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Author: Marysol Quevedo
Publisher: Oxford University Press
ISBN: 0197552234
Category : Psychology
Languages : en
Pages : 297
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Book Description
"This book tells readers: tracing the classical music networks that Cuban composers cultivated between 1940 and 1991 through examining compositions, ensembles, and cultural institutions with a microhistorical approach. It sets the foundation for investigating how aesthetics and politics intersected in the case studies explored throughout the book: individual points of view largely determined the degree to which composers engaged in various local and international artistic networks; and these networks were constantly being nurtured and shaped by their actors, who also had to contend with national and global political and economic circumstances. This chapter provides readers with working definitions of key concepts: modernism, avant-garde, experimentalism, and vanguardia. Key figures Fernando Ortiz and Alejo Carpentier and their contributions to the intellectual milieu that Cuban composers inhabited -especially the concepts of transculturation and lo real maravilloso, respectively-are also discussed. It contextualizes the book within existing scholarship on 20th-century classical music of the Americas, Eastern Europe, and the Cold War, as well as those dealing with Cuban music and Cuban studies more broadly"--
Author: Marysol Quevedo
Publisher: Oxford University Press
ISBN: 0197552234
Category : Psychology
Languages : en
Pages : 297
Get Book Here
Book Description
"This book tells readers: tracing the classical music networks that Cuban composers cultivated between 1940 and 1991 through examining compositions, ensembles, and cultural institutions with a microhistorical approach. It sets the foundation for investigating how aesthetics and politics intersected in the case studies explored throughout the book: individual points of view largely determined the degree to which composers engaged in various local and international artistic networks; and these networks were constantly being nurtured and shaped by their actors, who also had to contend with national and global political and economic circumstances. This chapter provides readers with working definitions of key concepts: modernism, avant-garde, experimentalism, and vanguardia. Key figures Fernando Ortiz and Alejo Carpentier and their contributions to the intellectual milieu that Cuban composers inhabited -especially the concepts of transculturation and lo real maravilloso, respectively-are also discussed. It contextualizes the book within existing scholarship on 20th-century classical music of the Americas, Eastern Europe, and the Cold War, as well as those dealing with Cuban music and Cuban studies more broadly"--
Author: Marysol Quevedo
Publisher:
ISBN: 9780197552247
Category : Avant-garde (Music)
Languages : en
Pages : 0
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Book Description
Cuban Music Counterpoints traces the continuities and ruptures in the Cuban classical music scene between 1940 and 1991. The book focuses on specific events, objects, and compositions that reveal how composers forged connections with local and foreign composers, visual artists, writers, dancers, and film makers by placing them within emergent global, social, political, and cultural contexts.
Author: Marysol Quevedo
Publisher:
ISBN: 9780197552261
Category : Avant-garde (Music)
Languages : en
Pages : 0
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Book Description
"This book tells readers: tracing the classical music networks that Cuban composers cultivated between 1940 and 1991 through examining compositions, ensembles, and cultural institutions with a microhistorical approach. It sets the foundation for investigating how aesthetics and politics intersected in the case studies explored throughout the book: individual points of view largely determined the degree to which composers engaged in various local and international artistic networks; and these networks were constantly being nurtured and shaped by their actors, who also had to contend with national and global political and economic circumstances. This chapter provides readers with working definitions of key concepts: modernism, avant-garde, experimentalism, and vanguardia. Key figures Fernando Ortiz and Alejo Carpentier and their contributions to the intellectual milieu that Cuban composers inhabited -especially the concepts of transculturation and lo real maravilloso, respectively-are also discussed. It contextualizes the book within existing scholarship on 20th-century classical music of the Americas, Eastern Europe, and the Cold War, as well as those dealing with Cuban music and Cuban studies more broadly"--
Author: Mauricio Augusto Font
Publisher: Lexington Books
ISBN: 9780739109687
Category : History
Languages : en
Pages : 336
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Book Description
While Fernando Ortiz's contribution to our understanding of Cuba and Latin America more generally has been widely recognized since the 1940s, recently there has been renewed interest in this scholar and activist who made lasting contributions to a staggering array of fields. This book is the first work in English to reassess Ortiz's vast intellectual universe. Essays in this volume analyze and celebrate his contribution to scholarship in Cuban history, the social sciences--notably anthropology--and law, religion and national identity, literature, and music. Presenting Ortiz's seminal thinking, including his profoundly influential concept of 'transculturation', Cuban Counterpoints explores the bold new perspectives that he brought to bear on Cuban society. Much of his most challenging and provocative thinking--which embraced simultaneity, conflict, inherent contradiction and hybridity--has remarkable relevance for current debates about Latin America's complex and evolving societies.
