Criminological Understandings of Horror Films PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Criminological Understandings of Horror Films PDF full book. Access full book title Criminological Understandings of Horror Films by Krista S. Gehring. Download full books in PDF and EPUB format.
Author: Krista S. Gehring
Publisher: Rowman & Littlefield
ISBN: 1666946710
Category : Performing Arts
Languages : en
Pages : 265
Get Book Here
Book Description
This book examines horror films through a critical criminological lens. Each chapter considers how the genre impacts audiences and their understanding of topics like place, crime, and identity.
Author: Krista S. Gehring
Publisher: Rowman & Littlefield
ISBN: 1666946710
Category : Performing Arts
Languages : en
Pages : 265
Get Book Here
Book Description
This book examines horror films through a critical criminological lens. Each chapter considers how the genre impacts audiences and their understanding of topics like place, crime, and identity.
Author: David Grčki
Publisher: Taylor & Francis
ISBN: 1040021026
Category : Performing Arts
Languages : en
Pages : 143
Get Book Here
Book Description
Standing at the intersection of criminology and philosophy, this book demonstrates the ways in which mythic movies and television series can provide an understanding of actual crimes and social harms. Taking three social problems as its subjects – capitalist political economy, structural injustice, and racism – the book explores the ways in which David Fincher’s Fight Club (1999), HBO’s Game of Thrones (2011–2019), and Jordan Peele’s Us (2019) offer solutions by reconceiving justice in terms of personal and collective transformation, utopian thinking, and the relationship between racism and elitism, respectively. In doing so, the authors set out a theory of understanding the world based on cinematic and televisual works of art and conclude with a template that establishes a methodology for future use. An Epistemology of Criminological Cinema is authoritative and accessible, ideal reading for undergraduate and postgraduate students, criminologists, philosophers, and film, television, and literary critics with an interest in social justice and social harm.
Author: Nicole Hahn Rafter
Publisher: NYU Press
ISBN: 0814745296
Category : Law
Languages : en
Pages : 241
Get Book Here
Book Description
From a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. Criminology Goes to the Movies connects with ways in which students are already thinking criminologically through engagements with popular culture, encouraging them to use the everyday world as a vehicle for theorizing and understanding both crime and perceptions of criminality. The first work to bring a systematic and sophisticated criminological perspective to bear on crime films, Rafter and Brown's book provides a fresh way of looking at cinema, using the concepts and analytical tools of criminology to uncover previously unnoticed meanings in film, ultimately making the study of criminological theory more engaging and effective for students while simultaneously demonstrating how theories of crime circulate in our mass-mediated worlds. The result is an illuminating new way of seeing movies and a delightful way of learning about criminology.
Author: Sheila Brown
Publisher: McGraw-Hill Education (UK)
ISBN: 0335224407
Category : Law
Languages : en
Pages : 272
Get Book Here
Book Description
Reviewers’ comments on the first edition “This is an excellent introductory textbook on youth and crime. It is excellent not only in its analysis of criminological questions about youthful offending, but also because it positions the debate within a wider context of the relationship between young people and society.” Young People Now “The style is lively and readable, and the reader is pointed unobtrusively within the text towards the work of the leading authors in the field… a thorough and thoughtful introduction to the subject.” Social Policy “a critical and scholarly summary of the state of research and theorizing around ‘youth and crime’ … This book provides a useful and challenging overview of the topic for undergraduate students.” The Times Higher Education Supplement This book is an accessible introduction to the subject of youth and crime. The author explores the social construction of childhood and youth, and looks at the role of the media in creating a strong association of young people with crime and disorder, which sustains processes of marginalization and exclusion and leads to frequent ‘panics’ about youth crime. The importance of media representations of race and gender in these processes are also explored. The second edition is substantially revised and updated to take account of new political events and legislative developments, including: A new chapter on the phenomenon of ‘cybercrime’ A critical examination of recent developments in youth justice policy A new chapter on the impact of globalization on young people, which raises major issues around poverty, war and the commercial exploitation of children. This is a key text for students in criminology, sociology, social policy, and cultural studies.
