Author: Michael Chibnik
Publisher: University of Texas Press
ISBN: 0292782667
Category : Art
Languages : en
Pages : 308
Book Description
Since the mid-1980s, whimsical, brightly colored wood carvings from the Mexican state of Oaxaca have found their way into gift shops and private homes across the United States and Europe, as Western consumers seek to connect with the authenticity and tradition represented by indigenous folk arts. Ironically, however, the Oaxacan wood carvings are not a traditional folk art. Invented in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the first in-depth look at the international trade in Oaxacan wood carvings, including their history, production, marketing, and cultural representations. Drawing on interviews he conducted in the carving communities and among wholesalers, retailers, and consumers, he follows the entire production and consumption cycle, from the harvesting of copal wood to the final purchase of the finished piece. Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. He also fully discusses the effects on local communities of participating in the global market, concluding that the trade in Oaxacan wood carvings is an almost paradigmatic case study of globalization.
Crafting Tradition
Author: Michael Chibnik
Publisher: University of Texas Press
ISBN: 0292782667
Category : Art
Languages : en
Pages : 308
Book Description
Since the mid-1980s, whimsical, brightly colored wood carvings from the Mexican state of Oaxaca have found their way into gift shops and private homes across the United States and Europe, as Western consumers seek to connect with the authenticity and tradition represented by indigenous folk arts. Ironically, however, the Oaxacan wood carvings are not a traditional folk art. Invented in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the first in-depth look at the international trade in Oaxacan wood carvings, including their history, production, marketing, and cultural representations. Drawing on interviews he conducted in the carving communities and among wholesalers, retailers, and consumers, he follows the entire production and consumption cycle, from the harvesting of copal wood to the final purchase of the finished piece. Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. He also fully discusses the effects on local communities of participating in the global market, concluding that the trade in Oaxacan wood carvings is an almost paradigmatic case study of globalization.
Publisher: University of Texas Press
ISBN: 0292782667
Category : Art
Languages : en
Pages : 308
Book Description
Since the mid-1980s, whimsical, brightly colored wood carvings from the Mexican state of Oaxaca have found their way into gift shops and private homes across the United States and Europe, as Western consumers seek to connect with the authenticity and tradition represented by indigenous folk arts. Ironically, however, the Oaxacan wood carvings are not a traditional folk art. Invented in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the first in-depth look at the international trade in Oaxacan wood carvings, including their history, production, marketing, and cultural representations. Drawing on interviews he conducted in the carving communities and among wholesalers, retailers, and consumers, he follows the entire production and consumption cycle, from the harvesting of copal wood to the final purchase of the finished piece. Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. He also fully discusses the effects on local communities of participating in the global market, concluding that the trade in Oaxacan wood carvings is an almost paradigmatic case study of globalization.
Crafting Tradition
Author:
Publisher:
ISBN:
Category : Culture and tourism
Languages : en
Pages : 8
Book Description
Publisher:
ISBN:
Category : Culture and tourism
Languages : en
Pages : 8
Book Description
Crafting Wiccan Traditions
Author: Raven Grimassi
Publisher: Llewellyn Worldwide
ISBN: 9780738711089
Category : Body, Mind & Spirit
Languages : en
Pages : 246
Book Description
Would you like to embark on a transformative journey unlike any other? In this comprehensive guide, award-winning author Raven Grimassi shows you how to craft a Wiccan tradition that is imbued with your unique signature. Based upon your core beliefs, you can design a spiritual system that best reflects your personal needs. Choose a patron deity, work with egregores, create a Book of Shadows, conduct rituals to honor gods and goddesses—the possibilities are endless. Perfect for the solitary or group practitioner, this book will help you craft a coherent and empowering traditional structure that is based on strong Wiccan foundations, yet entirely your own. Call forth the power of Wiccan mythos as you explore the sacred circle, ritual and magical correspondences to nature, initiation rites, the eight Sabbats, and the Wheel of the Year. Pioneer your own spiritual tradition—and take the first step on your personalized path to the divine.
Publisher: Llewellyn Worldwide
ISBN: 9780738711089
Category : Body, Mind & Spirit
Languages : en
Pages : 246
Book Description
Would you like to embark on a transformative journey unlike any other? In this comprehensive guide, award-winning author Raven Grimassi shows you how to craft a Wiccan tradition that is imbued with your unique signature. Based upon your core beliefs, you can design a spiritual system that best reflects your personal needs. Choose a patron deity, work with egregores, create a Book of Shadows, conduct rituals to honor gods and goddesses—the possibilities are endless. Perfect for the solitary or group practitioner, this book will help you craft a coherent and empowering traditional structure that is based on strong Wiccan foundations, yet entirely your own. Call forth the power of Wiccan mythos as you explore the sacred circle, ritual and magical correspondences to nature, initiation rites, the eight Sabbats, and the Wheel of the Year. Pioneer your own spiritual tradition—and take the first step on your personalized path to the divine.
