Cultural Hegemony and African-American Patriotism PDF Download
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Author: Timothy Almon Askew
Publisher:
ISBN: 9781607971238
Category : African Americans
Languages : en
Pages : 220
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Book Description
Author: Timothy Almon Askew
Publisher:
ISBN: 9781607971238
Category : African Americans
Languages : en
Pages : 220
Get Book Here
Book Description
Author: Timothy Askew
Publisher:
ISBN: 9781607978237
Category :
Languages : en
Pages :
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Book Description
Author: Shana L. Redmond
Publisher: NYU Press
ISBN: 0814789323
Category : History
Languages : en
Pages : 358
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Book Description
"An extraordinary, innovative, and generative book." - George Lipsitz, author of How Racism Takes Place
Author: Imani Perry
Publisher: UNC Press Books
ISBN: 1469638614
Category : Social Science
Languages : en
Pages : 297
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Book Description
The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, “Lift Every Voice and Sing” was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song’s creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life up through the present day. In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office. Drawing on a wide array of sources, Perry uses “Lift Every Voice and Sing” as a window on the powerful ways African Americans have used music and culture to organize, mourn, challenge, and celebrate for more than a century.
Author: Alan Stanbridge
Publisher: Taylor & Francis
ISBN: 1000755479
Category : Music
Languages : en
Pages : 440
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Book Description
Rhythm Changes: Jazz, Culture, Discourse explores the history and development of jazz, addressing the music, its makers, and its social and cultural contexts, as well as the various discourses – especially those of academic analysis and journalistic criticism – that have influenced its creation, interpretation, and reception. Tackling diverse issues, such as race, class, nationalism, authenticity, irony, parody, gender, art, commercialism, technology, and sound recording, the book’s perspective on artistic and cultural practices suggests new ways of thinking about jazz history. It challenges many established scholarly approaches in jazz research, providing a much-needed intervention in the current academic orthodoxies of Jazz Studies. Perhaps the most striking and distinctive aspect of the book is the extraordinary eclecticism of the wide-ranging but carefully chosen case studies and examples referenced throughout the text, from nineteenth century literature, through 1930s Broadway and film, to twentieth and twenty-first century jazz and popular music.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 740
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Book Description
Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 898
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Book Description
Article abstracts and citations of reviews and dissertations covering the United States and Canada.
Author:
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 896
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Book Description
Author: Barry Shank
Publisher: Duke University Press
ISBN: 082237675X
Category : Music
Languages : en
Pages : 334
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Book Description
In The Political Force of Musical Beauty, Barry Shank shows how musical acts and performances generate their own aesthetic and political force, creating, however fleetingly, a shared sense of the world among otherwise diverse listeners. Rather than focusing on the ways in which music enables the circulation of political messages, he argues that communities grounded in the act and experience of listening can give rise to new political ideas and expression. Analyzing a wide range of "beautiful music" within popular and avant-garde genres—including the Japanese traditions in the music of Takemitsu Toru and Yoko Ono, the drone of the Velvet Underground, and the insistence of hardcore punk and Riot grrrl post-punk—Shank finds that when it fulfills the promise of combining sonic and lyrical differences into a cohesive whole, musical beauty has the power to reorganize the basis of social relations and produce communities that recognize meaningful difference.
Author: Harry Justin Elam
Publisher: University of Michigan Press
ISBN: 0472068407
Category : Social Science
Languages : en
Pages : 408
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Book Description
Fresh takes on key questions in black performance and black popular culture, by leading artists, academics, and critics