Author: Joan Braune
Publisher: Taylor & Francis
ISBN: 1003831133
Category : Political Science
Languages : en
Pages : 171
Get Book Here
Book Description
This book is based on the premise that understanding fascism is crucial for defeating it. Understanding and Countering Fascist Movements suggests fascism must be understood according to two “dimensions.” First, fascism is a social movement seeking power, always already connected to sources of power. Hence, fascism cannot be defeated by policing it as a crime problem, nor therapeutically treating it as a pathology of mental health. Second, fascists have cognitive and emotional needs they are seeking to fulfill through their participation in the movement, but the presence of these motivations must be held in tension with the fact that fascists are responsible for their choices and that these individual motivations also exist in a wider social context of capitalism and systems of supremacy. The book opens by examining some psychological elements of recruitment and disengagement from fascist movements, before addressing broader social narratives, concluding with the limitations of an approach that is grounded in the national security state that relies on individualized, perpetrator-centered interventions. Rejecting centrist paradigms that see fascism as “extremism” or “accelerationism,” Braune argues that fascism must be addressed in its specificity and uniqueness as an ideology and movement. Ultimately, she argues, fascism can only be defeated by countervailing social movements that not only demand radical social change but offer alternative spaces of belonging, community care, and the search for meaning. Understanding and Countering Fascist Movements is a philosophical contribution to antifascist theory and practice that will be appreciated by academics, students, and activists concerned about fascism today.
Author: Caroline Joan "Kay" S. Picart
Publisher: Rowman & Littlefield
ISBN: 1611477069
Category : Law
Languages : en
Pages : 539
Get Book Here
Book Description
This cutting-edge edited collection brings together 17 scholarly essays on two of cinema and television’s most enduring and powerful themes: law and crime. With contributions by many of the most prominent scholars in law, sociology, criminology, and film, Framing Law and Crime offers a critical survey of a variety of genres and media, integrating descriptions of technique with critical analysis, and incorporating historical and socio-political critique. The first set of essays brings together accounts of the history of the Law and Cinema Movement; the groundbreaking genre of “post-apocalyptic fiction;” and the policy-setting genesis of a Canadian documentary. The second section of the book turns to the examination of a range of international or global films, with an eye to assessing the strengths, frailties, and possible functions of law, as depicted in fictional cinema. After an international focus in the second section, the third section focuses on law and crime in American film and television, inclusive of both fictional and documentary modes of narration. This section’s expansion beyond film narratives to include television series attempts to broaden the scope of the edited collection, in terms of media discussed; it is also a nod to how the big screen, although still a dominant force in American popular culture, now has to compete, to some extent, with the small screen, for influence over the collective American popular cultural imaginary. The fourth section, titled brings together various chapters that attempt to instantiate how a “Gothic Criminology” could be useful, as an interpretative framework in analyzing depictions of law and crime in film and television. The fifth and final section covers issues of pedagogy, epistemology, and ethics in relation to moving images of law and crime. Merging wide-ranging analyses with nuanced scholarly interpretations, Framing Law and Crime examines key concepts and showcases original research reflecting the latest interdisciplinary trends in the scholarship of the moving image. It addresses, not only scholars, but also fans, and will heighten the appreciation of connoisseurs and newcomers to these topics alike.
