Author: Lilly Wolfensberger Scherz
Publisher: Plaza y Valdes
ISBN: 9789688569825
Category : Social Science
Languages : es
Pages : 274
Book Description
Cuerpo de mujer, campo de batalla
Author: Lilly Wolfensberger Scherz
Publisher: Plaza y Valdes
ISBN: 9789688569825
Category : Social Science
Languages : es
Pages : 274
Book Description
Publisher: Plaza y Valdes
ISBN: 9789688569825
Category : Social Science
Languages : es
Pages : 274
Book Description
Aurora Bertrana
Author: Silvia Roig
Publisher: Boydell & Brewer
ISBN: 1855663066
Category : Literary Criticism
Languages : en
Pages : 367
Book Description
Silvia Roig explores the narrative of Aurora Bertrana (1892-1974), an unknown writer today, but a successful and recognized female author in Catalonia and Spain during the 20th century. Aurora Bertrana's works are almost never mentioned in manuals of literature. Her rich, intellectual work has not received the attention it deserves, relegated almost to absolute oblivion. The author reviews and studies twenty-four of Bertrana's novels written in Catalan andSpanish, including: Ariatea (1960), El pomell de les violes (MS), L'inefable Philip (MS), La aldea sin hombres (mn.), La madrecita de los cerdos (MS), Entre dos silencis (1958), La ninfa d'argila (1959), Fracàs (1966) and La ciutat dels joves: reportatge fantasia (1971). She studies her work, published and unpublished, from a feminist approach, taking into account the intellectual history of Spain and Catalonia. Bertana's strong commitment to social issues reveals her association with the Modernist and Noucentists trends of her time. Bertrana's novels reveal a unique interest in non-Western cultures and lifestyles and her work undertakes controversial topics and socio-cultural issues, while she observes and draws special attention to the situation of women in different circumstances and cultural geographies. This book is therefore anchored on interpretive and theoretical parameters that intersect with consideration of gender, such as travel-and-gender and war-and-gender. Roig uses the work of feminists such as Simone De Beauvoir, Shulamith Firestone, Jelke Boesten, Margaret and Patrice Higonnet, Michelle Zimbalist Rosaldo and Julia Kristeva to help assess Bertrana's engagement with gender and socio-political issues. This approach is particularly well suited for a writer like Bertrana, a Catalan and Republican intellectual woman forced into self-exile during the Spanish Civil War and the dictatorship of Francisco Franco. Silvia Roig is a Faculty Member, BMCC Department of Modern Languages, The City University of New York.
Publisher: Boydell & Brewer
ISBN: 1855663066
Category : Literary Criticism
Languages : en
Pages : 367
Book Description
Silvia Roig explores the narrative of Aurora Bertrana (1892-1974), an unknown writer today, but a successful and recognized female author in Catalonia and Spain during the 20th century. Aurora Bertrana's works are almost never mentioned in manuals of literature. Her rich, intellectual work has not received the attention it deserves, relegated almost to absolute oblivion. The author reviews and studies twenty-four of Bertrana's novels written in Catalan andSpanish, including: Ariatea (1960), El pomell de les violes (MS), L'inefable Philip (MS), La aldea sin hombres (mn.), La madrecita de los cerdos (MS), Entre dos silencis (1958), La ninfa d'argila (1959), Fracàs (1966) and La ciutat dels joves: reportatge fantasia (1971). She studies her work, published and unpublished, from a feminist approach, taking into account the intellectual history of Spain and Catalonia. Bertana's strong commitment to social issues reveals her association with the Modernist and Noucentists trends of her time. Bertrana's novels reveal a unique interest in non-Western cultures and lifestyles and her work undertakes controversial topics and socio-cultural issues, while she observes and draws special attention to the situation of women in different circumstances and cultural geographies. This book is therefore anchored on interpretive and theoretical parameters that intersect with consideration of gender, such as travel-and-gender and war-and-gender. Roig uses the work of feminists such as Simone De Beauvoir, Shulamith Firestone, Jelke Boesten, Margaret and Patrice Higonnet, Michelle Zimbalist Rosaldo and Julia Kristeva to help assess Bertrana's engagement with gender and socio-political issues. This approach is particularly well suited for a writer like Bertrana, a Catalan and Republican intellectual woman forced into self-exile during the Spanish Civil War and the dictatorship of Francisco Franco. Silvia Roig is a Faculty Member, BMCC Department of Modern Languages, The City University of New York.
