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Author: Christina Bartolomeo
Publisher: Simon and Schuster
ISBN: 0684856220
Category : Fiction
Languages : en
Pages : 230
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Book Description
The owner of a vintage clothing store must decide whether a new man's warmth and sense of humor are better than the calm security her fiance has to offer.
Author: Christina Bartolomeo
Publisher: Simon and Schuster
ISBN: 0684856220
Category : Fiction
Languages : en
Pages : 230
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Book Description
The owner of a vintage clothing store must decide whether a new man's warmth and sense of humor are better than the calm security her fiance has to offer.
Author: Victor Massé
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 58
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Book Description
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 682
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Book Description
Author: Eugène PLON
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
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Book Description
Author: Eugène Plon
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
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Book Description
Author: John Lyly
Publisher:
ISBN:
Category :
Languages : en
Pages : 590
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Book Description
Author: John Lyly
Publisher:
ISBN:
Category :
Languages : en
Pages : 602
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Book Description
Author: John Lyly
Publisher:
ISBN:
Category :
Languages : en
Pages : 590
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Book Description
Author: Alan Stewart
Publisher: Broadview Press
ISBN: 1770487263
Category : Literary Collections
Languages : en
Pages : 648
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Book Description
English drama between the late fifteenth century and the late sixteenth centuries is as diverse as it is engaging; this anthology brings together eighteen of the most interesting and important dramatic works from the period. The plays have been chosen to give a broad view of the drama produced in Tudor England. They testify to the eclectic tastes of sixteenth-century audiences, ranging from morality plays (Mankind, Everyman), to comedies inspired by the Roman plays of Terence and Plautus (Ralph Roister Doister), to tragedies inspired by the plays of Seneca (Gorboduc, Cambises). In later plays, morality plots rub shoulders with slapstick comic business (The Longer Thou Livest The More Fool Thou Art, The Three Ladies of London), and classical gods intervene in the affairs of England’s regions (Gallathea). While some of the plays offer pure entertainment, others have a clear political agenda. King Johan is presented as a prototype for English resistance to Rome’s Catholicism; Gorboduc’s decision to abdicate and divide his kingdom highlights the vexed question of the English succession under a childless queen. Other plays comment more obliquely on contemporary events. Play of the Four Elements reflects on England’s nascent maritime expeditions to the New World, while The Three Ladies of London comments topically on immigrant overcrowding in England’s port towns, and the dangers of England’s trade in the Mediterranean. Some plays push the boundaries of what the theatre can do in staging violence (Cambises) and questioning gender roles (Gallathea). Designed for undergraduate use, the anthology includes extensive explanatory annotations and a substantial introduction to each play; spelling and punctuation have been partially modernized in the interests of making the texts more accessible to students. In all this, the anthology follows principles similar to those developed for Christina M. Fitzgerald’s and John T. Sebastian’s Broadview Anthology of Medieval Drama; several of the plays from that anthology are also included here, while the rest have been newly edited for this volume, under the supervision of General Editor Alan Stewart.
Author: Celia Campbell
Publisher: University of Wisconsin Pres
ISBN: 0299348741
Category : History
Languages : en
Pages : 345
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Book Description
The Metamorphoses, written by the Roman poet Ovid, has fascinated readers ever since it was written in the first century CE, and here Celia M. Campbell offers a bold new interpretive approach. Reasserting the significance of the ancient hymnic tradition, she argues that the first pentad of Ovid's Metamorphoses draws a programmatic strain of influence from hymns to the gods, in particular conversation--and competition--with the work of the Alexandrian poet Callimachus, a favored source of inspiration to Augustan writers. She suggests that Ovid read Callimachus' six hymns as a self-conscious set--and reading the first five books of the Metamorphoses through Callimachus' hymnic collection allows us to pierce the occasionally opaque and seemingly idiosyncratic mythology Ovid constructs. Through careful, innovative close readings, Campbell illustrates that Callimachus and the hymnic tradition provide a kind of interpretative key to unlocking the dynamic landscape of divine power in Ovid's poetic cosmos.
