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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
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Book Description
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 958
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
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Book Description
Author:
Publisher:
ISBN:
Category : Classification
Languages : en
Pages : 460
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Book Description
Author: Petra ten-Doesschate Chu
Publisher: BRILL
ISBN: 9004387838
Category : Art
Languages : en
Pages : 339
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Book Description
The complex interweaving of different Western visions of China had a profound impact on artistic exchange between China and the West during the nineteenth century. Beyond Chinoiserie addresses the complexity of this exchange. While the playful Western “vision of Cathay” formed in the previous century continued to thrive, a more realistic vision of China was increasingly formed through travel accounts, paintings, watercolors, prints, book illustrations, and photographs. Simultaneously, the new discipline of sinology led to a deepening of the understanding of Chinese cultural history. Leading and emerging scholars in the fields of art history, literary studies and material culture, have authored the ten essays in this book, which deal with artistic relations between China and the West at a time when Western powers’ attempts to extend a sphere of influence in China led to increasingly hostile political interactions.
Author: American Art Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 1078
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Author: William Leonard Schwartz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 270
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Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1050
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Book Description
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 228
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Book Description
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
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Book Description
Author: Elizabeth Emery
Publisher: Bloomsbury Publishing USA
ISBN: 1501344641
Category : Art
Languages : en
Pages : 272
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Book Description
Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the twenty-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d'Ennery (18231898), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the Musée d'Ennery to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand- Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d'Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists-Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few- took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art.
