Author: Judith Ryan
Publisher: Routledge
ISBN: 1135458278
Category : Language Arts & Disciplines
Languages : en
Pages : 252
Book Description
In Cultures of Forgery, leading literary studies and cultural studies scholars examine the double meaning of the word "forge"-to create or to form, on the one hand, and to make falsely, on the other.
Cultures of Forgery
Author: Judith Ryan
Publisher: Routledge
ISBN: 1135458278
Category : Language Arts & Disciplines
Languages : en
Pages : 252
Book Description
In Cultures of Forgery, leading literary studies and cultural studies scholars examine the double meaning of the word "forge"-to create or to form, on the one hand, and to make falsely, on the other.
Publisher: Routledge
ISBN: 1135458278
Category : Language Arts & Disciplines
Languages : en
Pages : 252
Book Description
In Cultures of Forgery, leading literary studies and cultural studies scholars examine the double meaning of the word "forge"-to create or to form, on the one hand, and to make falsely, on the other.
The Lie Became Great
Author: Oscar White Muscarella
Publisher: BRILL
ISBN: 9789056930417
Category : History
Languages : en
Pages : 564
Book Description
A thrilling analysis of the world of plunderers, forgers, antiquity dealers, collectors, museums, auction houses with one thing in common: a vivid interest in the Ancient Near East.
Publisher: BRILL
ISBN: 9789056930417
Category : History
Languages : en
Pages : 564
Book Description
A thrilling analysis of the world of plunderers, forgers, antiquity dealers, collectors, museums, auction houses with one thing in common: a vivid interest in the Ancient Near East.
The Deceivers
Author: Aviva Briefel
Publisher: Cornell University Press
ISBN: 9780801444609
Category : Art
Languages : en
Pages : 266
Book Description
"The Deceivers explores the intersections among artistic crime, literary narrative, and the definition of identity. Through close reading of literary narratives such as Trilby and The Marble Faun as well as newspaper accounts of forgery scandals, The Deceivers reveals the identities - both authentic and fake - that emerged from the Victorian culture of forgery."--BOOK JACKET.
Publisher: Cornell University Press
ISBN: 9780801444609
Category : Art
Languages : en
Pages : 266
Book Description
"The Deceivers explores the intersections among artistic crime, literary narrative, and the definition of identity. Through close reading of literary narratives such as Trilby and The Marble Faun as well as newspaper accounts of forgery scandals, The Deceivers reveals the identities - both authentic and fake - that emerged from the Victorian culture of forgery."--BOOK JACKET.
Forgery in Nineteenth-Century Literature and Culture
Author: Sara Malton
Publisher: Palgrave MacMillan
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 208
Book Description
Malton examines the literary and cultural representation of the financial crime of forgery from the time of massive executions of forgers during the early nineteenth century to the forger's emergence as the ultimate criminal aesthete at the fin-de-siècle.
Publisher: Palgrave MacMillan
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 208
Book Description
Malton examines the literary and cultural representation of the financial crime of forgery from the time of massive executions of forgers during the early nineteenth century to the forger's emergence as the ultimate criminal aesthete at the fin-de-siècle.
Forgery, Replica, Fiction
Author: Christopher S. Wood
Publisher: University of Chicago Press
ISBN: 0226905977
Category : Art
Languages : en
Pages : 399
Book Description
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
Publisher: University of Chicago Press
ISBN: 0226905977
Category : Art
Languages : en
Pages : 399
Book Description
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
Forgery and Impersonation in Imperial China
Author: Mark McNicholas
Publisher: University of Washington Press
ISBN: 0295806230
Category : History
Languages : en
Pages : 280
Book Description
Across eighteenth-century China a wide range of common people forged government documents or pretended to be officials or other agents of the state. This examination of case records and law codes traces the legal meanings and social and political contexts of small-time swindles that were punished as grave political transgressions.
Publisher: University of Washington Press
ISBN: 0295806230
Category : History
Languages : en
Pages : 280
Book Description
Across eighteenth-century China a wide range of common people forged government documents or pretended to be officials or other agents of the state. This examination of case records and law codes traces the legal meanings and social and political contexts of small-time swindles that were punished as grave political transgressions.
