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Author: Vojtěch Novotný
Publisher: Karolinum Press
ISBN: 8024625199
Category : Religion
Languages : en
Pages : 182
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Book Description
This monograph has set itself the goal to examine, outline, elucidate, and supplement the existing body of knowledge concerning a theme from patristic and medieval theology recalled in 1953 by Marie-Dominique Chenu, and that is the assertion that man was created as a replacement for fallen angels (Yves Congar: créature de remplacement; Louis Bouyer: ange de remplacement). The study first shows that the idea of man having being created to take the place of fallen angels was introduced by St. Augustine and developed by other church fathers. It then identifies the typical contexts in which the subject was raised by authors of the early Middle Ages, but goes on to focus on the discussion that developed during the twelfth century (Anselm of Canterbury, the school of Laon, Rupert of Deutz, Honorius of Autun), which represents the high point of the theme under investigation, culminating in the assertion that man is an "original" being, created for its own sake, for whom God created the world – a world which together with, and through, man is destined for the heavenly Jerusalem. The question as to whether man would have been created if the angels had not sinned (cur homo) bears a clear similarity to a further controversy, the origins of which also go back to the twelfth century, and that is whether the Son of God would have become incarnate if man had not sinned (cur Deus homo). Next, the book sheds light on how the subject begins to gradually fade away through the twelfth and thirteenth centuries, both within monastic tradition, which nonetheless held onto Augustine's motif, and within scholastic theology, which asserted that man was created for his own sake. The conclusion summarizes the findings and points to the surprisingly contemporary relevance of the foregoing reflections, particularly in relation to the critique that the Swiss philosopher and theologian Romano Amerio († 1997) offers concerning a statement in the pastoral constitution of the Second Vatican Council (Gaudium et spes 24), according to which man is "the only creature on earth that God willed for itself".
Author: Vojtěch Novotný
Publisher: Karolinum Press
ISBN: 8024625199
Category : Religion
Languages : en
Pages : 182
Get Book Here
Book Description
This monograph has set itself the goal to examine, outline, elucidate, and supplement the existing body of knowledge concerning a theme from patristic and medieval theology recalled in 1953 by Marie-Dominique Chenu, and that is the assertion that man was created as a replacement for fallen angels (Yves Congar: créature de remplacement; Louis Bouyer: ange de remplacement). The study first shows that the idea of man having being created to take the place of fallen angels was introduced by St. Augustine and developed by other church fathers. It then identifies the typical contexts in which the subject was raised by authors of the early Middle Ages, but goes on to focus on the discussion that developed during the twelfth century (Anselm of Canterbury, the school of Laon, Rupert of Deutz, Honorius of Autun), which represents the high point of the theme under investigation, culminating in the assertion that man is an "original" being, created for its own sake, for whom God created the world – a world which together with, and through, man is destined for the heavenly Jerusalem. The question as to whether man would have been created if the angels had not sinned (cur homo) bears a clear similarity to a further controversy, the origins of which also go back to the twelfth century, and that is whether the Son of God would have become incarnate if man had not sinned (cur Deus homo). Next, the book sheds light on how the subject begins to gradually fade away through the twelfth and thirteenth centuries, both within monastic tradition, which nonetheless held onto Augustine's motif, and within scholastic theology, which asserted that man was created for his own sake. The conclusion summarizes the findings and points to the surprisingly contemporary relevance of the foregoing reflections, particularly in relation to the critique that the Swiss philosopher and theologian Romano Amerio († 1997) offers concerning a statement in the pastoral constitution of the Second Vatican Council (Gaudium et spes 24), according to which man is "the only creature on earth that God willed for itself".
Author:
Publisher: BRILL
ISBN: 9004468234
Category : Religion
Languages : en
Pages : 338
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Book Description
This volume explores the work of Anselm of Canterbury, theologian and archbishop, in light of the communities in which he participated.
Author:
Publisher: Liturgical Press
ISBN: 0879071583
Category : Religion
Languages : en
Pages : 176
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Book Description
There were two Bernards of Clairvaux. The first was the genuine Bernard who lived from 1090 to 1153, and wrote letters, sermons, and treatises that are of major consequence in the history of the twelfth century. The second is a host of writers, most of whom have not been identified, who wrote treatises attributed to the genuine Bernard, but that were not from his pen. This volume, the first complete translation in more than three hundred years, presents one of the most important texts in the history of medieval Latin spirituality. Written between 1170 and 1190 by an unidentified Cistercian monk-priest, Meditationes piisimae, “Very Devout Meditations,” became one of the most popular and widely distributed pieces of spiritual literature in the whole of the Middle Ages. The work survives in at least 670 manuscripts, with the complete English translation of the treatise published in 1701.
