Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Critical Survey of Poetry
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Critical Survey of Poetry
Author: Rosemary M. Canfield Reisman
Publisher:
ISBN: 9781587657634
Category : Poetry
Languages : en
Pages : 0
Book Description
Contains 72 essays on poetry from around the world.
Publisher:
ISBN: 9781587657634
Category : Poetry
Languages : en
Pages : 0
Book Description
Contains 72 essays on poetry from around the world.
Critical Survey of American Literature
Author: Steven G. Kellman
Publisher: Salem Press
ISBN: 9781682171288
Category : American literature
Languages : en
Pages : 3000
Book Description
An indespensible guide to over 400 authors, with in-depth analyses of their significant works of fiction, drama, nonfiction, young adult literature, and poetry.
Publisher: Salem Press
ISBN: 9781682171288
Category : American literature
Languages : en
Pages : 3000
Book Description
An indespensible guide to over 400 authors, with in-depth analyses of their significant works of fiction, drama, nonfiction, young adult literature, and poetry.
Critical Survey of World Literature: Africa
Author: Robert C. Evans
Publisher: Salem Press
ISBN: 9781682176160
Category : Auteurs
Languages : en
Pages : 500
Book Description
A unique combination of biography and critical analysis, covering major writers from outside the United States and their significant works in fiction, drama, poetry, and nonfiction. A companion to the award-winning Critical Survey of American Literature, this comprehensive, six-volume set profiles major authors of fiction, drama, poetry, and essays, each with sections on biography, general analysis, and analysis of the author's most important works--novels, short stories, poems, and works of nonfiction. The completely updated edition covers 400 writers at the heart of literary studies, and now, volumes will be arranged by world region. This edition includes new coverage of contemporary authors from around the globe. Among the new authors profiled in this set are such well-known authors as Chimamanda Ngozi Adichie, Aravind Adiga, Reinaldo Arenas, J.G. Ballard, Alberto Fuguet, Marlon James, Yann Martel, Patrick Modiano, Orhan Pamuk, Will Self and Jorge Volpi. The literary scope of this reference work is remarkable. Plus, many original essays have been revised. The Biography, Analysis, and Summary sections are updated to include recent developments, and essays have newly updated bibliographies to provide readers with the latest information on the author's works and sources for further consultation. All essays include Discussion Topics, provocative questions that will prompt classroom debates on the writer's body of work, specific works, or life as it relates to his or her literature. Aimed at students, teachers, and members of reading groups, they can be used as paper topics or conversation points. In addition, phonetic pronunciation is provided for an author's foreign-language or unusual last name, and a Pronunciation Key appears at the beginning of all six volumes. Five helpful features can be found at the end of each volume: a Glossary; a Category List that groups authors by genre, country, gender, and ethnic identity; an Author Index that lists all authors covered in the set along with their works; a Title Index of all works covered in the set; and a Geographical List which groups the authors by country.
Publisher: Salem Press
ISBN: 9781682176160
Category : Auteurs
Languages : en
Pages : 500
Book Description
A unique combination of biography and critical analysis, covering major writers from outside the United States and their significant works in fiction, drama, poetry, and nonfiction. A companion to the award-winning Critical Survey of American Literature, this comprehensive, six-volume set profiles major authors of fiction, drama, poetry, and essays, each with sections on biography, general analysis, and analysis of the author's most important works--novels, short stories, poems, and works of nonfiction. The completely updated edition covers 400 writers at the heart of literary studies, and now, volumes will be arranged by world region. This edition includes new coverage of contemporary authors from around the globe. Among the new authors profiled in this set are such well-known authors as Chimamanda Ngozi Adichie, Aravind Adiga, Reinaldo Arenas, J.G. Ballard, Alberto Fuguet, Marlon James, Yann Martel, Patrick Modiano, Orhan Pamuk, Will Self and Jorge Volpi. The literary scope of this reference work is remarkable. Plus, many original essays have been revised. The Biography, Analysis, and Summary sections are updated to include recent developments, and essays have newly updated bibliographies to provide readers with the latest information on the author's works and sources for further consultation. All essays include Discussion Topics, provocative questions that will prompt classroom debates on the writer's body of work, specific works, or life as it relates to his or her literature. Aimed at students, teachers, and members of reading groups, they can be used as paper topics or conversation points. In addition, phonetic pronunciation is provided for an author's foreign-language or unusual last name, and a Pronunciation Key appears at the beginning of all six volumes. Five helpful features can be found at the end of each volume: a Glossary; a Category List that groups authors by genre, country, gender, and ethnic identity; an Author Index that lists all authors covered in the set along with their works; a Title Index of all works covered in the set; and a Geographical List which groups the authors by country.
Feeling as a Foreign Language
Author: Alice Fulton
Publisher: Farrar, Strauss & Giroux-3pl
ISBN:
Category : Literary Collections
Languages : en
Pages : 324
Book Description
In Feeling as a Foreign Language, Alice Fulton considers poetry's uncanny ability to access and recreate emotions so wayward they go unnamed. Fulton contemplates topics ranging from the intricacies of a rare genetic syndrome to fractals from the aesthetics of complexity theory to the need for "cultural incorrectness." Along the way, she falls in love with an outrageous 17th century poet, argues for a Dickinsonian tradition in American letters, and calls for a courageous poetics of inconvenient knowledge.
Publisher: Farrar, Strauss & Giroux-3pl
ISBN:
Category : Literary Collections
Languages : en
Pages : 324
Book Description
In Feeling as a Foreign Language, Alice Fulton considers poetry's uncanny ability to access and recreate emotions so wayward they go unnamed. Fulton contemplates topics ranging from the intricacies of a rare genetic syndrome to fractals from the aesthetics of complexity theory to the need for "cultural incorrectness." Along the way, she falls in love with an outrageous 17th century poet, argues for a Dickinsonian tradition in American letters, and calls for a courageous poetics of inconvenient knowledge.
Critical Survey of Poetry
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 527
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 527
Book Description
Critical Survey of Young Adult Literature
Author: Amy Pattee
Publisher: Salem Press
ISBN: 9781619259713
Category : Authors, American
Languages : en
Pages : 0
Book Description
Provides thoughtful examination of the authors, works, genres, themes and film adaptations that have contributed to the popularity and success of the young adult genre.
Publisher: Salem Press
ISBN: 9781619259713
Category : Authors, American
Languages : en
Pages : 0
Book Description
Provides thoughtful examination of the authors, works, genres, themes and film adaptations that have contributed to the popularity and success of the young adult genre.
Who Killed American Poetry?
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Violence in Literature
Author: Stacy Peebles
Publisher: Salem PressInc
ISBN: 9781619254091
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
Our oldest stories are about conflict. This collection draws together discussions of violence in storytelling from a number of perspectives. Historical contexts range from ancient Greece to postcolonial Africa to the American West, and topics considered include the role of the witness, how place affects our understanding of conflict, the aestheticization of violence, how trauma is written on the body, and contemporary war stories.
Publisher: Salem PressInc
ISBN: 9781619254091
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
Our oldest stories are about conflict. This collection draws together discussions of violence in storytelling from a number of perspectives. Historical contexts range from ancient Greece to postcolonial Africa to the American West, and topics considered include the role of the witness, how place affects our understanding of conflict, the aestheticization of violence, how trauma is written on the body, and contemporary war stories.
A Reference Guide for English Studies
Author: Michael J. Marcuse
Publisher: Univ of California Press
ISBN: 0520321871
Category :
Languages : en
Pages : 2816
Book Description
Publisher: Univ of California Press
ISBN: 0520321871
Category :
Languages : en
Pages : 2816
Book Description