Coexistence in the Aftermath of Mass Violence
Author: Eve Zucker
Publisher: University of Michigan Press
ISBN: 0472127195
Category : Political Science
Languages : en
Pages : 283
Book Description
Coexistence in the Aftermath of Mass Violence demonstrates how imagination, empathy, and resilience contribute to the processes of social repair after ethnic and political violence. Adding to the literature on transitional justice, peacebuilding, and the anthropology of violence and social repair, the authors show how these conceptual pathways—imagination, empathy and resilience—enhance recovery, coexistence, and sustainable peace. Coexistence (or reconciliation) is the underlying goal or condition desired after mass violence, enabling survivors to move forward with their lives. Imagination allows these survivors (victims, perpetrators, bystanders) to draw guidance and inspiration from their social and cultural imaginaries, to develop empathy, and to envision a future of peace and coexistence. Resilience emerges through periods of violence and its aftermaths through acts of survival, compassion, modes of rebuilding social worlds, and the establishment of a peaceful society. Focusing on society at the grass roots level, the authors discuss the myriad and little understood processes of social repair that allow ruptured societies and communities to move toward a peaceful and stable future. The volume also illustrates some of the ways in which imagination, empathy, and resilience may contribute to the prevention of future violence and the authors conclude with a number of practical and policy recommendations. The cases include Cambodia, Rwanda, Sierra Leone, Somaliland, Colombia, the Southern Cone, Iraq, and Bosnia.
Publisher: University of Michigan Press
ISBN: 0472127195
Category : Political Science
Languages : en
Pages : 283
Book Description
Coexistence in the Aftermath of Mass Violence demonstrates how imagination, empathy, and resilience contribute to the processes of social repair after ethnic and political violence. Adding to the literature on transitional justice, peacebuilding, and the anthropology of violence and social repair, the authors show how these conceptual pathways—imagination, empathy and resilience—enhance recovery, coexistence, and sustainable peace. Coexistence (or reconciliation) is the underlying goal or condition desired after mass violence, enabling survivors to move forward with their lives. Imagination allows these survivors (victims, perpetrators, bystanders) to draw guidance and inspiration from their social and cultural imaginaries, to develop empathy, and to envision a future of peace and coexistence. Resilience emerges through periods of violence and its aftermaths through acts of survival, compassion, modes of rebuilding social worlds, and the establishment of a peaceful society. Focusing on society at the grass roots level, the authors discuss the myriad and little understood processes of social repair that allow ruptured societies and communities to move toward a peaceful and stable future. The volume also illustrates some of the ways in which imagination, empathy, and resilience may contribute to the prevention of future violence and the authors conclude with a number of practical and policy recommendations. The cases include Cambodia, Rwanda, Sierra Leone, Somaliland, Colombia, the Southern Cone, Iraq, and Bosnia.
Este mundo: ¿campo de recreo o campo de batalla?
Author: A.W. Tozer
Publisher: Editorial Portavoz
ISBN: 0825474809
Category : Religion
Languages : en
Pages : 104
Book Description
Hubo un tiempo, dice Tozer, cuando el cristianismo ejerció una influencia dominante sobre el pensamiento de nuestros antepasados, cuando sabían que el mundo era un campo de batalla. La gente de hoy, sin embargo, piensa en el mundo, se lamenta Tozer, no como un campo de batalla, sino como un patio de recreo; el mundo se ha convertido en un lugar para divertirse, no en un lugar para luchar. There was a time, Tozer says, when Christianity exercised a dominant influence over the thinking of our forefathers, when they knew the world was a battlefield. People today, however, think of the world, Tozer laments, not as a battleground, but as a playground; the world has become a place to frolic, not a place to fight.
