Author: Richard P. McKeon
Publisher: University of Chicago Press
ISBN: 0226560384
Category : Philosophy
Languages : en
Pages : 389
Book Description
Richard McKeon was a philosopher of extraordinary creativity who brought profoundly original ideas to bear on more standard ways of thinking and learning. A classicist, medievalist, and revolutionary intellectual, he fashioned an approach to philosophy as a plural conversation among varied traditions of thought, epochs, and civilizations. This second volume of McKeon's selected works demonstrates his approach to inquiry and practice in culture, education, and the arts. Together, the writings in this book show how McKeon reinvented the ancient arts of rhetoric, grammar, logic, and dialectic for the new circumstances of a global culture. In essays on creation and criticism, for instance, rhetoric is distinguished from grammar and shown to be the master art of invention, judgment, and pluralistic interpretation. Writings on themes of culture, meanwhile, explore the self-invention of mankind as justification for the arts, the development of the humanities, and the organization of the sciences. In the closing essays on education and philosophy, McKeon considers the implications of his ideas for the future of the liberal arts and higher learning.
Culture and Art: Selected Writings, Volume 1
Author: Bauman
Publisher:
ISBN: 9781509545452
Category :
Languages : en
Pages : 280
Book Description
"Previously unpublished writings on culture and art by one of the most influential social thinkers of our time"--
Publisher:
ISBN: 9781509545452
Category :
Languages : en
Pages : 280
Book Description
"Previously unpublished writings on culture and art by one of the most influential social thinkers of our time"--
Selected Writings of Richard McKeon, Volume Two
Author: Richard P. McKeon
Publisher: University of Chicago Press
ISBN: 0226560384
Category : Philosophy
Languages : en
Pages : 389
Book Description
Richard McKeon was a philosopher of extraordinary creativity who brought profoundly original ideas to bear on more standard ways of thinking and learning. A classicist, medievalist, and revolutionary intellectual, he fashioned an approach to philosophy as a plural conversation among varied traditions of thought, epochs, and civilizations. This second volume of McKeon's selected works demonstrates his approach to inquiry and practice in culture, education, and the arts. Together, the writings in this book show how McKeon reinvented the ancient arts of rhetoric, grammar, logic, and dialectic for the new circumstances of a global culture. In essays on creation and criticism, for instance, rhetoric is distinguished from grammar and shown to be the master art of invention, judgment, and pluralistic interpretation. Writings on themes of culture, meanwhile, explore the self-invention of mankind as justification for the arts, the development of the humanities, and the organization of the sciences. In the closing essays on education and philosophy, McKeon considers the implications of his ideas for the future of the liberal arts and higher learning.
Publisher: University of Chicago Press
ISBN: 0226560384
Category : Philosophy
Languages : en
Pages : 389
Book Description
Richard McKeon was a philosopher of extraordinary creativity who brought profoundly original ideas to bear on more standard ways of thinking and learning. A classicist, medievalist, and revolutionary intellectual, he fashioned an approach to philosophy as a plural conversation among varied traditions of thought, epochs, and civilizations. This second volume of McKeon's selected works demonstrates his approach to inquiry and practice in culture, education, and the arts. Together, the writings in this book show how McKeon reinvented the ancient arts of rhetoric, grammar, logic, and dialectic for the new circumstances of a global culture. In essays on creation and criticism, for instance, rhetoric is distinguished from grammar and shown to be the master art of invention, judgment, and pluralistic interpretation. Writings on themes of culture, meanwhile, explore the self-invention of mankind as justification for the arts, the development of the humanities, and the organization of the sciences. In the closing essays on education and philosophy, McKeon considers the implications of his ideas for the future of the liberal arts and higher learning.
Visual Culture
Author: Richard Howells
Publisher: John Wiley & Sons
ISBN: 1509518819
Category : Art
Languages : en
Pages : 451
Book Description
This is a book about how to read visual images: from fine art to photography, film, television and new media. It explores how meaning is communicated by the wide variety of texts that inhabit our increasingly visual world. But, rather than simply providing set meanings to individual images, Visual Culture teaches readers how to interpret visual texts with their own eyes. While the first part of the book takes readers through differing theoretical approaches to visual analysis, the second part shifts to a medium-based analysis, connected by an underlying theme about the complex relationship between visual culture and reality. Howells and Negreiros draw together seemingly diverse methodologies, while ultimately arguing for a polysemic approach to visual analysis. The third edition of this popular book contains over fifty illustrations, for the first time in colour. Included in the revised text is a new section on images of power, fear and seduction, a new segment on video games, as well as fresh material on taste and judgement. This timely edition also offers a glossary and suggestions for further reading. Written in a clear, lively and engaging style, Visual Culture continues to be an ideal introduction for students taking courses in visual culture and communications in a range of disciplines, including media and cultural studies, sociology, and art and design.