Author: Aleksander Gomola
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311058204X
Category : Religion
Languages : en
Pages : 242
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Book Description
Cognitive linguists and biblical and patristic scholars have recently given more attention to the presence of conceptual blends in early Christian texts, yet there has been so far no comprehensive study of the general role of conceptual blending as a generator of novel meanings in early Christianity as a religious system with its own identity. This monograph points in that direction and is a cognitive linguistic exploration of pastoral metaphors in a wide range of patristic texts, presenting them as variants of THE CHURCH IS A FLOCK network. Such metaphors or blends, rooted in the Bible, were used by Patristic writers to conceptualize a great number of particular notions that were constitutive for the early church, including the responsibilities of the clergy and the laity, morality and penance, church unity, baptism and soteriology. This study shows how these blends became indispensable building blocks of a new religious system and explains the role of conceptual blending in this process. The book is addressed to biblical and patristic scholars interested in a new, unifying perspective for various strands of early Christian thought and to cognitive linguists interested in the role of conceptual integration in religious language. Produced with the support of the Faculty of Philology, Jagiellonian University in Kraków, Poland.
Author: George McClure
Publisher: Cambridge University Press
ISBN: 1108569331
Category : History
Languages : en
Pages : 283
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Book Description
In this book, George McClure examines the intellectual tradition of challenges to religious and literary authority in the early modern era. He explores the hidden history of unbelief through the lens of Momus, the Greek god of criticism and mockery. Surveying his revival in Italy, France, Spain, Germany, the Netherlands, and England, McClure shows how Momus became a code for religious doubt in an age when such writings remained dangerous for authors. Momus ('Blame') emerged as a persistent and subversive critic of divine governance and, at times, divinity itself. As an emblem or as an epithet for agnosticism or atheism, he was invoked by writers such as Leon Battista Alberti, Anton Francesco Doni, Giordano Bruno, Luther, and possibly, in veiled form, by Milton in his depiction of Lucifer. The critic of gods also acted, in sometimes related fashion, as a critic of texts, leading the army of Moderns in Swift's Battle of the Books, and offering a heretical archetype for the literary critic.
Author: Margot E. Fassler
Publisher: University of Pennsylvania Press
ISBN: 1512823082
Category : History
Languages : en
Pages : 393
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Book Description
In Cosmos, Liturgy, and the Arts in the Twelfth Century, Margot E. Fassler takes readers into the rich, complex world of Hildegard of Bingen’s Scivias (meaning “Know the ways”) to explore how medieval thinkers understood and imagined the universe. Hildegard, renowned for her contributions to theology, music, literature, and art, developed unique methods for integrating these forms of thought and expression into a complete vision of the cosmos and of the human journey. Scivias was Hildegard’s first major theological work and the only one of her writings that was both illuminated and copied by scribes from her monastery during her lifetime. It contains not just religious visions and theological commentary, but also a shortened version of Hildegard’s play Ordo virtutum (“Play of the virtues”), plus the texts of fourteen musical compositions. These elements of Scivias, Fassler contends, form a coherent whole demonstrating how Hildegard used theology and the liturgical arts to lead and to teach the nuns of her community. Hildegard’s visual and sonic images unfold slowly and deliberately, opening up varied paths of knowing. Hildegard and her nuns adapted forms of singing that they believed to be crucial to the reform of the Church in their day and central to the ongoing turning of the heavens and to the nature of time itself. Hildegard’s vision of the universe is a “Cosmic Egg,” as described in Scivias, filled with strife and striving, and at its center unfolds the epic drama of every human soul, embodied through sound and singing. Though Hildegard’s view of the cosmos is far removed from modern understanding, Fassler’s analysis reveals how this dynamic cosmological framework from the Middle Ages resonates with contemporary thinking in surprising ways, and underscores the vitality of the arts as embodied modes of theological expression and knowledge.
Author: Ian P. Wei
Publisher: Cambridge University Press
ISBN: 1108904971
Category : History
Languages : en
Pages : 237
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Book Description
Exploring what theologians at the University of Paris in the thirteenth century understood about the boundary between humans and animals, this book demonstrates the great variety of ways in which they held similarity and difference in productive tension. Analysing key theological works, Ian P. Wei presents extended close readings of William of Auvergne, the Summa Halensis, Bonaventure, Albert the Great and Thomas Aquinas. These scholars found it useful to consider animals and humans together, especially with regard to animal knowledge and behaviour, when discussing issues including creation, the fall, divine providence, the heavens, angels and demons, virtues and passions. While they frequently stressed that animals had been created for use by humans, and sometimes treated them as tools employed by God to shape human behaviour, animals were also analytical tools for the theologians themselves. This study thus reveals how animals became a crucial resource for generating knowledge of God and the whole of creation.
Author:
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 600
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Book Description
Author: Saint Anselm (Archbishop of Canterbury)
Publisher:
ISBN:
Category : Atonement
Languages : en
Pages : 280
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Book Description
Author: Brent Nongbri
Publisher: Yale University Press
ISBN: 0300154178
Category : History
Languages : en
Pages : 328
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Book Description
Examining a wide array of ancient writings, Brent Nongbri dispels the commonly held idea that there is such a thing as ancient religion. Nongbri shows how misleading it is to speak as though religion was a concept native to pre-modern cultures.
