Author: Ralph Levinson
Publisher: Wellcome Trust
ISBN: 1841290777
Category : Mass media in education
Languages : en
Pages : 211
Book Description
Creative Encounters
Author: Ralph Levinson
Publisher: Wellcome Trust
ISBN: 1841290777
Category : Mass media in education
Languages : en
Pages : 211
Book Description
Publisher: Wellcome Trust
ISBN: 1841290777
Category : Mass media in education
Languages : en
Pages : 211
Book Description
Creative Encounters
Author: Rodney Castleden
Publisher: Canary Press eBooks
ISBN: 1908698438
Category : History
Languages : en
Pages : 153
Book Description
This e-book is an extract from Encounters that Changed the World and is also available as part of that complete publication. The great Renaissance artist Michelangelo loved young men. In 1532 he began a courtship with the love of his life. But Tommaso Cavalieri came from a distinguished, conventional Roman family and was shocked by the artist’s passion. Michelangelo’s unrequited love profoundly affected his art, and legend has it that Christ’s face in the Sistine Chapel is Cavalieri’s. Read about their relationship and many other creative encounters that changed the world.
Publisher: Canary Press eBooks
ISBN: 1908698438
Category : History
Languages : en
Pages : 153
Book Description
This e-book is an extract from Encounters that Changed the World and is also available as part of that complete publication. The great Renaissance artist Michelangelo loved young men. In 1532 he began a courtship with the love of his life. But Tommaso Cavalieri came from a distinguished, conventional Roman family and was shocked by the artist’s passion. Michelangelo’s unrequited love profoundly affected his art, and legend has it that Christ’s face in the Sistine Chapel is Cavalieri’s. Read about their relationship and many other creative encounters that changed the world.
Creative Encounters, Appreciating Difference
Author: Sam Gill
Publisher: Rowman & Littlefield
ISBN: 1498580882
Category : Religion
Languages : en
Pages : 273
Book Description
Across the world from personal relationships to global politics, differences—cultural, religious, racial, gender, age, ability—are at the heart of the most disruptive and disturbing concerns. While it is laudable to nurture an environment promoting the tolerance of difference, Creative Encounters, Appreciating Difference argues for the higher goal of actually appreciating difference as essential to creativity and innovation, even if often experienced as stressful and complex. Even encounters that are apparently harmful and negatively valued (arguments, conflict, war, oppression) usually heighten the potential for creativity, innovation, movement, action, and identity. Drawing on classic encounters that have played a significant role in the founding of the academic study of religion and the social sciences, this book explores in some depth the dynamics of encounter to reveal both its problematic and creative aspects and to develop perspectives and strategies to assure encounters both include the appreciation of difference and also are recognized as creative and innovative. The two examples most extensively considered show that the academic study of the peoples indigenous to North America and to Australia involved creative constructions (concoctions) of primary examples in order to establish and give authority to academic theories and definitions. Rather than damning these examples as “bad scholarship,” this book considers them to be encounters engendering creative constructions that are distinctive to academia, yet their potential for harm must be understood. Most important to the book is a persistent development of perspectives and strategies for understanding and approaching encounters in order to assure the appreciation of difference is accompanied by the potential for creativity and innovation. Specific perspectives and strategies are related to naming, moving, gesture, and play and, particularly relevant to religion, the development of an aesthetic of impossibles. Since these historical examples engage highly relevant present concerns —the distinction of real and fake, truth and lie, map and territory—the threading essays show how these more or less classic examples might contribute to appreciating these contemporary concerns that are generated in the presence of difference.
