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Author: Judith Ryan
Publisher: Routledge
ISBN: 1135458278
Category : Language Arts & Disciplines
Languages : en
Pages : 252
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Book Description
In Cultures of Forgery, leading literary studies and cultural studies scholars examine the double meaning of the word "forge"-to create or to form, on the one hand, and to make falsely, on the other.
Author: Judith Ryan
Publisher: Routledge
ISBN: 1135458278
Category : Language Arts & Disciplines
Languages : en
Pages : 252
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Book Description
In Cultures of Forgery, leading literary studies and cultural studies scholars examine the double meaning of the word "forge"-to create or to form, on the one hand, and to make falsely, on the other.
Author: Oscar White Muscarella
Publisher: BRILL
ISBN: 9789056930417
Category : History
Languages : en
Pages : 564
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Book Description
A thrilling analysis of the world of plunderers, forgers, antiquity dealers, collectors, museums, auction houses with one thing in common: a vivid interest in the Ancient Near East.
Author:
Publisher: BRILL
ISBN: 9004106901
Category : Art
Languages : en
Pages : 378
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Book Description
A collection of eleven chapters which explore the question of forgery from different disciplinary angles and in varied national contexts, using the concept of performance to gain greater insight.
Author: Thierry Lenain
Publisher: Reaktion Books
ISBN: 1861899599
Category : Art
Languages : en
Pages : 386
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Book Description
With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique history, Thierry Lenain examines the genealogy of faking and interrogates the anxious, often neurotic, reactions triggered in the modern art world by these clever frauds. Lenain begins his history in the Middle Ages, when the issue of false relics and miracles often arose. But during this time, if a relic gave rise to a cult, it would be considered as genuine even if it obviously had been forged. In the Renaissance, forgery was initially hailed as a true artistic feat. Even Michelangelo, the most revered artist of the time, copied drawings by other masters, many of which were lent to him by unsuspecting collectors. Michelangelo would keep the originals himself and return the copies in their place. As Lenain shows, authenticity, as we think of it, is a purely modern concept. And the recent innovations in scientific attribution, archaeology, graphology, medical science, and criminology have all contributed to making forgery more detectable—and thus more compelling and essential to detect. He also analyzes the work of master forgers like Eric Hebborn, Thomas Keating, and Han van Meegeren in order to describe how pieces baffled the art world. Ultimately, Lenain argues that the science of accurately deciphering an individual artist’s unique characteristics has reached a level of forensic sophistication matched only by the forger’s skill and the art world’s paranoia.
Author: Muscarella
Publisher: BRILL
ISBN: 9004502149
Category : History
Languages : en
Pages : 548
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Book Description
The Lie Became Great explores the closed society of international plunderers and forgers which thrives as a subculture of the Art World. These multi-cultural denizens include antiquity dealers, collectors, museum curators, forgers working in conjunction with auction houses, museums and galleries. Forgeries are made to be sold, and a great number pass into the Art World - collections, exhibitions, catalogues, and popular and scholarly journals - complete with their fabricated stories of excavation, and how they were found. The Lie Became Great documents the success and activities of one small corner of this vast network - artifacts form the Ancient Near East - with hundreds of detailed catalogue entries of forgeries. The participants in this society gain money, prestige, power, position as they distort and irretrievably damage the true story of our cultural heritage. STYX PUBLICATIONS
Author: Sara Malton
Publisher: Palgrave MacMillan
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 208
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Book Description
In Forgery in Nineteenth-Century Literature and Culture, Sara Malton insists that we fully account for the prominence of forgery in the nineteenth-century cultural imagination. Examining a range of works from Dickens to Wilde, she considers how social and legal contexts inform the shifting representation of the crime and its varied perpetrators throughout the nineteenth century. Distinct in its historical attentiveness, Forgery in Nineteenth-Century Literature and Culture illuminates the breadth of cultural issues to which this “crime of the first magnitude” is linked.
Author: Aviva Briefel
Publisher: Cornell University Press
ISBN: 9780801444609
Category : Art
Languages : en
Pages : 266
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Book Description
"The Deceivers explores the intersections among artistic crime, literary narrative, and the definition of identity. Through close reading of literary narratives such as Trilby and The Marble Faun as well as newspaper accounts of forgery scandals, The Deceivers reveals the identities - both authentic and fake - that emerged from the Victorian culture of forgery."--BOOK JACKET.
Author: Christopher S. Wood
Publisher: University of Chicago Press
ISBN: 0226905977
Category : Art
Languages : en
Pages : 399
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Book Description
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
Author: S. Malton
Publisher: Springer
ISBN: 0230619746
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Malton examines the literary and cultural representation of the financial crime of forgery from the time of massive executions of forgers during the early nineteenth century to the forger's emergence as the ultimate criminal aesthete at the fin-de-siècle.
Author: Daniel Becker
Publisher: transcript Verlag
ISBN: 3839437628
Category : Social Science
Languages : en
Pages : 249
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Book Description
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.
