Cultural Affairs in Boston PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Cultural Affairs in Boston PDF full book. Access full book title Cultural Affairs in Boston by John Wieners. Download full books in PDF and EPUB format.
Author: John Wieners
Publisher: David R. Godine Publisher
ISBN: 9780876857397
Category : Literary Collections
Languages : en
Pages : 218
Get Book Here
Book Description
Stories and poems by John Weiners.
Author: John Wieners
Publisher: David R. Godine Publisher
ISBN: 9780876857397
Category : Literary Collections
Languages : en
Pages : 218
Get Book Here
Book Description
Stories and poems by John Weiners.
Author: Boston (Mass.). Office of Cultural Affairs
Publisher:
ISBN:
Category : Arts
Languages : en
Pages :
Get Book Here
Book Description
Author: Boston (Mass.). Finance Commission
Publisher:
ISBN:
Category : Political corruption
Languages : en
Pages : 88
Get Book Here
Book Description
Author: American Federation of Arts
Publisher:
ISBN:
Category : Boston (Mass.)
Languages : en
Pages : 140
Get Book Here
Book Description
Author: Boston (Mass.). Mayor's Office of Cultural Affairs
Publisher:
ISBN:
Category : Arts facilities
Languages : en
Pages : 51
Get Book Here
Book Description
Author: Society for the Preservation of New England Antiquities
Publisher:
ISBN:
Category : Boston (Mass.)
Languages : en
Pages : 19
Get Book Here
Book Description
Author: Bernard Taper
Publisher: Cambridge, Mass. : Harvard University Press
ISBN:
Category : Architecture
Languages : en
Pages : 192
Get Book Here
Book Description
In this lively and informed book, Bernard Taper, a writer for the New Yorker, scrutinizes the social and economic characteristics of the arts in Boston, seeking specific answers to the questions: What might be done to foster, strengthen, enrich, and invigorate the arts? What can make them more meaningful to a larger segment of the community? “The arts,” he writes, “have been more honored in Boston than in most American cities, and by ‘the best people’; but they have possibly been enjoyed rather less than they have been honored.” Throughout his book Mr. Taper stresses that the arts, both visual and performing, “should be recognized as a human need, not a luxury; nor should they be something to which we pay solemn, periodic respect—like going to church on Sunday...Ideally, the whole city should serve the purpose of satisfying the need for beauty.” And he looks forward to the day when Boston—as well as other cities—will have a daily life in which the arts are intimately involved. Included in the book are a number of vivid and informal interviews with a variety of people in the arts. Here people like Sarah Caldwell of the Opera Company of Boston, E. Virginia Williams of the Boston Ballet Company, Perry Rathbone of the Museum of Fine Arts, Elma Lewis of the National Center of Afro-American Artists, David Wheeler of the Theatre Company of Boston, and mathematician-satirist Tom Lehrer speak their minds on the condition of the arts. “All of us in the arts have one problem in common,” says Miss Caldwell in her interview. “That problem is how to survive.” Financial problems plague nearly all of Boston's arts organizations and, for many of them, each new season is a tightrope walk over Niagara Falls. Mr. Taper examines the economic situation of the arts in Boston and estimates the sums needed to sustain them in less precarious fashion. Boston's arts, he finds, still have to rely on the noble but no longer practicable tradition of private contributions. He contends that the two potential sources of subsidy most inadequately represented are corporations and government—particularly local and state government. Indeed, the city of Boston contributes less subsidy to the arts than any other major city in the United States! Yet there are things that money can't buy. Mr. Taper points out many intangible ways in which the arts may be fostered or thwarted and, citing examples from various cities, particularly New York, San Francisco, and St. Louis, he shows how much difference is made simply by the attitude of a city's administration toward the arts. He discusses what he believes is the need for a radical reorientation of the role of education and includes as well a novel proposal that would enable Boston to obtain the physical facilities grievously needed for the arts. Mr. Taper was invited to Boston by the Permanent Charity Fund in collaboration with the Joint Center for Urban Studies of M.I.T. and Harvard to make this important study of the visual and performing arts. He succeeds in evoking and illuminating the special quality and atmosphere of Boston, and, although some aspects of his study are peculiar to that city, he clearly relates his analysis to the overall situation of the arts in America.
Author: Boston, Mass. Isabella Stewart Gardner Museum
Publisher: Yale University Press
ISBN: 9780300063417
Category : Art
Languages : en
Pages : 170
Get Book Here
Book Description
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Author: Liz Munsell
Publisher: MFA Publications
ISBN: 9780878468713
Category : Art
Languages : en
Pages : 200
Get Book Here
Book Description
How hip-hop culture and graffiti electrified the art of Jean-Michel Basquiat and his contemporaries in 1980s New York In the early 1980s, art and writing labeled as graffiti began to transition from New York City walls and subway trains onto canvas and into art galleries. Young artists who freely sampled from their urban experiences and their largely Black, Latinx and immigrant histories infused the downtown art scene with expressionist, pop and graffiti-inspired compositions. Jean-Michel Basquiat (1960-88) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied longstanding racial divisions. Writing the Future features Basquiat's works in painting, sculpture, drawing, video, music and fashion, alongside works by his contemporaries--and sometimes collaborators--A-One, ERO, Fab 5 Freddy, Futura, Keith Haring, Kool Koor, LA2, Lady Pink, Lee Quiñones, Rammellzee and Toxic. Throughout the 1980s, these artists fueled new directions in fine art, design and music, reshaping the predominantly white art world and driving the now-global popularity of hip-hop culture. Writing the Future, published to accompany a major exhibition, contextualizes Basquiat's work in relation to his peers associated with hip-hop culture. It also marks the first time Basquiat's extensive, robust and reflective portraiture of his Black and Latinx friends and fellow artists has been given prominence in scholarship on his oeuvre. With contributions from Carlo McCormick, Liz Munsell, Hua Hsu, J. Faith Almiron and Greg Tate, Writing the Future captures the energy, inventiveness and resistance unleashed when hip-hop hit the city.
Author: Martha K. Norkunas
Publisher: Smithsonian Institution Scholarly Press
ISBN:
Category : Art
Languages : en
Pages : 282
Get Book Here
Book Description
Drawing on her experience of working with the Lowell Historic Preservation Commission, Norkunas examines issues of memory and history through work with public momuments and publically funded art. Lowell, Massachusetts, was America's first factory town.