Forgery in Nineteenth-Century Literature and Culture
Author: S. Malton
Publisher: Springer
ISBN: 0230619746
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
Malton examines the literary and cultural representation of the financial crime of forgery from the time of massive executions of forgers during the early nineteenth century to the forger's emergence as the ultimate criminal aesthete at the fin-de-siècle.
Publisher: Springer
ISBN: 0230619746
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
Malton examines the literary and cultural representation of the financial crime of forgery from the time of massive executions of forgers during the early nineteenth century to the forger's emergence as the ultimate criminal aesthete at the fin-de-siècle.
Literary Forgery in Early Modern Europe, 1450–1800
Author: Walter Stevens
Publisher: JHU Press
ISBN: 1421426889
Category : History
Languages : en
Pages : 437
Book Description
“The essays gathered in this volume demonstrate that studying early modern European literary forgeries is a fascinating cultural adventure” (Lina Bolzoni author of The Gallery of Memory). This comprehensive study of literary and historiographical forgery goes well beyond questions of authorship. It spotlights the imaginative vitality of forgery and its sinister impact on genuine scholarship. This volume demonstrates that early modern forgery was a literary tradition in its own right, with distinctive connections to politics, Greek and Roman classics, religion, philosophy, and modern literature. The early modern explosion in forgery of all kinds—particularly in the fields of literary and archaeological falsification—demonstrates a dramatic shift in attitudes toward historical evidence and in the relation of texts to contemporary society. The authors capture the impact of this evolution within many cultural transformations, including the rise of print, changing tastes and fortunes of the literary marketplace, and the Protestant and Catholic Reformations. The thirteen essays draw on Johns Hopkins University’s Bibliotheca Fictiva, the world’s premier research collection dedicated exclusively to the subject of literary forgery. It consists of several thousand rare books and unique manuscript materials from the early modern period and beyond. Contributors: Frederic Clark, James Coleman, Richard Cooper, Arthur Freeman, Anthony Grafton, A. Katie Harris, Earle A. Havens, Jack Lynch, Shana D. O’Connell, Ingrid Rowland, Walter Stephens, Elly Truitt, Kate Tunstall
Publisher: JHU Press
ISBN: 1421426889
Category : History
Languages : en
Pages : 437
Book Description
“The essays gathered in this volume demonstrate that studying early modern European literary forgeries is a fascinating cultural adventure” (Lina Bolzoni author of The Gallery of Memory). This comprehensive study of literary and historiographical forgery goes well beyond questions of authorship. It spotlights the imaginative vitality of forgery and its sinister impact on genuine scholarship. This volume demonstrates that early modern forgery was a literary tradition in its own right, with distinctive connections to politics, Greek and Roman classics, religion, philosophy, and modern literature. The early modern explosion in forgery of all kinds—particularly in the fields of literary and archaeological falsification—demonstrates a dramatic shift in attitudes toward historical evidence and in the relation of texts to contemporary society. The authors capture the impact of this evolution within many cultural transformations, including the rise of print, changing tastes and fortunes of the literary marketplace, and the Protestant and Catholic Reformations. The thirteen essays draw on Johns Hopkins University’s Bibliotheca Fictiva, the world’s premier research collection dedicated exclusively to the subject of literary forgery. It consists of several thousand rare books and unique manuscript materials from the early modern period and beyond. Contributors: Frederic Clark, James Coleman, Richard Cooper, Arthur Freeman, Anthony Grafton, A. Katie Harris, Earle A. Havens, Jack Lynch, Shana D. O’Connell, Ingrid Rowland, Walter Stephens, Elly Truitt, Kate Tunstall
Manufacturing a Past for the Present
Author:
Publisher: BRILL
ISBN: 9004276815
Category : History
Languages : en
Pages : 357
Book Description
In search of specific national traditions nineteenth-century artists and scholars did not shy of manipulating texts and objects or even outright manufacturing them. The essays edited by János M. Bak, Patrick J. Geary and Gábor Klaniczay explore the various artifacts from outright forgeries to fruits of poetic phantasy, while also discussing the volatile notion of authenticity and the multiple claims for it in the age. Contributors include: Pavlína Rychterová, Péter Dávidházi, Pertti Anttonen, László Szörényi, János M. Bak, Nóra Berend, Benedek Láng, Igor P. Medvedev, Dan D.Y. Shapira, János György Szilágyi, Cristina La Rocca, Giedrė Mickūnaitė, Johan Hegardt and Sándor Radnóti.