Publisher: Editorial Portavoz
ISBN: 0825474809
Category : Religion
Languages : en
Pages : 104
Book Description
Hubo un tiempo, dice Tozer, cuando el cristianismo ejerció una influencia dominante sobre el pensamiento de nuestros antepasados, cuando sabían que el mundo era un campo de batalla. La gente de hoy, sin embargo, piensa en el mundo, se lamenta Tozer, no como un campo de batalla, sino como un patio de recreo; el mundo se ha convertido en un lugar para divertirse, no en un lugar para luchar. There was a time, Tozer says, when Christianity exercised a dominant influence over the thinking of our forefathers, when they knew the world was a battlefield. People today, however, think of the world, Tozer laments, not as a battleground, but as a playground; the world has become a place to frolic, not a place to fight.
Disruptive Archives
Author: Viviana Beatriz MacManus
Publisher: University of Illinois Press
ISBN: 0252052412
Category : Social Science
Languages : en
Pages : 295
Book Description
The histories of the Dirty Wars in Mexico and Argentina (1960s–1980s) have largely erased how women experienced and remember the gendered violence during this traumatic time. Viviana Beatriz MacManus restores women to the revolutionary struggle at the heart of the era by rejecting both state projects and the leftist accounts focused on men. Using a compelling archival blend of oral histories, interviews, human rights reports, literature, and film, MacManus illuminates complex narratives of loss, violence, and trauma. The accounts upend dominant histories by creating a feminist-centered body of knowledge that challenges the twinned legacies of oblivion for the victims and state-sanctioned immunity for the perpetrators. A new Latin American feminist theory of justice emerges—one that acknowledges women's strength, resistance, and survival during and after a horrific time in their nations' histories. Haunting and methodologically innovative, Disruptive Archives attests to the power of women's storytelling and memory in the struggle to reclaim history.
Publisher: University of Illinois Press
ISBN: 0252052412
Category : Social Science
Languages : en
Pages : 295
Book Description
The histories of the Dirty Wars in Mexico and Argentina (1960s–1980s) have largely erased how women experienced and remember the gendered violence during this traumatic time. Viviana Beatriz MacManus restores women to the revolutionary struggle at the heart of the era by rejecting both state projects and the leftist accounts focused on men. Using a compelling archival blend of oral histories, interviews, human rights reports, literature, and film, MacManus illuminates complex narratives of loss, violence, and trauma. The accounts upend dominant histories by creating a feminist-centered body of knowledge that challenges the twinned legacies of oblivion for the victims and state-sanctioned immunity for the perpetrators. A new Latin American feminist theory of justice emerges—one that acknowledges women's strength, resistance, and survival during and after a horrific time in their nations' histories. Haunting and methodologically innovative, Disruptive Archives attests to the power of women's storytelling and memory in the struggle to reclaim history.
I Offer My Heart as a Target / Ofrezco mi corazón como una diana (Paz Prize for Poetry)
Author: Johanny Vázquez Paz
Publisher: Akashic Books
ISBN: 1617757691
Category : Poetry
Languages : en
Pages : 114
Book Description
Introducing the new winner of the Paz Prize for Poetry, given by the National Poetry Series, featuring an introduction by Rigoberto González, and presented in both Spanish and English. “Winner of the Paz Prize for Poetry, this dual-language book explores perseverance and survival in the face of violence, displacement, and defeat.” —Publishers Weekly “In this bilingual edition (superbly translated from the Spanish by Lawrence Schimel) Puerto Rican poet Vázquez Paz grapples with the violence against the psyche . . . and with the violence of displacement . . . These poems are a celebration of female strength and imagination: ‘I am a woman: I endure much/ but the day is short.'”—NBC Latino, one of the Best Latino Books of 2019 Previous winners of the Paz Prize for Poetry include Miami Century Fox, by Legna Rodríguez Iglesias and translated by Eduardo Aparicio, Nine Coins/Nueve monedas, by Carlos Pintado and translated by Hilary Vaughn Dobel, and Colaterales/Collateral by Dinapiera Di Donato and translated by Ricardo Alberto Maldonado.