Publisher: Rowman & Littlefield
ISBN: 1498580882
Category : Religion
Languages : en
Pages : 273
Book Description
Across the world from personal relationships to global politics, differences—cultural, religious, racial, gender, age, ability—are at the heart of the most disruptive and disturbing concerns. While it is laudable to nurture an environment promoting the tolerance of difference, Creative Encounters, Appreciating Difference argues for the higher goal of actually appreciating difference as essential to creativity and innovation, even if often experienced as stressful and complex. Even encounters that are apparently harmful and negatively valued (arguments, conflict, war, oppression) usually heighten the potential for creativity, innovation, movement, action, and identity. Drawing on classic encounters that have played a significant role in the founding of the academic study of religion and the social sciences, this book explores in some depth the dynamics of encounter to reveal both its problematic and creative aspects and to develop perspectives and strategies to assure encounters both include the appreciation of difference and also are recognized as creative and innovative. The two examples most extensively considered show that the academic study of the peoples indigenous to North America and to Australia involved creative constructions (concoctions) of primary examples in order to establish and give authority to academic theories and definitions. Rather than damning these examples as “bad scholarship,” this book considers them to be encounters engendering creative constructions that are distinctive to academia, yet their potential for harm must be understood. Most important to the book is a persistent development of perspectives and strategies for understanding and approaching encounters in order to assure the appreciation of difference is accompanied by the potential for creativity and innovation. Specific perspectives and strategies are related to naming, moving, gesture, and play and, particularly relevant to religion, the development of an aesthetic of impossibles. Since these historical examples engage highly relevant present concerns —the distinction of real and fake, truth and lie, map and territory—the threading essays show how these more or less classic examples might contribute to appreciating these contemporary concerns that are generated in the presence of difference.
American Encounters
Author: Angela L. Miller
Publisher: Prentice Hall
ISBN: 9780130300041
Category : Art and society
Languages : en
Pages : 0
Book Description
"Contextual in approch, this text draws on socio-economic and political studies as well as histories of religion, science, literature, and popular culture, and explores the diverse, conflicted history of American art and architecture. Thematically interrelating the visual arts to other material artifacts and cultural practices, the text examines how artists and architects produced artwork that visually expressed various social and political values."--Publisher's website.
Publisher: Prentice Hall
ISBN: 9780130300041
Category : Art and society
Languages : en
Pages : 0
Book Description
"Contextual in approch, this text draws on socio-economic and political studies as well as histories of religion, science, literature, and popular culture, and explores the diverse, conflicted history of American art and architecture. Thematically interrelating the visual arts to other material artifacts and cultural practices, the text examines how artists and architects produced artwork that visually expressed various social and political values."--Publisher's website.
Creative Encounters
Author: Meadow Brook Art Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 36
Book Description
The Renaissance Considered as a Creative Phenomenon
Author: Subrata Dasgupta
Publisher: Routledge
ISBN: 1000514900
Category : History
Languages : en
Pages : 426
Book Description
By using the fresh investigative language of cognitive history, a symbiosis of the methods of cognitive science and historical inquiry, this book departs from almost all previous approaches to Renaissance studies. The Renaissance has attracted the attention of distinguished scholars from many different vantage points – political, social, economic, intellectual, and cultural. In this volume, Subrata Dasgupta sheds an alternative light on the Renaissance by considering it as a creative phenomenon. To be creative is to make history by producing material and/or abstract artifacts that are both new and consequential; to be creative also entails drawing on history and on the culture of the time. Most significantly, the creative process occurs in individual minds: it is a cognitive process of a very special kind. Beginning with a ‘prehistory’ set in classical Greece and medieval Islam, this book explores a variety of inventions and discoveries through the 14th–16th centuries, mainly in Italy, in humanities, painting, architecture, craft technology, anatomy, natural science, and engineering. This book will be of interest not only to Renaissance scholars but also to students interested in Renaissance history and the nature of the creative tradition.
Publisher: Routledge
ISBN: 1000514900
Category : History
Languages : en
Pages : 426
Book Description
By using the fresh investigative language of cognitive history, a symbiosis of the methods of cognitive science and historical inquiry, this book departs from almost all previous approaches to Renaissance studies. The Renaissance has attracted the attention of distinguished scholars from many different vantage points – political, social, economic, intellectual, and cultural. In this volume, Subrata Dasgupta sheds an alternative light on the Renaissance by considering it as a creative phenomenon. To be creative is to make history by producing material and/or abstract artifacts that are both new and consequential; to be creative also entails drawing on history and on the culture of the time. Most significantly, the creative process occurs in individual minds: it is a cognitive process of a very special kind. Beginning with a ‘prehistory’ set in classical Greece and medieval Islam, this book explores a variety of inventions and discoveries through the 14th–16th centuries, mainly in Italy, in humanities, painting, architecture, craft technology, anatomy, natural science, and engineering. This book will be of interest not only to Renaissance scholars but also to students interested in Renaissance history and the nature of the creative tradition.