Author: Johannes Wheeldon
Publisher: Routledge
ISBN: 1000431762
Category : Social Science
Languages : en
Pages : 400
Get Book Here
Book Description
This edited collection captures the expertise of scholars from the US, the UK, Australia, and Canada to catalog the rise in visual approaches in criminology. It presents examples of visual methods, uses, and approaches in criminology; assesses the potential for new graphic approaches to collect, analyze, and present data; and provides some analysis of the use of images in teaching, to spur social critique, and guide policy translation. The collection visually connects theory and practice by highlighting the work of criminologists who have embraced the visual turn. Contributors explore the use of cognitive maps, concept and mind maps, life history calendars, CCTV, life plots, GIS and hot spot research, policy graphs, visual abstracts and research summaries,and other visual tools in the context of criminology. Approaches building on visual sociology are also featured, including a discussion of developments in documentary photography and film, visual ethnography, and sensory phenomenology. The book is organized thematically, with each chapter following logically upon the last, introducing readers to a variety of visual approaches and their application in criminology. The goals of this collected volume are three-fold. The first is to highlight how the visual has been used in criminology historically to present data, contest meaning and complicate social control, and make more transparent the research process. The second is to work toward some sort of definitional consistency. While a worthy endeavor, this remains elusive given the assortment of uses and varying traditions from which visual criminology has emerged. The third is to try to think clearly about the role of humility. This means a willingness to acknowledge an epistemological framework and note the variety of limitations associated with trying to understand in deep and meaningful ways. For visual criminology specifically, it involves the recognition that part of the power of images (whatever their construction), comes from whether we think they are beautiful or whether and/or to what extent they disrupt our understanding in one way or another. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, historians and those engaged with media studies. It is a valuable supplementary text for courses in introductory criminology and criminal justice, criminological theory, research methods, and other upper-level and senior capstone courses.
Author: Russil Durrant
Publisher: Routledge
ISBN: 1317230817
Category : Social Science
Languages : en
Pages : 556
Get Book Here
Book Description
This book offers a clear, up-to-date, comprehensive, and theoretically informed introduction to criminal psychology, exploring how psychological explanations and approaches can be integrated with other perspectives drawn from evolutionary biology, neurobiology, sociology, and criminology. Drawing on examples from around the world, it considers different types of offences from violence and aggression to white-collar and transnational crime, and links approaches to explaining crime with efforts to prevent crime and to treat and rehabilitate offenders. This revised and expanded second edition offers a thorough update of the research literature and introduces several new features, including: detailed international case studies setting the scene for each chapter, promoting real-world understanding of the topics under consideration; a fuller range of crime types covered, with new chapters on property offending and white-collar, corporate, and environmental crime; detailed individual chapters exploring prevention and rehabilitation, previously covered in a single chapter in the first edition; an array of helpful features including learning objectives, review and reflect checkpoints, annotated lists of further reading, and two new features: ‘Research in Focus’ and ‘Criminal Psychology Through Film’. This textbook is essential reading for upper undergraduate students enrolled in courses on psychological criminology, criminal psychology, and the psychology of criminal behaviour. Designed with the reader in mind, student-friendly and innovative pedagogical features support the reader throughout.
Author: Fernando Gabriel Pagnoni Berns
Publisher: Rowman & Littlefield
ISBN: 1793647062
Category : Social Science
Languages : en
Pages : 243
Get Book Here
Book Description
Contemporary Japanese horror is deeply rooted in the folklore of its culture, with fairy tales-like ghost stories embedded deeply into the social, cultural, and religious fabric. Ever since the emergence of the J-horror phenomenon in the late 1990s with the opening and critical success of films such as Hideo Nakata’s The Ring (Ringu, 1998) or Takashi Miike’s Audition (Ôdishon, 1999), Japanese horror has been a staple of both film studies and Western culture. Scholars and fans alike throughout the world have been keen to observe and analyze the popularity and roots of the phenomenon that took the horror scene by storm, producing a corpus of cultural artefacts that still resonate today. Further, Japanese horror is symptomatic of its social and cultural context, celebrating the fantastic through female ghosts, mutated lizards, posthuman bodies, and other figures. Encompassing a range of genres and media including cinema, manga, video games, and anime, this book investigates and analyzes Japanese horror in relation with trauma studies (including the figure of Godzilla), the non-human (via grotesque bodies), and hybridity with Western narratives (including the linkages with Hollywood), thus illuminating overlooked aspects of this cultural phenomenon.
Author: Isabel Cristina Pinedo
Publisher: State University of New York Press
ISBN: 1438416164
Category : Social Science
Languages : en
Pages : 198
Get Book Here
Book Description
In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.