Publisher: Akashic Books
ISBN: 1617757691
Category : Poetry
Languages : en
Pages : 114
Book Description
Introducing the new winner of the Paz Prize for Poetry, given by the National Poetry Series, featuring an introduction by Rigoberto González, and presented in both Spanish and English. “Winner of the Paz Prize for Poetry, this dual-language book explores perseverance and survival in the face of violence, displacement, and defeat.” —Publishers Weekly “In this bilingual edition (superbly translated from the Spanish by Lawrence Schimel) Puerto Rican poet Vázquez Paz grapples with the violence against the psyche . . . and with the violence of displacement . . . These poems are a celebration of female strength and imagination: ‘I am a woman: I endure much/ but the day is short.'”—NBC Latino, one of the Best Latino Books of 2019 Previous winners of the Paz Prize for Poetry include Miami Century Fox, by Legna Rodríguez Iglesias and translated by Eduardo Aparicio, Nine Coins/Nueve monedas, by Carlos Pintado and translated by Hilary Vaughn Dobel, and Colaterales/Collateral by Dinapiera Di Donato and translated by Ricardo Alberto Maldonado.
What Happened to the Women?
Author: Ruth Rubio-Marín
Publisher: SSRC
ISBN: 0979077206
Category : Law
Languages : en
Pages : 350
Book Description
What happens to women whose lives are affected by human rights violations? What happens to their testimony in court or in front of a truth commission? Women face a double marginalization under authoritarian regimes and during and after violent conflicts. Yet reparations programs are rarely designed to address the needs of women victims. What Happened to the Women? Gender and Reparations for Human Rights Violations emphasizes the necessity of a gender dimension in reparations programs to improve their handling of female victims and their families. A joint project of the International Center for Transitional Justice and Canada's International Development Research Centre, What Happened to the Women? includes studies of gender and reparations policies in Guatemala, Peru, Rwanda, Sierra Leone, South Africa, and Timor-Leste. Contributors represent a wide range of fields related to transitional justice and include international human rights lawyers, members of truth and reconciliation commissions, and NGO representatives.
Publisher: SSRC
ISBN: 0979077206
Category : Law
Languages : en
Pages : 350
Book Description
What happens to women whose lives are affected by human rights violations? What happens to their testimony in court or in front of a truth commission? Women face a double marginalization under authoritarian regimes and during and after violent conflicts. Yet reparations programs are rarely designed to address the needs of women victims. What Happened to the Women? Gender and Reparations for Human Rights Violations emphasizes the necessity of a gender dimension in reparations programs to improve their handling of female victims and their families. A joint project of the International Center for Transitional Justice and Canada's International Development Research Centre, What Happened to the Women? includes studies of gender and reparations policies in Guatemala, Peru, Rwanda, Sierra Leone, South Africa, and Timor-Leste. Contributors represent a wide range of fields related to transitional justice and include international human rights lawyers, members of truth and reconciliation commissions, and NGO representatives.
El Teatro Pánico de Fernando Arrabal
Author: Diego Santos Sánchez
Publisher: Boydell & Brewer Ltd
ISBN: 1855662418
Category : Drama
Languages : en
Pages : 212
Book Description
Este libro es el primero en examinar lo radicalmente nuevo y desafiante Teatro Pánico, un grupo de obras compuestas por Arrabal entre 1957 y 1966, en el apogeo del movimiento avant-garde. ENGLISH VERSION This book is the first to examine closely the radically new and challenging Panic Theatre, a group of plays composed by Arrabal between 1957 and 1966, at the zenith of the avant-garde movement. El presente libro estudia el Teatro Pánico de Fernando Arrabal, un conjunto de textos concebidos durante los primeros años del autor en París, entre 1957 y 1966. Escritas en el momento de mayor auge de la vanguardia, las obras vehiculan una teatralidad radicalmente innovadora cuya piedra angular la constituye el lenguaje ceremonial. La ceremonia pánica que subyace a toda esa dramaturgia es objeto de un profundo análisis a la luz de Le Panique, texto programático del propio Arrabal en que el autor identifica los tres conceptos que desencadenan la creación artística: memoria, azar y