Creative Encounters in the Classroom
Author: Byron G. Massialas
Publisher:
ISBN:
Category : Creative thinking
Languages : en
Pages : 296
Book Description
Publisher:
ISBN:
Category : Creative thinking
Languages : en
Pages : 296
Book Description
For Creative Geographies
Author: Harriet Hawkins
Publisher: Routledge
ISBN: 1135139679
Category : Social Science
Languages : en
Pages : 323
Book Description
This book provides the first sustained critical exploration, and celebration, of the relationship between Geography and the contemporary Visual Arts. With the growth of research in the Geohumanities and the Spatial Humanities, there is an imperative to extend and deepen considerations of the form and import of geography-art relations. Such reflections are increasingly important as geography-art intersections come to encompass not only relationships built through interpretation, but also those built through shared practices, wherein geographers work as and with artists, curators and other creative practitioners. For Creative Geographies features seven diverse case studies of artists’ works and exhibitions made towards the end of the twentieth and the beginning of the twentieth-first century. Organized into three analytic sections, the volume explores the role of art in the making of geographical knowledge; the growth of geographical perspectives as art world analytics; and shared explorations of the territory of the body, In doing so, Hawkins proposes an analytic framework for exploring questions of the geographical “work” art does, the value of geographical analytics in exploring the production and consumption of art, and the different forms of encounter that artworks develop, whether this be with their audiences, or their makers.
Publisher: Routledge
ISBN: 1135139679
Category : Social Science
Languages : en
Pages : 323
Book Description
This book provides the first sustained critical exploration, and celebration, of the relationship between Geography and the contemporary Visual Arts. With the growth of research in the Geohumanities and the Spatial Humanities, there is an imperative to extend and deepen considerations of the form and import of geography-art relations. Such reflections are increasingly important as geography-art intersections come to encompass not only relationships built through interpretation, but also those built through shared practices, wherein geographers work as and with artists, curators and other creative practitioners. For Creative Geographies features seven diverse case studies of artists’ works and exhibitions made towards the end of the twentieth and the beginning of the twentieth-first century. Organized into three analytic sections, the volume explores the role of art in the making of geographical knowledge; the growth of geographical perspectives as art world analytics; and shared explorations of the territory of the body, In doing so, Hawkins proposes an analytic framework for exploring questions of the geographical “work” art does, the value of geographical analytics in exploring the production and consumption of art, and the different forms of encounter that artworks develop, whether this be with their audiences, or their makers.
Creative Encounters
Author: Anne T. Polkingharn
Publisher: Littleton, Colo. : Libraries Unlimited
ISBN:
Category : Education
Languages : en
Pages : 152
Book Description
Exercises and activities designed to extend children's literature beyond story hour; to help children reason, draw, write, research, practice language patterns and discover personal interpretations of a particular story.
Publisher: Littleton, Colo. : Libraries Unlimited
ISBN:
Category : Education
Languages : en
Pages : 152
Book Description
Exercises and activities designed to extend children's literature beyond story hour; to help children reason, draw, write, research, practice language patterns and discover personal interpretations of a particular story.
Creative Encounters with Creative People
Author: Janice Gudeman
Publisher: Good Apple
ISBN: 9780866532587
Category : Biography & Autobiography
Languages : en
Pages : 148
Book Description
Contains brief biographies accompanied by lessons and activities to highlight the individual's goal setting abilities and success.
Publisher: Good Apple
ISBN: 9780866532587
Category : Biography & Autobiography
Languages : en
Pages : 148
Book Description
Contains brief biographies accompanied by lessons and activities to highlight the individual's goal setting abilities and success.