Publisher: BRILL
ISBN: 9004276815
Category : History
Languages : en
Pages : 357
Book Description
In search of specific national traditions nineteenth-century artists and scholars did not shy of manipulating texts and objects or even outright manufacturing them. The essays edited by János M. Bak, Patrick J. Geary and Gábor Klaniczay explore the various artifacts from outright forgeries to fruits of poetic phantasy, while also discussing the volatile notion of authenticity and the multiple claims for it in the age. Contributors include: Pavlína Rychterová, Péter Dávidházi, Pertti Anttonen, László Szörényi, János M. Bak, Nóra Berend, Benedek Láng, Igor P. Medvedev, Dan D.Y. Shapira, János György Szilágyi, Cristina La Rocca, Giedrė Mickūnaitė, Johan Hegardt and Sándor Radnóti.
Collectors, Scholars, and Forgers in the Ancient World
Author: Carolyn Higbie
Publisher: Oxford University Press
ISBN: 0191077151
Category : Art
Languages : en
Pages : 305
Book Description
Collectors, Scholars, and Forgers in the Ancient World focuses on the fascination which works of art, texts, and antiquarian objects inspired in Greeks and Romans in antiquity and draws parallels with other cultures and eras to offer contexts for understanding that fascination. Statues, bronze weapons, books, and bones might have been prized for various reasons: because they had religious value, were the work of highly regarded artists and writers, had been possessed by famous mythological figures, or were relics of a long disappeared past. However, attitudes towards these objects also changed over time: sculpture which was originally created for a religious purpose became valuable as art and could be removed from its original setting, while historians discovered value in inscriptions and other texts for supporting historical arguments and literary scholars sought early manuscripts to establish what authors really wrote. As early as the Hellenistic era, some Greeks and Romans began to collect objects and might even display them in palaces, villas, or gardens; as these objects acquired value, a demand was created for more of them, and so copyists and forgers created additional pieces - while copyists imitated existing pieces of art, sometimes adapting to their new settings, forgers created new pieces to complete a collection, fill a gap in historical knowledge, make some money, or to indulge in literary play with knowledgeable readers. The study of forged relics is able to reveal not only what artefacts the Greeks and Romans placed value on, but also what they believed they understood about their past and how they interpreted the evidence for it. Drawing on the latest scholarship on forgery and fakes, as well as a range of examples, this book combines stories about frauds with an analysis of their significance, and illuminates and explores the link between collectors, scholars, and forgers in order to offer us a way to better understand the power that objects held over the ancient Greeks and Romans.
Publisher: Oxford University Press
ISBN: 0191077151
Category : Art
Languages : en
Pages : 305
Book Description
Collectors, Scholars, and Forgers in the Ancient World focuses on the fascination which works of art, texts, and antiquarian objects inspired in Greeks and Romans in antiquity and draws parallels with other cultures and eras to offer contexts for understanding that fascination. Statues, bronze weapons, books, and bones might have been prized for various reasons: because they had religious value, were the work of highly regarded artists and writers, had been possessed by famous mythological figures, or were relics of a long disappeared past. However, attitudes towards these objects also changed over time: sculpture which was originally created for a religious purpose became valuable as art and could be removed from its original setting, while historians discovered value in inscriptions and other texts for supporting historical arguments and literary scholars sought early manuscripts to establish what authors really wrote. As early as the Hellenistic era, some Greeks and Romans began to collect objects and might even display them in palaces, villas, or gardens; as these objects acquired value, a demand was created for more of them, and so copyists and forgers created additional pieces - while copyists imitated existing pieces of art, sometimes adapting to their new settings, forgers created new pieces to complete a collection, fill a gap in historical knowledge, make some money, or to indulge in literary play with knowledgeable readers. The study of forged relics is able to reveal not only what artefacts the Greeks and Romans placed value on, but also what they believed they understood about their past and how they interpreted the evidence for it. Drawing on the latest scholarship on forgery and fakes, as well as a range of examples, this book combines stories about frauds with an analysis of their significance, and illuminates and explores the link between collectors, scholars, and forgers in order to offer us a way to better understand the power that objects held over the ancient Greeks and Romans.