Publisher: John Wiley & Sons
ISBN: 1509518819
Category : Art
Languages : en
Pages : 451
Book Description
This is a book about how to read visual images: from fine art to photography, film, television and new media. It explores how meaning is communicated by the wide variety of texts that inhabit our increasingly visual world. But, rather than simply providing set meanings to individual images, Visual Culture teaches readers how to interpret visual texts with their own eyes. While the first part of the book takes readers through differing theoretical approaches to visual analysis, the second part shifts to a medium-based analysis, connected by an underlying theme about the complex relationship between visual culture and reality. Howells and Negreiros draw together seemingly diverse methodologies, while ultimately arguing for a polysemic approach to visual analysis. The third edition of this popular book contains over fifty illustrations, for the first time in colour. Included in the revised text is a new section on images of power, fear and seduction, a new segment on video games, as well as fresh material on taste and judgement. This timely edition also offers a glossary and suggestions for further reading. Written in a clear, lively and engaging style, Visual Culture continues to be an ideal introduction for students taking courses in visual culture and communications in a range of disciplines, including media and cultural studies, sociology, and art and design.
Selected Writings: 1927-1934
Author: Walter Benjamin
Publisher: Harvard University Press
ISBN: 9780674945869
Category : Literary Collections
Languages : en
Pages : 890
Book Description
Comprising more than 65 pieces - journal articles, reviews, extended essays, sketches, aphorisms, and fragments - this volume shows the range of Walter Benjamin's writing. His topics here include poetry, fiction, drama, history, religion, love, violence, morality and mythology.
Publisher: Harvard University Press
ISBN: 9780674945869
Category : Literary Collections
Languages : en
Pages : 890
Book Description
Comprising more than 65 pieces - journal articles, reviews, extended essays, sketches, aphorisms, and fragments - this volume shows the range of Walter Benjamin's writing. His topics here include poetry, fiction, drama, history, religion, love, violence, morality and mythology.
Barnett Newman
Author: Barnett Newman
Publisher: Univ of California Press
ISBN: 9780520078178
Category : Art
Languages : en
Pages : 396
Book Description
Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction
Publisher: Univ of California Press
ISBN: 9780520078178
Category : Art
Languages : en
Pages : 396
Book Description
Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction
On Civilization, Power, and Knowledge
Author: Norbert Elias
Publisher: University of Chicago Press
ISBN: 0226204324
Category : Social Science
Languages : en
Pages : 312
Book Description
Norbert Elias has been described as among the great sociologists of the 20th century. A collection of his most important writings, this book sets out Elias' thinking during the course of his long career, with a discussion of how his work relates to that of other sociologists.
Publisher: University of Chicago Press
ISBN: 0226204324
Category : Social Science
Languages : en
Pages : 312
Book Description
Norbert Elias has been described as among the great sociologists of the 20th century. A collection of his most important writings, this book sets out Elias' thinking during the course of his long career, with a discussion of how his work relates to that of other sociologists.
Culture and Art
Author: Zygmunt Bauman
Publisher:
ISBN: 9781509545445
Category :
Languages : en
Pages : 280
Book Description
"Previously unpublished writings on culture and art by one of the most influential social thinkers of our time"--
Publisher:
ISBN: 9781509545445
Category :
Languages : en
Pages : 280
Book Description
"Previously unpublished writings on culture and art by one of the most influential social thinkers of our time"--
Canguilhem
Author: Stuart Elden
Publisher: John Wiley & Sons
ISBN: 1509528814
Category : Science
Languages : en
Pages : 200
Book Description
Georges Canguilhem (1904–95) was an influential historian and philosopher of science, as renowned for his teaching as for his writings. He is best known for his book The Normal and the Pathological, originally his doctoral thesis in medicine, but he also wrote a thesis in philosophy on the concept of the reflex, supervised by Gaston Bachelard. He was the sponsor of Michel Foucault’s doctoral thesis on madness. However, his work extends far beyond what is suggested by his association with these thinkers. Canguilhem also produced a series of important works on the natural sciences, including studies of evolution, psychology, vitalism and mechanism, experimentation, monstrosity and disease. Stuart Elden discusses the whole of this important thinker’s complex work, including recently rediscovered texts and archival materials. Canguilhem always approached questions historically, examining how it was that we came to a significant moment in time, outlining tensions, detours and paths not taken. The first comprehensive study in English, this book is a crucial guide for those coming to terms with Canguilhem’s important contributions, and will appeal to researchers and students from a range of fields.
