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Author: John Szwed
Publisher: University of Pennsylvania Press
ISBN: 0812219724
Category : Music
Languages : en
Pages : 293
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Book Description
Ranging across genres from the popular to the scholarly, this selection of John Szwed's published essays abides in the intersection of race and art, jazz and rap: crossovers inside and outside the academy. With reviews written for the Village Voice and articles from academic journals, this volume includes essays, commentary, and meditations on James Agee and Walker Evans, Cuban folklorist Lydia Cabrera, Lafcadio Hearn, Melville Herskovits, Josef Skorvecky, Patrick Chamoiseau, pop song writer Ellie Greenwich, and jazz musicians Sonny Rollins, Anthony Braxton, Sun Ra, and Ornette Coleman. Also included are pieces on the prehistory of hip hop, the blues, popular dance instruction songs, tap dance, and African American set dancing; creole writing and creolization; race and culture; and authenticity, representation, nostalgia, and obscenity in American popular culture, with excursions into jazz in Africa, Russia, and Argentina. Written about a country with cultural crossroads everywhere, where the question of race is thoroughly woven into the fabric of society, these essays cross boundaries and shed light on the complexities of American life.
Author: John Szwed
Publisher: University of Pennsylvania Press
ISBN: 0812219724
Category : Music
Languages : en
Pages : 293
Get Book Here
Book Description
Ranging across genres from the popular to the scholarly, this selection of John Szwed's published essays abides in the intersection of race and art, jazz and rap: crossovers inside and outside the academy. With reviews written for the Village Voice and articles from academic journals, this volume includes essays, commentary, and meditations on James Agee and Walker Evans, Cuban folklorist Lydia Cabrera, Lafcadio Hearn, Melville Herskovits, Josef Skorvecky, Patrick Chamoiseau, pop song writer Ellie Greenwich, and jazz musicians Sonny Rollins, Anthony Braxton, Sun Ra, and Ornette Coleman. Also included are pieces on the prehistory of hip hop, the blues, popular dance instruction songs, tap dance, and African American set dancing; creole writing and creolization; race and culture; and authenticity, representation, nostalgia, and obscenity in American popular culture, with excursions into jazz in Africa, Russia, and Argentina. Written about a country with cultural crossroads everywhere, where the question of race is thoroughly woven into the fabric of society, these essays cross boundaries and shed light on the complexities of American life.
Author: Beth B. Hess
Publisher: Transaction Publishers
ISBN: 9781412824859
Category : Social Science
Languages : en
Pages : 638
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Book Description
Modern industrial societies are characterized by long-term declines in fertility and steady increases in life expectancy. Together, these trends result in an aging population. The United States is no exception; since 1969 the median age has risen from 29.4 to a projected 36.4 in the year 2000. This fourth edition of the standard reader on the sociology of aging has been completely revised, with 90 percent new material, to reflect new information and new issues in this rapidly developing field. Students and practicing professionals will find it a lively, accessible overview.
Author: Beth Hess
Publisher: Routledge
ISBN: 1000677133
Category : Psychology
Languages : en
Pages : 521
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Book Description
Modern industrial societies are characterized by long-term declines in fertility and steady increases in life expectancy. Together, these trends result in an aging population. The United States is no exception; since 1969 the median age has risen from 29.4 to a projected 36.4 in the year 2000. This fourth edition of the standard reader on the sociology of aging has been completely revised, with 90 percent new material, to reflect new information and new issues in this rapidly developing field. Students and practicing professionals will find it a lively, accessible overview.
Author: Constancio R. Arnaldo, Jr.
