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Author: Israel M. Ta-Shma
Publisher: Harvard University Press
ISBN:
Category : Family & Relationships
Languages : en
Pages : 264
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Book Description
This volume brings together 16 of Ta-Shma's outstanding studies (4 published here for the first time). These essays focus on leading rabbinic scholars and their writings as well as important issues of Jewish intellectual history, such as the nature of halakhah and aggadah; kabbalah and spirituality; childhood; and popular religion.
Author: Israel M. Ta-Shma
Publisher: Harvard University Press
ISBN:
Category : Family & Relationships
Languages : en
Pages : 264
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Book Description
This volume brings together 16 of Ta-Shma's outstanding studies (4 published here for the first time). These essays focus on leading rabbinic scholars and their writings as well as important issues of Jewish intellectual history, such as the nature of halakhah and aggadah; kabbalah and spirituality; childhood; and popular religion.
Author: Raymond Aaron Silverman
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 348
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Book Description
Ethiopia: Traditions of Creativity presents the work of fifteen contemporary Ethiopian artists and essays on Ethiopia's artistic traditions by twelve scholars from various countries and academic disciplines.
Author: Alexander M. Cannon
Publisher: Wesleyan University Press
ISBN: 0819580813
Category : Music
Languages : en
Pages : 305
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Book Description
For artists, creativity plays a powerful role in understanding, confronting, and negotiating the crises of the present. Seeding the Tradition explores conflicting creativities in traditional music in Hõ Chí Minh City, the Mekong Delta, and the Vietnamese diaspora, and how they influence contemporary southern Vietnamese culture. The book centers on the ways in which musicians of đón ca tài tù, a "music for diversion," practice creativity or sáng tạo in early 21st-century southern Vietnam. These musicians draw from long-standing theories of primarily Daoist creation while adopting strategically from and also reacting to a western neo-liberal model of creativity focused primarily—although not exclusively—on the individual genius. They play with metaphors of growth, development, and ruin to not only maintain their tradition but keep it vibrant in the rapidly-shifting context of modern Vietnam. With ethnographic descriptions of zither lessons in Hõ Chi Minh City, outdoor music cafes in Cãn Thơ, and television programs in Đõng Tháp, Seeding the Tradition offers a rich description of southern Vietnamese sáng tạo and suggests revised approaches to studying creativity in contemporary ethnomusicology.
Author: Daniel Biebuyck
Publisher: Univ of California Press
ISBN: 0520324145
Category : Non-Classifiable
Languages : en
Pages : 422
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Book Description
Author: Richard W. Hill (Sr.)
Publisher: Institute of American Indian Arts
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 332
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Book Description
Author: Andreas Reckwitz
Publisher: John Wiley & Sons
ISBN: 0745697070
Category : Social Science
Languages : en
Pages : 300
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Book Description
Contemporary society has seen an unprecedented rise in both the demand and the desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture and an imperative in many parts of society. In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the ‘creative industries’ and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars, and the urban design of ‘creative cities’. Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day. Though we may well perceive creativity as the realization of some natural and innate potential within us, it has rather to be understood within the structures of a very specific culture of the new in late modern society. The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticization. It will be of great interest to those working in a variety of disciplines, from cultural and social theory to art history and aesthetics.
Author: Emily Urquhart
Publisher: House of Anansi
ISBN: 1487005326
Category : Biography & Autobiography
Languages : en
Pages : 169
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Book Description
A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of Beyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes. “The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from The Age of Creativity It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time? The Age of Creativity is a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.
Author: Hyelim Kim
Publisher:
ISBN: 9781032129037
Category : Taegŭm
Languages : en
Pages : 183
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Book Description
"Tradition and Creativity in Korean Taegŭm Flute Performance describes the taegŭm as a representation of Korean culture in the contemporary world. Through the development and performance of creative works, this horizontal bamboo flute reflects both tradition and contemporary creativity. The first part of the book outlines the historical background of the taegŭm. The author illuminates the potential future of the Korean flute in a globalised world through the analyses of three musical works for taegŭm. The second part of the book draws on approaches of Practice Research within ethnomusicology and sociology to examine the ways in which the taegŭm tradition interacts with, and responds to, different genres in performance. Documenting collaborative encounters with musicians from three musical cultures: jazz, Western art and electroacoustic music, the result is an innovative exploration of the musical and social relationships between composers, performers and audiences in intercultural performances, contrasting traditional uses of the taegŭm with perspectives on its use today"--
Author: Stefania Palmisano
Publisher: Springer
ISBN: 331961097X
Category : Religion
Languages : en
Pages : 234
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Book Description
This book explores manifestations of creativity in the religious domain. Specifically, the contributions focus on the nexus of the sacred and the creative, and the mechanisms of syncretism and (re)invention of tradition by which this manifestations occur. The text is divided into two sections. In the first, empirical cases of spirituality characterized by syncretistic processes are highlighted; in the second, examples which can be traced back to forms of the (re)invention of tradition are examined. The authors document possible forms of adaptations and religious enculturation. In the second, the authors demonstrate that spiritual traditions, whether ancient or historically fictitious, are suitable for reframing in the context of critical interpretative frameworks related to cultural expectations which challenge them and call their continuity into question.
