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Author: Steven F Walker
Publisher: Routledge
ISBN: 0429861087
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
One of the primary objectives of comparative literature is the study of the relationship of texts, also known as intertextuality, which is a means of contextualizing and analyzing the way literature grows and flourishes through inspiration and imitation, direct or indirect. When the inspiration and imitation is direct and obvious, the study of this rapport falls into the more restricted category of hypertextuality. What the author has labeled a cryptic subtext, however, is an extreme case of hypertextuality. It involves a series of allusions to another text that have been deliberately inserted by the author into the primary text as potential points of reference. This book takes a deep dive into a broad array of literature and film to explore these allusions and the hidden messages therein.
Author: Steven F Walker
Publisher: Routledge
ISBN: 0429861087
Category : Literary Criticism
Languages : en
Pages : 351
Get Book Here
Book Description
One of the primary objectives of comparative literature is the study of the relationship of texts, also known as intertextuality, which is a means of contextualizing and analyzing the way literature grows and flourishes through inspiration and imitation, direct or indirect. When the inspiration and imitation is direct and obvious, the study of this rapport falls into the more restricted category of hypertextuality. What the author has labeled a cryptic subtext, however, is an extreme case of hypertextuality. It involves a series of allusions to another text that have been deliberately inserted by the author into the primary text as potential points of reference. This book takes a deep dive into a broad array of literature and film to explore these allusions and the hidden messages therein.
Author: Steven F Walker
Publisher: Routledge
ISBN: 0429861095
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
One of the primary objectives of comparative literature is the study of the relationship of texts, also known as intertextuality, which is a means of contextualizing and analyzing the way literature grows and flourishes through inspiration and imitation, direct or indirect. When the inspiration and imitation is direct and obvious, the study of this rapport falls into the more restricted category of hypertextuality. What the author has labeled a cryptic subtext, however, is an extreme case of hypertextuality. It involves a series of allusions to another text that have been deliberately inserted by the author into the primary text as potential points of reference. This book takes a deep dive into a broad array of literature and film to explore these allusions and the hidden messages therein.
Author: Andrew Bennett
Publisher: Taylor & Francis
ISBN: 1000834395
Category : Literary Criticism
Languages : en
Pages : 448
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Book Description
Lively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at ‘The Beginning’ and concluding with ‘The End’, chapters range from the familiar, such as ‘Character’, ‘Narrative’ and ‘The Author’, to the more unusual, such as ‘Secrets’, ‘Pleasure’ and ‘Ghosts’. Now in its sixth edition, Bennett and Royle’s classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Monty Python and Hilary Mantel are all invoked in a discussion of literature and laughter. The sixth edition has been revised and updated throughout. In addition, four new chapters – ‘Literature’, ‘Loss’, ‘Human’ and ‘Migrant’ – engage with exciting recent developments in literary studies. As well as fully up-to-date further reading sections at the end of each chapter, the book contains a comprehensive bibliography and an invaluable glossary of key literary terms. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader’s eyes to the exhilarating possibilities of reading and studying literature.
Author: Shun-Liang Chao
Publisher: Routledge
ISBN: 0429516231
Category : Literary Criticism
Languages : en
Pages : 562
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Book Description
Romantic Legacies: Transnational and Transdisciplinary Contexts presents the most wide-ranging treatment of Romantic regenerations, covering the cross-pollination between the arts or between art and thought within or across the borders of Germany, Britain, France, the US, Russia, India, China, and Japan. Each chapter in the volume examines a legacy or afterlife in a comparative context to demonstrate ongoing Romantic legacies as fully as possible in their complexity and richness. The volume provides readers a lens through which to understand Romanticism not merely as an artistic heritage but as a dynamic site of intellectual engagement that crosses nations and time periods and entails no less than the shaping of our global cultural currents.
Author: Daniel Jernigan
Publisher: Routledge
ISBN: 0429755678
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Drawing on literary and visual texts spanning from the twelfth century to the present, this volume of essays explores what happens when narratives try to push the boundaries of what can be said about death.
