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Author: Laura Raicovich
Publisher: Verso Books
ISBN: 1839760524
Category : Art
Languages : en
Pages : 225
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Book Description
A leading activist museum director explains why museums are at the center of a political storm In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
Author: Laura Raicovich
Publisher: Verso Books
ISBN: 1839760524
Category : Art
Languages : en
Pages : 225
Get Book Here
Book Description
A leading activist museum director explains why museums are at the center of a political storm In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
Author: Laura Raicovich
Publisher: Verso Books
ISBN: 1839760508
Category : Art
Languages : en
Pages : 225
Get Book Here
Book Description
A leading activist museum director explains why museums are at the center of a political storm In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
Author: Dennis Tedlock
Publisher: University of Illinois Press
ISBN: 9780252064432
Category : Language Arts & Disciplines
Languages : en
Pages : 316
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Book Description
Major figures in contemporary anthropology present a dialogic critique of ethnography. Moving beyond sociolinguistics and performance theory, and inspired by Bakhtin and by their own field experiences, the contributors revise notions of where culture actually resides. This pioneering effort integrates a concern for linguistic processes with interpretive approaches to culture. Culture and ethnography are located in social interaction. The collection contains dialogues that trace the entire course of ethnographic interpretation, from field research to publication. The authors explore an anthropology that actively acknowledges the dialogical nature of its own production. Chapters strike a balance between theory and practice and will also be of interest in cultural studies, literary criticism, linguistics, and philosophy. CONTRIBUTORS: Deborah Tannen, John Attinasi, Paul Friedrich, Billie Jean Isbell, Allan F. Burns, Jane H. Hill, Ruth Behar, Jean DeBernardi, R. P. McDermott, Henry Tylbor, Alton L. Becker, Bruce Mannheim, Dennis Tedlock
Author: Eric Antone Plumer
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
More than fifty books debunking the religious claims of The Da Vinci Code have been published. Thisis the first book devoted to the fundamentally more interesting question: if those claims are so unfounded and erroneous, why have they resonated so strongly with millions of intelligent readers and filmgoers? From the sexual abuse scandal that shook the foundations of the Catholic Church to the 9/11 terrorist attacks that cast a cloud over a troubled nation, Eric Plumer's The Catholic Church and American Culture: Why the Claims of the DaVinci Code Struck a Chord investigates the contemporary events, ideas, and movements that fostered Dan Brown's unprecedented dominance of best-seller lists and dinner-table conversation. This ambitious book considers the feminist movement, radical individualism, twelve-step programs, the authority of science and psychology, and other cultural developments that paved the way for The Da Vinci Code craze. It also reflects on the recent publication of the Gnostic Gospels, including the Gospel of Mary Magdalene. Plumer's engaging book is sure to stimulate further discussion about the role of religion in contemporary life.
Author: George Lipsitz
Publisher: University of Illinois Press
ISBN: 9780252063947
Category : Business & Economics
Languages : en
Pages : 372
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Book Description
Rainbow at Midnight details the origins and evolution of working-class strategies for independence during and after World War II. Arguing that the 1940s may well have been the most revolutionary decade in U.S. history, George Lipsitz combines popular culture, politics, economics, and history to show how war mobilization transformed the working class and how that transformation brought issues of race, gender, and democracy to the forefront of American political culture. This book is a substantially revised and expanded work developed from the author's heralded 1981 Class and Culture in Cold War America.
Author: Cynthia Littleton
Publisher: Syracuse University Press
ISBN: 0815610084
Category : Performing Arts
Languages : en
Pages : 326
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Book Description
TV on Strike examines the upheaval in the entertainment industry by telling the inside story of the hundred-day writers’ strike that crippled Hollywood in late 2007 and early 2008. The television industry’s uneasy transition to the digital age was the driving force behind the most significant labor dispute of the twenty-first century. The strike put a spotlight on how the advent of new-media distribution platforms is reshaping the traditional business models that have governed the television industry for decades. The uncertainty that sent writers out into the streets of Los Angeles and New York with picket signs laid bare the depth of the divide between the media barons who rule the entertainment industry and the writers who are integral as the creators of movies and television shows. With both sides afraid of losing millions in future profits, a critical communication breakdown spurred a fierce battle with repercussions that continue today. The saga of the Writers Guild of America strike is told through the eyes of the key players on both sides of the negotiating table and of the foot soldiers who surprised even themselves with the strength of their resolve to fight for their rights in the face of an ambiguous future. In the years since the strike ended, the rise of digital distribution platforms has changed the business landscape in ways that few could have predicted when Hollywood guilds were feverishly trying to hammer out a contract template for a new era.
