Culture figurative a confronto tra Fiandre e Italia dal XV al XVII secolo PDF Download
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Author: Anna De Floriani
Publisher:
ISBN:
Category : Art
Languages : it
Pages : 328
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Book Description
I rapporti ininterrotti che collegano la cultura figurativa delle Fiandre e dell'Europa settentrionale a quella dell'Italia e dell'area mediterranea furono particolarmente intensi tra XV e XVII secolo, come dimostrano gli studi più attuali e i contributi raccolti in questo volume, atti del convegno internazionale Nord/Sud. Ricezioni fiamminghe al di qua delle Alpi. Prospettive di studio e indagini tecniche svoltosi a Padova nell'autunno del 2007. Le ricerche qui pubblicate prendono in esame, tanto attraverso lo studio storico-stilistico quanto tramite le più moderne analisi fisico-chimiche, documenti figurativi di vario tipo (manoscritti, dipinti su tavola e su tela, disegni e incisioni) e di momenti diversi, spaziando da Jan van Eyck a Bosch e a Rembrandt, da Antonello da Messina a Leonardo e Raffaello. I contributi forniscono importanti tasselli utili per meglio delineare quell'articolata rete di relazioni e interscambi figurativi che contraddistingue la cultura europea della prima età moderna. Annotation Supplied by Informazioni Editoriali
Author: Anna De Floriani
Publisher:
ISBN:
Category : Art
Languages : it
Pages : 328
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Book Description
I rapporti ininterrotti che collegano la cultura figurativa delle Fiandre e dell'Europa settentrionale a quella dell'Italia e dell'area mediterranea furono particolarmente intensi tra XV e XVII secolo, come dimostrano gli studi più attuali e i contributi raccolti in questo volume, atti del convegno internazionale Nord/Sud. Ricezioni fiamminghe al di qua delle Alpi. Prospettive di studio e indagini tecniche svoltosi a Padova nell'autunno del 2007. Le ricerche qui pubblicate prendono in esame, tanto attraverso lo studio storico-stilistico quanto tramite le più moderne analisi fisico-chimiche, documenti figurativi di vario tipo (manoscritti, dipinti su tavola e su tela, disegni e incisioni) e di momenti diversi, spaziando da Jan van Eyck a Bosch e a Rembrandt, da Antonello da Messina a Leonardo e Raffaello. I contributi forniscono importanti tasselli utili per meglio delineare quell'articolata rete di relazioni e interscambi figurativi che contraddistingue la cultura europea della prima età moderna. Annotation Supplied by Informazioni Editoriali
Author: DavidM. Stone
Publisher: Routledge
ISBN: 1351572709
Category : Art
Languages : en
Pages : 690
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Book Description
As this collection of essays makes clear, the paths to grasping the complexity of Caravaggio?s art are multiple and variable. Art historians from the UK and North America offer new or recently updated interpretations of the works of seventeenth-century Italian painter Michelangelo Merisi da Caravaggio and of his many followers known as the Caravaggisti. The volume deals with all the major aspects of Caravaggio?s paintings: technique, creative process, religious context, innovations in pictorial genre and narrative, market strategies, biography, patronage, reception, and new hermeneutical trends. The concluding section tackles the essential question of Caravaggio?s legacy and the production of his followers-not only in terms of style but from some highly innovative strategies: concettismo; art marketing and the price of pictures; self-fashioning and biography; and the concept of emulation.
Author: Amy Golahny
Publisher: BRILL
ISBN: 9004431942
Category : Art
Languages : en
Pages : 288
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Book Description
Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists’ attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt’s art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists.
Author: Susan Stewart
Publisher: University of Chicago Press
ISBN: 022679220X
Category : Architecture
Languages : en
Pages : 401
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Book Description
"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--
Author: Ingrid Alexander-Skipnes
Publisher: Taylor & Francis
ISBN: 1317192060
Category : Art
Languages : en
Pages : 215
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Book Description
During the early modern period there was a natural correspondence between how artists might benefit from the knowledge of mathematics and how mathematicians might explore, through advances in the study of visual culture, new areas of enquiry that would uncover the mysteries of the visible world. This volume makes its contribution by offering new interdisciplinary approaches that not only investigate perspective but also examine how mathematics enriched aesthetic theory and the human mind. The contributors explore the portrayal of mathematical activity and mathematicians as well as their ideas and instruments, how artists displayed their mathematical skills and the choices visual artists made between geometry and arithmetic, as well as Euclid’s impact on drawing, artistic practice and theory. These chapters cover a broad geographical area that includes Italy, Switzerland, Germany, the Netherlands, France and England. The artists, philosophers and mathematicians whose work is discussed include Leon Battista Alberti, Nicholas Cusanus, Marsilio Ficino, Francesco di Giorgio, Leonardo da Vinci and Andrea del Verrocchio, as well as Michelangelo, Galileo, Piero della Francesca, Girard Desargues, William Hogarth, Albrecht Dürer, Luca Pacioli and Raphael.
