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Author: Monica Naso
Publisher: Taylor & Francis
ISBN: 1003836917
Category : Architecture
Languages : en
Pages : 173
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Book Description
Curated in China: Manipulating the City through the Shenzhen Bi-City Biennale of Urbanism\Architecture provides an in-depth observation of an architecture and urbanism exhibition with transformative objectives. It uses simultaneous narratives to explore scales and perspectives and the layered spatial and political agency that an ephemeral event – the Shenzhen Bi-City Biennale of Urbanism\Architecture – has gradually established in the city between 2005 and 2019. Encapsulating Shenzhen’s ambitions as a world-class city, the Biennale aims to actively build a relationship between architecture and socio-spatial issues as a device to not only investigate the city’s hypertrophic development, but also manipulate its urban fabric. The spaces transformed by the exhibition convey visual delight and urban extravaganza; they also embody the interlocking of multiple (intellectual, corporate and institutional) actors who exploit the event in the pursuit of different goals. Everybody strolls around and enjoys the spectacle set up in the allegedly pacifying space of the exhibition; nevertheless, what lies behind – and beyond – the event? By addressing students and scholars in the fields of architecture and urban space, the book unpacks the layered frictions between a temporary event’s narrative apparatus and its physical outcomes, questioning the relationship between biennials as theoretical platforms and their agency in real urban spaces.
Author: Monica Naso
Publisher: Taylor & Francis
ISBN: 1003836917
Category : Architecture
Languages : en
Pages : 173
Get Book Here
Book Description
Curated in China: Manipulating the City through the Shenzhen Bi-City Biennale of Urbanism\Architecture provides an in-depth observation of an architecture and urbanism exhibition with transformative objectives. It uses simultaneous narratives to explore scales and perspectives and the layered spatial and political agency that an ephemeral event – the Shenzhen Bi-City Biennale of Urbanism\Architecture – has gradually established in the city between 2005 and 2019. Encapsulating Shenzhen’s ambitions as a world-class city, the Biennale aims to actively build a relationship between architecture and socio-spatial issues as a device to not only investigate the city’s hypertrophic development, but also manipulate its urban fabric. The spaces transformed by the exhibition convey visual delight and urban extravaganza; they also embody the interlocking of multiple (intellectual, corporate and institutional) actors who exploit the event in the pursuit of different goals. Everybody strolls around and enjoys the spectacle set up in the allegedly pacifying space of the exhibition; nevertheless, what lies behind – and beyond – the event? By addressing students and scholars in the fields of architecture and urban space, the book unpacks the layered frictions between a temporary event’s narrative apparatus and its physical outcomes, questioning the relationship between biennials as theoretical platforms and their agency in real urban spaces.
Author: Denise Y. Ho
Publisher: Cambridge University Press
ISBN: 1108417957
Category : Art
Languages : en
Pages : 325
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Book Description
Curating Revolution examines how Mao-era exhibitions shaped popular understandings of, and participation in, the political campaigns of China's Communist revolution.
Author: Emily Mokros
Publisher: University of Washington Press
ISBN: 029574880X
Category : History
Languages : en
Pages : 282
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Book Description
In the Qing dynasty (1644–1911), China experienced far greater access to political information than suggested by the blunt measures of control and censorship employed by modern Chinese regimes. A tenuous partnership between the court and the dynamic commercial publishing enterprises of late imperial China enabled the publication of gazettes in a wide range of print and manuscript formats. For both domestic and foreign readers these official gazettes offered vital information about the Qing state and its activities, transmitting state news across a vast empire and beyond. And the most essential window onto Qing politics was the Peking Gazette, a genre that circulated globally over the course of the dynasty. This illuminating study presents a comprehensive history of the Peking Gazette and frames it as the cornerstone of a Qing information policy that, paradoxically, prized both transparency and secrecy. Gazettes gave readers a glimpse into the state’s inner workings but also served as a carefully curated form of public relations. Historian Emily Mokros draws from international archives to reconstruct who read the gazette and how they used it to guide their interactions with the Chinese state. Her research into the Peking Gazette’s evolution over more than two centuries is essential reading for anyone interested in understanding the relationship between media, information, and state power.
Author: Adrian Cheng
Publisher: Assouline Publishing
ISBN: 1614288844
Category : Travel
Languages : en
Pages : 6
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Book Description
While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.
Author: Anita Archer
Publisher: BRILL
ISBN: 9004510044
Category : Art
Languages : en
Pages : 366
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Book Description
Chinese Contemporary Art in the Global Auction Market charts the rapid emergence of a multi-million-dollar global market for Chinese Contemporary art by revealing the strategic activities of art world agents in promoting the work of ‘avant-garde’ Chinese artists to a Western audience.