confusión. El estudio se detiene en los procesos por los que la memoria determina que las obras abandonen la mímesis, y el azar articula los materiales recuperados de la memoria en tramas y estructuras hilvanadas con gran precisión. Asimismo se incide en cómo los sujetos, objetos, marcos espacio-temporales y palabras se ven sometidos a un proceso de confusión que genera una forma teatral absolutamente innovadora. El concepto de lo pánico, situado en el epicentro de esta experimentación formal, dota de coherencia y unicidad teórica a este aparentementeheterogéneo grupo de obras. Diego Santos Sánchez es Alexander von Humboldt Fellow en la Humboldt-Universität en Berlin. ENGLISH VERSION The Panic Theatre is a set of plays conceived by Fernando Arrabal between1957 and 1966, the author's first years in Paris. Composed at the zenith of the avant-garde movement, they convey a radically new and challenging theatricality whose cornerstone is their ceremonial shape. The plays' underlying panic ceremony is thoroughly studied in light of Arrabal's programmatic text Le Panique, that singles out three key concepts responsible for artistic creation: memory, chance and confusion. This study shows how memory determines the plays' departure from mimesis and how chance articulates the materials recalled from memory into precisely arranged plots. Furthermore, subjects, objects, spatial-temporal frames and words are subject to confusion, inan attempt to create an utterly innovative form of theatre. This group of seemingly heterogeneous plays is given theoretical coherence and consistency by placing the idea of panic at the centre of a great formal experimentation. Diego Santos Sánchez is an Alexander von Humboldt Fellow at Humboldt-Universität in Berlin.
Publisher: Boydell & Brewer Ltd
ISBN: 1855662418
Category : Drama
Languages : en
Pages : 212
Book Description
Este libro es el primero en examinar lo radicalmente nuevo y desafiante Teatro Pánico, un grupo de obras compuestas por Arrabal entre 1957 y 1966, en el apogeo del movimiento avant-garde. ENGLISH VERSION This book is the first to examine closely the radically new and challenging Panic Theatre, a group of plays composed by Arrabal between 1957 and 1966, at the zenith of the avant-garde movement. El presente libro estudia el Teatro Pánico de Fernando Arrabal, un conjunto de textos concebidos durante los primeros años del autor en París, entre 1957 y 1966. Escritas en el momento de mayor auge de la vanguardia, las obras vehiculan una teatralidad radicalmente innovadora cuya piedra angular la constituye el lenguaje ceremonial. La ceremonia pánica que subyace a toda esa dramaturgia es objeto de un profundo análisis a la luz de Le Panique, texto programático del propio Arrabal en que el autor identifica los tres conceptos que desencadenan la creación artística: memoria, azar y confusión. El estudio se detiene en los procesos por los que la memoria determina que las obras abandonen la mímesis, y el azar articula los materiales recuperados de la memoria en tramas y estructuras hilvanadas con gran precisión. Asimismo se incide en cómo los sujetos, objetos, marcos espacio-temporales y palabras se ven sometidos a un proceso de confusión que genera una forma teatral absolutamente innovadora. El concepto de lo pánico, situado en el epicentro de esta experimentación formal, dota de coherencia y unicidad teórica a este aparentementeheterogéneo grupo de obras. Diego Santos Sánchez es Alexander von Humboldt Fellow en la Humboldt-Universität en Berlin. ENGLISH VERSION The Panic Theatre is a set of plays conceived by Fernando Arrabal between1957 and 1966, the author's first years in Paris. Composed at the zenith of the avant-garde movement, they convey a radically new and challenging theatricality whose cornerstone is their ceremonial shape. The plays' underlying panic ceremony is thoroughly studied in light of Arrabal's programmatic text Le Panique, that singles out three key concepts responsible for artistic creation: memory, chance and confusion. This study shows how memory determines the plays' departure from mimesis and how chance articulates the materials recalled from memory into precisely arranged plots. Furthermore, subjects, objects, spatial-temporal frames and words are subject to confusion, inan attempt to create an utterly innovative form of theatre. This group of seemingly heterogeneous plays is given theoretical coherence and consistency by placing the idea of panic at the centre of a great formal experimentation. Diego Santos Sánchez is an Alexander von Humboldt Fellow at Humboldt-Universität in Berlin.