Author: Abigail Lee Six
Publisher: Routledge
ISBN: 1351398180
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Spanish Vampire Fiction since 1900: Blood Relations, as that subtitle suggests, makes the case for considering Spanish vampire fiction an index of the complex relationship between intercultural phenomena and the specifics of a time, place, and author. Supernatural beings that drink blood are found in folklore worldwide, Spain included, and writers ranging from the most canonical to the most marginal have written vampire stories, Spanish ones included too. When they do, they choose between various strategies of characterization or blend different ones together. How much will they draw on conventions of the transnational corpus? Are their vampires to be local or foreign; alluring or repulsive; pitiable or pure evil, for instance? Decisions like these determine the messages texts carry and, when made by Spanish authors, may reveal aspects of their culture with striking candidness, perhaps because the fantasy premise seems to give the false sense of security that this is harmless escapism and, since metaphorical meaning is implicit, it is open to argument and, if necessary, denial. Part I gives a chronological text-by-text appreciation of all the texts included in this volume, many of them little known even to Hispanists and few if any to non-Spanish Gothic scholars. It also provides a plot summary and brief background on the author of each. These entries are free-standing and designed to be consulted for reference or read together to give a sense of the evolution of the paradigm since 1900. Part II considers the corpus comparatively, first with regard to its relationship to folklore and religion and then contagion and transmission. Spanish Vampire Fiction since 1900: Blood Relations will be of interest to Anglophone Gothic scholars who want to develop their knowledge of the Spanish dimension of the mode and to Hispanists who want to look at some canonical texts and authors from a new perspective but also gain an awareness of some interesting and decidedly non-canonical material.
Author: Aleksandar Stevic
Publisher: Routledge
ISBN: 0429638175
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This book examines the limits of cosmopolitanism in contemporary literature. In a world in which engagement with strangers is no longer optional, and in which the ubiquitous demands of globalization clash with resurgent localist and nationalist sentiments, cosmopolitanism is no longer merely a horizon-broadening aspiration but a compulsory order of things to which we are all conscripted. Focusing on literary texts from such diverse locales as England, Algeria, Sweden, former Yugoslavia, and the Sudan, the essays in this collection interrogate the tensions and impasses in our prison-house of cosmopolitanism.
Author: Ruth Tsoffar
Publisher: Routledge
ISBN: 1000477894
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
In her latest book, Life in Citiations: Biblical Narratives and Contemporary Hebrew Culture, Ruth Tsoffar studies several key biblical narratives that figure prominently in Israeli culture. Life in Citations provides a close reading of these narratives, along with works by contemporary Hebrew Israeli artists that respond to them. Together they read as a modern commentary on life with text, or even life under the rule of its verses, to answer questions like How can we explain the fascination and intense identification of Israelis with the Bible? What does it mean to live in such close proximity with the Bible, and What kind of story can such a life tell?
Author: Thorsten Wilhelm
Publisher: Routledge
ISBN: 1000171086
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Holocaust Narratives: Trauma, Memory and Identity Across Generations analyzes individual multi-generational frameworks of Holocaust trauma to answer one essential question: How do these narratives change to not only transmit the trauma of the Holocaust – and in the process add meaning to what is inherently an event that annihilates meaning – but also construct the trauma as a connector to a past that needs to be continued in the present? Meaningless or not, unspeakable or not, unknowable or not, the trauma, in all its impossibilities and intractabilities, spawns literary and scholarly engagement on a large scale. Narrative is the key connector that structures trauma for both individual and collective.
Author: Lorna Piatti-Farnell
Publisher: Rowman & Littlefield
ISBN: 1498578233
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Gothic Afterlives examines the intersecting dimensions of contemporary Gothic horror and remakes scholarship, bringing together innovative perspectives from different areas of study. The research compiled in this collection covers a wide range of examples, including not only literature but also film, television, video games, and digital media remakes. Gothic Afterlives signals the cultural and conceptual impact of Gothic horror on transmedia production, with a focus on reimagining and remaking. While diverse in content and approach, all chapters pivot on two important points: first, they reflect some of the core preoccupations of Gothic horror by subverting cultural and social certainties about notions such as the body, technology, consumption, human nature, digitalization, scientific experimentation, national identity, memory, and gender and by challenging the boundaries between human and inhuman, self and Other, and good and evil. Second, and perhaps most important, all chapters in the collection collectively show what happens when well-known Gothic horror narratives are adapted and remade into different contexts, highlighting the implications of the mode-shifting registers, platforms, and chronologies in the process. As a collection, Gothic Afterlives hones in on contemporary sociocultural experiences and identities as they appear in contemporary popular culture and in the stories told and retold in the twenty-first century.