Publisher: NYU Press
ISBN: 147982092X
Category : Social Science
Languages : en
Pages : 126
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Book Description
Examines the significance of sports in the lives of diasporic Filipino Americans Organized sports have occupied a central place in Filipino American life since US colonialism began in the Philippines in 1898. For Filipino diasporas in the United States, sports are important cultural sites through which men and women cultivate a sense of ethnic community and belonging to the American national fabric. Sports studies focused on Asian America have tended to focus on East Asians, largely ignoring Filipinos. Thus, we know very little about how sports work as critical arenas to understand larger questions about Filipino identity formations, racialization, gender dynamics, diasporic contours, and post-colonial sporting cultures. This book offers an in-depth ethnographic examination of the significance of sports to the lives of Filipino Americans under the shadow of US empire and neocolonial inequities. Through a close examination of Filipino American sporting cultures—from boxing and the Manny “Pac-Man” Pacquiao phenomenon to men’s basketball leagues to women’s flag football—this book shows how engagements with sports reveal the shifting nature of Filipino Americanness and Filipino American subjectivity. Drawing on over four years of data collected in Southern California, Las Vegas, Urbana-Champaign, and Arlington, Constancio R. Arnaldo, Jr. documents the intimate connections among Filipino American sports, transnationalism, and diasporic belonging. Filipino American Sporting Cultures adds an important voice to the body of work using sports as a lens to look at US culture and communities of color.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author: Dan Sullivan
Publisher:
ISBN: 9781896635118
Category :
Languages : en
Pages : 154
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Book Description
Author: Elsie Irwin Sweeney Professor of Music Steve Waksman
Publisher: Oxford University Press
ISBN: 0197570534
Category : Music
Languages : en
Pages : 705
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Book Description
When the Swedish concert singer Jenny Lind toured the U.S. in 1850, she became the prototype for the modern pop star. Meanwhile, her manager, P.T. Barnum, became the prototype for another figure of enduring significance: the pop culture impresario. Starting with Lind's fabled U.S. tour and winding all the way into the twenty-first century, Live Music in America surveys the ongoing impact and changing conditions of live music performance in the U.S. It covers a range of historic performances, from the Fisk Jubilee Singers expanding the sphere of African American music in the 1870s, to Benny Goodman bringing swing to Carnegie Hall in 1938, to 1952's Moondog Coronation Ball in Cleveland - arguably the first rock and roll concert - to Beyoncé's boundary-shattering performance at the 2018 Coachella festival. More than that, the book details the roles played by performers, audiences, media commentators, and a variety of live music producers (promoters, agents, sound and stage technicians) in shaping what live music means and how it has evolved. Live Music in America connects what occurs behind the scenes to what takes place on stage to highlight the ways in which live music is very deliberately produced and does not just spontaneously materialize. Along the way, author Steve Waksman uses previously unstudied archival materials to shed new light on the origins of jazz, the emergence of rock 'n' roll, and the rise of the modern music festival.
Author: Klaus P. Fischer
Publisher: A&C Black
ISBN: 9780826418166
Category : History
Languages : en
Pages : 476
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Book Description
Numerous studies on various aspects of the issues of the 1960s have been written over the past 35 years, but few have so successfully integrated the many-sided components into a coherent, synthetic, and reliable book that combines good storytelling with sound scholarly analysis.
Author: Jairo Moreno
Publisher: University of Chicago Press
ISBN: 0226825671
Category : Music
Languages : en
Pages : 375
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Book Description
How is Latin American music heard, by whom, and why? Many in the United States believe Latin American musicians make “Latin music”—which carries with it a whole host of assumptions, definitions, and contradictions. In their own countries, these expatriate musicians might generate immense national pride or trigger suspicions of “national betrayals.” The making, sounding, and hearing of “Latin music” brings into being the complex array of concepts that constitute “Latin Americanism”—its fissures and paradoxes, but also its universal aspirations. Taking as its center musicians from or with declared roots in Latin America, Jairo Moreno presents us with an innovative analysis of how and why music emerges as a necessary but insufficient shorthand for defining and understanding Latin American, Latinx, and American experiences of modernity. This close look at the growth of music-making by Latin American and Spanish-speaking musicians in the United States at the turn of the twenty-first century reveals diverging understandings of music’s social and political possibilities for participation and belonging. Through the stories of musicians—Rubén Blades, Shakira, Arturo O’Farrill and the Afro-Latin Jazz Orchestra, and Miguel Zenón—Sounding Latin Music, Hearing the Americas traces how artists use music to produce worlds and senses of the world at the ever-transforming conjunction of Latin America and the United States.
Author: Ignacio Corona
Publisher: Lexington Books
ISBN: 9780739118214
Category : Music
Languages : en
Pages : 260
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Book Description
Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. "Hybridity," "postnationalism," "transnationalism," "globalization," "diaspora," and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification.