Author: Annamari Vänskä
Publisher: Bloomsbury Publishing
ISBN: 1474287123
Category : Design
Languages : en
Pages : 313
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Book Description
As the practice of fashion curation extends into commercial galleries, public and retail spaces, and even to the individual self, professional concepts of 'curating' are undergoing rapid change. Today, everyone is seemingly able to 'curate', but where does this leave the traditional understanding of curation as clothing collected and displayed in a museum? This thought-provoking volume explores the practice of fashion curating in the 21st century, bridging the gap between methods of display and notions of 'the curatorial' in fashion exhibitions, commercial settings, and the virtual world. From fashion's earliest forays into the museum to creative collaborations between luxury fashion brands and artists, this book challenges understandings of fashion curation by drawing on the palpably new spaces, places, and actors in today's curating scene. Exploring poetic and performative museum displays in venues such as the V&A, Somerset House, MoMu and the Royal Ontario Museum, alongside the ways that brands such as Dior, Chanel and Louis Vuitton have made use of 'the curatorial' in their own commercial strategies, Fashion Curating asks pressing questions about controversial funding and collaboration from the commercial fashion sector, and the limitations of producing exhibitions that are at the same time critical and popular. Bringing together approaches from fashion curators, designers and world-renowned academics, curation is positioned as a critical practice that opens up new ways of conceptualizing and theorizing fashion, challenging how we think and what we already know.
Author: Feng Wang
Publisher: Cambridge University Press
ISBN: 1009444913
Category : Political Science
Languages : en
Pages : 273
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Book Description
Between the 1980s and the present day, China has experienced one of the most consequential economic transformations in world history. One-fifth of the Earth's population has left behind a life of scarcity and subsistence for one of abundance and material comfort, while their nation has emerged as a preeminent economic and political power. In a systematic historical and sociological analysis of this unique juncture, Wang Feng charts the origins, forces, and consequences of this meteoric rise in living standards. He shifts the focus away from institutions and policies to offer new perspectives based on consumption among poorer, rural populations as a driver of global economic change. But is this 'Age of Abundance' coming to an end? Anticipating potential headwinds, including an aging population, increasing inequality, and intensifying political control, Wang explores whether this preeminence could be coming to a close.
Author: Melissa Chiu
Publisher: Yale University Press
ISBN: 0300269889
Category : China
Languages : en
Pages : 241
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Book Description
A lively tour through experimental Chinese photography from the early 1990s to today The past thirty years were dynamic, transformative decades in Chinese photography. Artists exposed to recent work from around the globe experimented with photography in newly conceptual and expressive ways, and their art from this period offers a portrait of a country at a moment of rapid urbanization, globalization, and cultural foment. A Window Suddenly Opens reveals the key role that photography has played in questioning and refashioning the aesthetic and social status quo of modern Chinese society for the past three decades. Alongside prescient works by Cao Fei, Lin Tianmiao, Rong Rong, Song Dong, Wang Qingsong, Zhang Huan, Zhang Peili, and many other artists, essays and interviews by scholars and curators explore the history of experimental photography in China and the artistic transformations of the digital age. The book also features texts written between 1994 and 2014 by Chinese artists, some published for the first time here in English, which offer essential insights into their ideas and experiences as they forged new creative paths. To explore further, readers can instantly access artist videos inside this book with Hirshhorn Eye, the Hirshhorn Museum's award-winning image-recognition technology. Published in association with the Hirshhorn Museum and Sculpture Garden Exhibition Schedule: Hirshhorn Museum and Sculpture Garden (November 4, 2022-January 7, 2024)
Author: Sophia Kidd
Publisher: Springer Nature
ISBN: 9811685746
Category : Political Science
Languages : en
Pages : 248
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Book Description
This book approaches Silk Road studies from within the microcosm of China’s Southwest avant-garde arts sector in order to approach the macrocosm of China’s cultural heritage and creative industry influence worldwide. While reading China’s cultural hegemony and its attendant ideologies as ‘shaping’ memory and history throughout New Silk Road regions, the book includes new regional research from within China's borders, as well as throughout New Silk Road regions. With twenty years of experience in China, Sophia G. Kidd fills a void in discussions of the New Silk Roads (NSR) which fail to underscore the importance of the initiative’s people-to-people component. Cultural diplomacy aids cooperation between New Silk Road Regions by reducing ‘cultural discount’ of Chinese cultural exports, i.e., ideas and values, creating a shift of geo-cultural thinking to come. This book will prove illuminating for students of the arts and soft power in greater China.
Author: Thomas J. Berghuis
Publisher: Timezone 8 Limited
ISBN: 9789889926595
Category : Art
Languages : en
Pages : 328
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Book Description
Performance Art in China takes as its subject one of the most dynamic and controversial areas of experimental art practice in China. In his comprehensive study, Sydney-based theorist and art historian Thomas J. Berghuis introduces and investigates the idea of the "role of the mediated subject of the acting body in art," a notion grounded in the realization that the body is always present in art practice, as well as its subsequent, secondary representations. Through a series of in-depth case studies, Berghuis reveals how, during the past 25 years, Chinese performance artists have "acted out" their art, often in opposition to the principles governing correct behavior in the public domain. In addition to a 25-year chronology of events, a systematic index of places, names and key terms, as well as a bibliography and a glossary in English and Chinese, this study also offers the reader numerous previously unpublished photos and documents.