A Companion to Mexican History and Culture
Author: William H. Beezley
Publisher: John Wiley & Sons
ISBN: 1444340581
Category : History
Languages : en
Pages : 701
Book Description
A Companion to Mexican History and Culture features 40 essays contributed by international scholars that incorporate ethnic, gender, environmental, and cultural studies to reveal a richer portrait of the Mexican experience, from the earliest peoples to the present. Features the latest scholarship on Mexican history and culture by an array of international scholars Essays are separated into sections on the four major chronological eras Discusses recent historical interpretations with critical historiographical sources, and is enriched by cultural analysis, ethnic and gender studies, and visual evidence The first volume to incorporate a discussion of popular music in political analysis This book is the receipient of the 2013 Michael C. Meyer Special Recognition Award from the Rocky Mountain Conference on Latin American Studies.
Publisher: John Wiley & Sons
ISBN: 1444340581
Category : History
Languages : en
Pages : 701
Book Description
A Companion to Mexican History and Culture features 40 essays contributed by international scholars that incorporate ethnic, gender, environmental, and cultural studies to reveal a richer portrait of the Mexican experience, from the earliest peoples to the present. Features the latest scholarship on Mexican history and culture by an array of international scholars Essays are separated into sections on the four major chronological eras Discusses recent historical interpretations with critical historiographical sources, and is enriched by cultural analysis, ethnic and gender studies, and visual evidence The first volume to incorporate a discussion of popular music in political analysis This book is the receipient of the 2013 Michael C. Meyer Special Recognition Award from the Rocky Mountain Conference on Latin American Studies.
La Casa de Altagracia
Author: Carlos Machado Allison
Publisher: Cognitio
ISBN: 1939393825
Category : Fiction
Languages : en
Pages : 244
Book Description
Carlos Augusto, el joven guerrillero llegará a ser General de los ejércitos independentistas, agente diplomático en Europa y luego, con su hijo mayor Eduardo, acompañará a Bolívar hasta las batallas finales. Los Carvallo, tratan de preservar sus haciendas, en particular Altagracia, en el marco de una guerra que divide al país en dos bandos, aquellos que prefieren la firme mano de la corona y los que aspiran a la independencia. María Antonia, acompañada por Mariana, la segunda esposa de Carlos Augusto, son los pilares de la vida familiar. El escenario está matizado por figuras históricas y sus ideas, entre ellos Miranda, Mirabeau, Fernando VII, Condorcet, Mier y Terán, O ́Higgins, Pitt, Napoleón, Godoy, Hamilton, Bolívar, Iturbide, Owen, Casa León, Páez, Fermín Toro, Vargas, el Conde de Tovar, los hermanos Monagas, Zamora, Falcón y Guzmán Blanco. La novela se desarrolla en Venezuela, España, Francia, Inglaterra, Colombia, Perú, Curazao, Santo Domingo, Cuba y Estados Unidos.
Publisher: Cognitio
ISBN: 1939393825
Category : Fiction
Languages : en
Pages : 244
Book Description
Carlos Augusto, el joven guerrillero llegará a ser General de los ejércitos independentistas, agente diplomático en Europa y luego, con su hijo mayor Eduardo, acompañará a Bolívar hasta las batallas finales. Los Carvallo, tratan de preservar sus haciendas, en particular Altagracia, en el marco de una guerra que divide al país en dos bandos, aquellos que prefieren la firme mano de la corona y los que aspiran a la independencia. María Antonia, acompañada por Mariana, la segunda esposa de Carlos Augusto, son los pilares de la vida familiar. El escenario está matizado por figuras históricas y sus ideas, entre ellos Miranda, Mirabeau, Fernando VII, Condorcet, Mier y Terán, O ́Higgins, Pitt, Napoleón, Godoy, Hamilton, Bolívar, Iturbide, Owen, Casa León, Páez, Fermín Toro, Vargas, el Conde de Tovar, los hermanos Monagas, Zamora, Falcón y Guzmán Blanco. La novela se desarrolla en Venezuela, España, Francia, Inglaterra, Colombia, Perú, Curazao, Santo Domingo, Cuba y Estados Unidos.