Publisher: John Wiley & Sons
ISBN: 1509528814
Category : Science
Languages : en
Pages : 200
Book Description
Georges Canguilhem (1904–95) was an influential historian and philosopher of science, as renowned for his teaching as for his writings. He is best known for his book The Normal and the Pathological, originally his doctoral thesis in medicine, but he also wrote a thesis in philosophy on the concept of the reflex, supervised by Gaston Bachelard. He was the sponsor of Michel Foucault’s doctoral thesis on madness. However, his work extends far beyond what is suggested by his association with these thinkers. Canguilhem also produced a series of important works on the natural sciences, including studies of evolution, psychology, vitalism and mechanism, experimentation, monstrosity and disease. Stuart Elden discusses the whole of this important thinker’s complex work, including recently rediscovered texts and archival materials. Canguilhem always approached questions historically, examining how it was that we came to a significant moment in time, outlining tensions, detours and paths not taken. The first comprehensive study in English, this book is a crucial guide for those coming to terms with Canguilhem’s important contributions, and will appeal to researchers and students from a range of fields.
Out of Bounds
Author: Lisa Philips
Publisher: Getty Publications
ISBN: 1606065963
Category : Art
Languages : en
Pages : 292
Book Description
The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts —many of which have never before been published—by Marcia Tucker, founding director of New York's New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker’s writing and highlights her critical attention to art’s relationship to broader culture and politics. The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.
Publisher: Getty Publications
ISBN: 1606065963
Category : Art
Languages : en
Pages : 292
Book Description
The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts —many of which have never before been published—by Marcia Tucker, founding director of New York's New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker’s writing and highlights her critical attention to art’s relationship to broader culture and politics. The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.
A Mythology of Forms
Author: Carl Einstein
Publisher: University of Chicago Press
ISBN: 022646427X
Category : Art
Languages : en
Pages : 423
Book Description
The German art historian and critic Carl Einstein (1885-1940) was at the forefront of the modernist movement that defined the twentieth century. One of the most prolific and brilliant early commentators on cubism, he was also among the first authors to assess African sculpture as art. Yet his writings remain relatively little known in the Anglophone world. With A Mythology of Forms, the first representative collection of Einstein’s art theory and criticism to appear in English translation, Charles W. Haxthausen fills this gap. Spanning three decades, it assembles the most important of Einstein’s writings on the art that was central to his critical project—on cubism, surrealism, Pablo Picasso, Georges Braque, and Paul Klee, and includes the full texts of his two pathbreaking books on African art, Negro Sculpture (1915) and African Sculpture (1921). With fourteen texts by Einstein, each presented with extensive commentary, A Mythology of Forms will bring a pivotal voice in the history of modern art into English.
Publisher: University of Chicago Press
ISBN: 022646427X
Category : Art
Languages : en
Pages : 423
Book Description
The German art historian and critic Carl Einstein (1885-1940) was at the forefront of the modernist movement that defined the twentieth century. One of the most prolific and brilliant early commentators on cubism, he was also among the first authors to assess African sculpture as art. Yet his writings remain relatively little known in the Anglophone world. With A Mythology of Forms, the first representative collection of Einstein’s art theory and criticism to appear in English translation, Charles W. Haxthausen fills this gap. Spanning three decades, it assembles the most important of Einstein’s writings on the art that was central to his critical project—on cubism, surrealism, Pablo Picasso, Georges Braque, and Paul Klee, and includes the full texts of his two pathbreaking books on African art, Negro Sculpture (1915) and African Sculpture (1921). With fourteen texts by Einstein, each presented with extensive commentary, A Mythology of Forms will bring a pivotal voice in the history of modern art into English.