publisher: Schirmer/Mosel Verlag Gmbh
ISBN: 9783829601818
Category : Art
Languages : en
Pages : 159

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Book Description
"Cy Twombly's work realizes its most personal expression in his intimately sized drawings and paintings on paper. Finding inspiration as much in the forces of nature as in ancient epics and legend, and using the simplest of media - pencils, ballpoint pens, crayons, wall paint - he creates poetic and archaic worlds, usually in series and often as collages." "The eighty-four works in this retrospective, organized by the State Hermitage Museum, St. Petersburg, in 2003 to mark Twombly's seventy-fifth birthday, were collected from the artist's studio, and many have not been previously exhibited. Dating from between 1953 and 2002, the drawings embrace the entire career of one of the most important American artists alive today, from his early monotypes to the major mythological cycles of later years, revealing the many nuances of his aesthetic approach."--BOOK JACKET.

Cy Twombly, Works on Paper, 1954-1976

Cy Twombly, Works on Paper, 1954-1976 PDF Author: Cy Twombly
Publisher:
ISBN:
Category :
Languages : en
Pages : 108

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Reading Cy Twombly

Reading Cy Twombly PDF Author: Mary Jacobus
Publisher: Princeton University Press
ISBN: 069117072X
Category : Art
Languages : en
Pages : 320

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Book Description
Cover -- Title -- Copyright -- Contents -- PREFACE AND ACKNOWLEDGMENTS -- INTRODUCTION: TWOMBLY'S BOOKS -- 1 MEDITERRANEAN PASSAGES: RETROSPECT -- 2 PSYCHOGRAM AND PARNASSUS: HOW (NOT) TO READ A TWOMBLY -- 3 TWOMBLY'S VAGUENESS: THE POETICS OF ABSTRACTION -- 4 ACHILLES' HORSES, TWOMBLY'S WAR -- 5 ROMANTIC TWOMBLY -- 6 THE PASTORAL STAIN -- 7 PSYCHE: THE DOUBLE DOOR -- 8 TWOMBLY'S LAPSE -- POSTSCRIPT: WRITING IN LIGHT -- NOTES -- BIBLIOGRAPHY -- INDEX

Cy Twombly an Untitled Painting

Cy Twombly an Untitled Painting PDF Author: Robert Pincus-Witten
Publisher:
ISBN:
Category :
Languages : en
Pages : 25

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Cy Twombly

Cy Twombly PDF Author: Cy Twombly
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 64

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Drawing from the Modern

Drawing from the Modern PDF Author: Jodi Hauptman
Publisher: The Museum of Modern Art
ISBN: 9780870706646
Category : Architecture
Languages : en
Pages : 236

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Book Description
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.

Cy Twombly, Coronation of Sesostris

Cy Twombly, Coronation of Sesostris PDF Author: Cy Twombly
Publisher:
ISBN: 9781880154458
Category : Art
Languages : en
Pages : 29

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Book Description
For the first time in nearly 30 years, new paintings by Cy Twombley were exhibited at a New York gallery. This book documents the recent show at Gagosian Gallery, and includes color plates of all paintings in a beautiful multipanel gatefold.

Cy Twombly Photographs

Cy Twombly Photographs PDF Author: Cy Twombly
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 96

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Book Description
Matthew Marks is pleased to announce his next exhibition will be Cy Twombly Photographs. The exhibition will consist of twenty-nine color photographs. This is the first time Twombly has exhibited work in this medium.Cy Twombly began experimenting with color photography in the early 1980s. About four years ago he started working with the master printers Michel and Jean-Francois Fresson at the Atelier Fresson in Savigny sur Orge, France. The Fresson technique is a unique photographic printing process carried on exclusively by the Fresson family since 1990. The photographs which result have an unusually rich surface and extraordinary, saturated colors over which the artist is able to maintain exceptional control. Fresson prints are the most permanent photographic color images made today.The subject matter of Twombly's photographs are flowers, trees and ancient Roman sculptures. The majority of the works in the exhibition have been put together by the artist into groups of five or six images. Theirs is similar to the way Twombly has presented his paintings and drawings in the past. While not as abstract as his work in other media, the photographs Twombly will show are close in feeling to his larger scale work and are important to an understanding of his subject matter and working methods.The last exhibition in New York consisting of entirely new work by Cy Twombly was held in 1982. -- Press Release (see link).

Contemporary Art and Classical Myth

Contemporary Art and Classical Myth PDF Author: Jennie Hirsh
Publisher: Routledge
ISBN: 1351571028
Category : Art
Languages : en
Pages : 625

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Book Description
Contemporary art is deeply engaged with the subject of classical myth. Yet within the literature on contemporary art, little has been said about this provocative relationship. Composed of fourteen original essays, Contemporary Art and Classical Myth addresses this scholarly gap, exploring, and in large part establishing, the multifaceted intersection of contemporary art and classical myth. Moving beyond the notion of art as illustration, the essays assembled here adopt a range of methodological frameworks, from iconography to deconstruction, and do so across an impressive range of artists and objects: Francis Al?s, Ghada Amer, Wim Delvoye, Luciano Fabro, Joanna Frueh, Felix Gonzales-Torres, Duane Hanson, Yayoi Kusama, Roy Lichtenstein, Kara Walker, and an iconic photograph by Richard Drew subsequently entitled The Falling Man.? Arranged so as to highlight both thematic and structural affinities, these essays manifest various aspects of the link between contemporary art and classical myth, while offering novel insights into the artists and myths under consideration. Some essays concentrate on single works as they relate to specific myths, while others take a broader approach, calling on myth as a means of grappling with dominant trends in contemporary art.