Author: Amy Swerdlow
Publisher: University of Chicago Press
ISBN: 9780226786353
Category : History
Languages : en
Pages : 356
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Book Description
Foreword by Catharine R. StimpsonAcknowledgmentsIntroduction1. "Raising a Hue and Cry"2. Prelude to a Peace Strike3. Who Are These Women?4. Organizing a "Nonorganization"5. Ladies' Day at the Capitol6. A Not-so-funny Thing Happened on the Way to Disarmament7. "The Women's Vote Is the Peace Vote"8. Not Our Sons, Not Your Sons, Not Their Sons: Hell, No, We Won't Let Them Go!9. We Have Met the Enemy--and They Are Our Sisters!ConclusionNotesBibliographyIndex Copyright © Libri GmbH. All rights reserved.
Author: Katy Shaw
Publisher: Cambridge Scholars Publishing
ISBN: 1443838608
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
This innovative study provides an exciting, challenging and accessible critical introduction to cultural representations of 1984–5 and analyses the ways in which these representations articulate an essential dialogic exchange of issues central to both the coal dispute and the development of literary and cultural studies over the past twenty five years. Focusing closely on the politics of form, the study interrogates the significance of the mode, means and function of strikers’ writings, as well as alternative representations of the conflict offered by established writers, musicians, artists and film-makers in the wake of the coal dispute. These representations are worthy of study due to the critical interventions they offer, their evidence of the cultural pressures and forces of not only the strike period, but the post-strike years of industrial and labour change and their remarkable contribution to existing social, political and literary histories. Engaging with these works, many of which have never been subject to previous academic analysis, the study enables twenty-first-century readers to re-conceptualise paradigms of received wisdom concerning 1984–5. The significance of the competing representations offered by these very different cultural modes as they engage in a wider battle to ‘author’ the conflict is central to this study. Through a detailed analysis of these representations, as well as the socio-cultural contexts of their production and dissemination, this book explores a range of attempts to capture the sensibilities of late twentieth century society and contributes to an ongoing debate regarding cultural representations of this period in British history. Influenced by critical theory, the text is the first secondary resource concerning cultural representations of the 1984–5 UK miners’ strike available to the reading public the world over.
Author: Stephen H. Norwood
Publisher: Univ of North Carolina Press
ISBN: 0807860468
Category : Political Science
Languages : en
Pages : 342
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Book Description
This is the first systematic study of strikebreaking, intimidation, and anti-unionism in the United States, subjects essential to a full understanding of labor's fortunes in the twentieth century. Paradoxically, the country that pioneered the expansion of civil liberties allowed corporations to assemble private armies to disrupt union organizing, spy on workers, and break strikes. Using a social-historical approach, Stephen Norwood focuses on the mercenaries the corporations enlisted in their anti-union efforts--particularly college students, African American men, the unemployed, and men associated with organized crime. Norwood also considers the paramilitary methods unions developed to counter mercenary violence. The book covers a wide range of industries across much of the country. Norwood explores how the early twentieth-century crisis of masculinity shaped strikebreaking's appeal to elite youth and the media's romanticization of the strikebreaker as a new soldier of fortune. He examines how mining communities' perception of mercenaries as agents of a ribald, sexually unrestrained, new urban culture intensified labor conflict. The book traces the ways in which economic restructuring, as well as shifting attitudes toward masculinity and anger, transformed corporate anti-unionism from World War II to the present.
Author: James M. Dennis
Publisher: Univ of Wisconsin Press
ISBN: 0299251330
Category : Art
Languages : en
Pages : 261
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Book Description
Every work of art has a story behind it. In 1886 the German American artist Robert Koehler painted a dramatic wide-angle depiction of an imagined confrontation between factory workers and their employer. He called this oil painting The Strike. It has had a long and tumultuous international history as a symbol of class struggle and the cause of workers’ rights. First exhibited just days before the tragic Chicago Haymarket riot, The Strike became an inspiration for the labor movement. In the midst of the campaign for an eight-hour workday, it gained international attention at expositions in Paris, Munich, and the 1893 Chicago World’s Fair. Though the painting fell into obscurity for decades in the early twentieth century, The Strike lived on in wood-engraved reproductions in labor publications. Its purchase, restoration, and exhibition by New Left activist Lee Baxandall in the early 1970s launched it to international fame once more, and collectors and galleries around the world scrambled to acquire it. It is now housed in the Deutsches Historisches Museum in Berlin, Germany. Art historian James M. Dennis has crafted a compelling “biography” of Koehler’s painting: its exhibitions, acclaim, neglect, and rediscovery. He introduces its German-born creator and politically diverse audiences and traces the painting’s acceptance and rejection through the years, exploring how class and sociopolitical movements affected its reception. Dennis considers the significance of key figures in the painting, such as the woman asserting her presence in the center of action. He compellingly explains why The Strike has earned its identity as the iconic painting of the industrial labor movement.