Author: Arthur J. Di Furia
Publisher: BRILL
ISBN: 9004380825
Category : Architecture
Languages : en
Pages : 549
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Book Description
This book presents the first sustained study of the stunning drawings of Roman ruins by Haarlem artist Maarten van Heemskerck (1498–1574; in Rome, 1532–ca. 1537). In three parts, Arthur J. DiFuria describes Van Heemskerck’s pre-Roman training, his time in Rome, and his use his ruinscapes for the art he made during his forty-year post-Roman phase. Building on the methods of his predecessors, Van Heemskerck mastered a dazzling array of methods to portray Rome in compelling fashion. Upon his return home, his Roman drawings sustained him for the duration of his prolific career. Maarten van Heemskerck’s Rome concludes with the first ever catalog to bring together all of Van Heemskerck’s ruin drawings in state-of-the-art digital photography.
Author: Edward H. Wouk
Publisher: BRILL
ISBN: 9004343253
Category : Art
Languages : en
Pages : 858
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Book Description
Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liège and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris’s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of print.
Author: Walter Melion
Publisher: BRILL
ISBN: 9004310436
Category : Art
Languages : en
Pages : 787
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Book Description
Personification, or prosopopeia, the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier.
Author: Tamar Cholcman
Publisher: Cambridge Scholars Publishing
ISBN: 1443883492
Category : Art
Languages : en
Pages : 225
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Book Description
The Sides of the North is dedicated to Yona Pinson’s extensive scholarly work on Northern Renaissance art, from Hieronymus Bosch’s and Peter Breughel’s oeuvre, through lessons of morality, the Fool’s imagery, gender problems in the representation of the “femme fatale” bourgeois seductress, to emblem studies, and up to her most recent project on “Mirror, Moralization and Irony” in Bosch’s painting. In tribute to her research, this volume offers new insights into her fields of interest from a number of leading scholars in these disciplines. Larry Silver reconstructs a recently found Adoration of the Magi Triptych by Bosch, while Mara R. Wade, Michael J. Giordano and Kathryn M. Rudy discuss aspects of self-fashioning through portraiture, emblem books, and manuscripts and their spiritual and performative qualities. Nurith Kenaan-Kedar and Liad Rinot delve into problems of marginality in Gothic sculpture, as well as in Robert Campain’s and Jan van Eyck’s paintings. Ingrid Alexander-Skipnes, Ruth Strauss and Juliette Roding explore the topic of artistic identities and intentionalism, and political ideologies in various media, such as in small-scale sculptures and paintings. Just as Yona Pinson’s research diversified from iconographical studies to post-modern reflections on such issues as marginality and folly, this anthology presents a broad spectrum not only of the diverse topics, genres, and media of Northern Renaissance art, but also, and particularly, an overview of the methodological range of art scholarship of recent decades, thus offering readers insights into the intricate sides of contemporary Netherlandish visual culture.
Author: Dafna Nissim
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111244105
Category : History
Languages : en
Pages : 453
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Book Description
This collection of essays focuses on the way blurred boundaries are represented in pre-modern texts and visual art and how they were received and perceived by their audiences: readers, listeners, and viewers. According to the current understanding that opposing cognitive categories that are so common in modern thinking do not apply to pre-modern mentalities, we argue that individuals in medieval and pre-modern societies did not necessarily consider sacred and secular, male and female, real and fictional, and opposing emotions as absolute dichotomies. The contributors to the present collection examine a wide range of cultural artifacts – literary texts, wall paintings, sculptures, jewelry, manuscript illustrations, and various objects as to what they reflect regarding the dominant perceptual system – the network of beliefs, worldviews, presumptions, values, and norms of viewing/reading/hearing different from modern epistemology strongly predicated on the binary nature of things and people. The essays suggest that analyzing pre-modern cultural works of art or literature in light of reception theory can lead to a better understanding of how those cultural products influenced individuals and impacted their thoughts and actions.