Author: Cristina Magaldi
Publisher: Oxford University Press
ISBN: 0199744777
Category : Music
Languages : en
Pages : 425
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Book Description
In Music and Cosmopolitanism, Cristina Magaldi examines music making in a past globalized world. This volume focuses on one city, Rio de Janeiro, and how it became part of a larger world through music and performance. Magaldi describes a process of creating connections beyond national borders, one that is familiar to contemporary city residents, but which was already dominant at the turn of the 20th century, as new technological developments led to alternative ways of making and experiencing music.
Author: Amanda Minks
Publisher: Oxford University Press
ISBN: 0197532489
Category : Music
Languages : en
Pages : 257
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Book Description
"In the middle decades of the twentieth century, transnational networks sparked a range of cultural projects focused on collecting Indigenous music and folklore in the Americas. Indigenous Audibilities follows the social relations that created these collections in four interconnected case studies linking the U.S., Mexico, Nicaragua, and Chile. Indigenous collections were embedded in political projects that negotiated issues of cultural diplomacy, national canons, and heritage. The case studies recuperate the traces of marginalized voices in archives, paying special attention to female researchers and Indigenous collaborators. Despite the dominant agendas of national and international institutions, the diverse actors and the multi-directional influences often created unexpected outcomes. The book brings together theories of collection, voice, media, writing, and recording to challenge the transparency of archives as a historical source. Indigenous Audibilities presents a social-historical method of listening, reading, and thinking beyond the referentiality of archived texts, and in the process uncovers neglected genealogies of cultural music research in the Americas"--
Author: Eva Silot Bravo
Publisher: Springer Nature
ISBN: 3031536924
Category :
Languages : en
Pages : 191
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Book Description
Author: Stephan Palmié
Publisher: HAU Books
ISBN: 1912808927
Category : Social Science
Languages : en
Pages : 575
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Book Description
Cross-regional scholarly dialogue inspired by the work of the pioneering Cuban scholar. Fernando Ortiz (1881–1969) coined the term “transculturation” in 1940. This was an early case of theory from the South: concepts developed from an explicitly peripheral epistemological vantage point and launched as a corrective to European and North American theoretical formulations. What Ortiz proposed was a contrapuntal vision of complexly entangled processes that we, today, would conceptualize as cultural emergence. Inspired by Ortiz, this volume engineers an unprecedented conversation between Mediterraneanists and Caribbeanists. It harnesses Ortiz’s mid-twentieth-century theoretical formulations to early twenty-first-century issues pertinent to both regions, including migration, territorial sovereignty, and cultural diversity. The contributors explore this perspective (arguably formed during Ortiz’s youth in late nineteenth-century Menorca) in a dialogue between scholars of the contemporary Caribbean and Mediterranean to enable novel analytics for both regions and to more broadly to probe the promises and limits of Ortiz’s contribution for contemporary anthropological research and theorizing.
Author: Fernando Ortiz Fernández
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Julia Cuervo Hewitt
Publisher: Bucknell University Press
ISBN: 0838757294
Category : History
Languages : en
Pages : 403
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Book Description
Hewitt (Spanish and Portuguese, Pennsylvania State U.) explores the representation of Africa and "Afro-Caribbean-ness" in Spanish Caribbean literature of the 20th century. Her main argument "is that the literary representation of Africa and "Africanness," meaning practices, belief systems, music, art, myths, popular knowledge, in Spanish-speaking Caribbean societies, constructs a self-referential discourse in which Africa and African "things" shift to a Caribbean landscape as the site of the (M)Other." Or, in other words, these representations imaginatively rescue and simultaneously construct a "Caribbean cultural imaginary conceived as the Other within that associates Africa with a cultural womb." Among the texts she explores are Fernando Ortiz's interpretations of the "Black Carnival" in Cuba, the early Afro-Cuban poems of Alejo Carpentier, the Afro-Cuban stories of Lydia Cabrera, a number of literary representations of the figure of the runaway slave, and two works by Puerto Rican novelist Edgardo Rodiguez Julia.