Stickley Style
Author: David M. Cathers
Publisher: Simon and Schuster
ISBN: 0684856034
Category : Architecture
Languages : en
Pages : 232
Book Description
An Archetype Press book.
Publisher: Simon and Schuster
ISBN: 0684856034
Category : Architecture
Languages : en
Pages : 232
Book Description
An Archetype Press book.
Crafting in the World
Author: Clare Burke
Publisher: Springer
ISBN: 3319650882
Category : Social Science
Languages : en
Pages : 290
Book Description
This volume expands understandings of crafting practices, which in the past was the major relational interaction between the social agency of materials, technology, and people, in co-creating an emergent ever-changing world. The chapters discuss different ways that crafting in the present is useful in understanding crafting experiences and methods in the past, including experiments to reproduce ancient excavated objects, historical accounts of crafting methods and experiences, craft revivals, and teaching historical crafts at museums and schools. Crafting in the World is unique in the diversity of its theoretical and multidisciplinary approaches to researching crafting, not just as a set of techniques for producing functional objects, but as social practices and technical choices embodying cultural ideas, knowledge, and multiple interwoven social networks. Crafting expresses and constitutes mental schemas, identities, ideologies, and cultures. The multiple meanings and significances of crafting are explored from a great variety of disciplinary perspectives, including anthropology, archaeology, sociology, education, psychology, women’s studies, and ethnic studies. This book provides a deep temporal range and a global geographical scope, with case studies ranging from Europe, Africa, and Asia to the Americas and a global internet website for selling home crafted items.
Publisher: Springer
ISBN: 3319650882
Category : Social Science
Languages : en
Pages : 290
Book Description
This volume expands understandings of crafting practices, which in the past was the major relational interaction between the social agency of materials, technology, and people, in co-creating an emergent ever-changing world. The chapters discuss different ways that crafting in the present is useful in understanding crafting experiences and methods in the past, including experiments to reproduce ancient excavated objects, historical accounts of crafting methods and experiences, craft revivals, and teaching historical crafts at museums and schools. Crafting in the World is unique in the diversity of its theoretical and multidisciplinary approaches to researching crafting, not just as a set of techniques for producing functional objects, but as social practices and technical choices embodying cultural ideas, knowledge, and multiple interwoven social networks. Crafting expresses and constitutes mental schemas, identities, ideologies, and cultures. The multiple meanings and significances of crafting are explored from a great variety of disciplinary perspectives, including anthropology, archaeology, sociology, education, psychology, women’s studies, and ethnic studies. This book provides a deep temporal range and a global geographical scope, with case studies ranging from Europe, Africa, and Asia to the Americas and a global internet website for selling home crafted items.
Kirstie Allsopp Craft
Author: Kirstie Allsopp
Publisher: Hodder & Stoughton
ISBN: 1444740156
Category : Crafts & Hobbies
Languages : en
Pages : 315
Book Description
'To my utter joy, crafts of every kind have made their way back into our lives - big style. They've shaken off their old-fashioned image and a whole new generation of people have embraced them. Join me on my voyage of discovery, meeting passionate crafters, learning the secrets of their amazing artistry and then, for my sins, trying to compete with them in craft competitions across the country.' Kirstie Allsopp Kirstie Allsopp's love affair with British crafts took off when she renovated her house in Devon. Now she takes to the road on a tour of the country to discover and celebrate the things that make Great Britain a nation of truly great crafters. Kirstie Allsopp Craft is an inspiring collection of projects that introduces you to traditional crafting skills in a fresh, modern way. From making your own family scrapbooks and appliqué cushions to jam-making and handmade bunting, Kirstie Allsopp Craft contains 50 practical projects to inspire you to have a go.
Publisher: Hodder & Stoughton
ISBN: 1444740156
Category : Crafts & Hobbies
Languages : en
Pages : 315
Book Description
'To my utter joy, crafts of every kind have made their way back into our lives - big style. They've shaken off their old-fashioned image and a whole new generation of people have embraced them. Join me on my voyage of discovery, meeting passionate crafters, learning the secrets of their amazing artistry and then, for my sins, trying to compete with them in craft competitions across the country.' Kirstie Allsopp Kirstie Allsopp's love affair with British crafts took off when she renovated her house in Devon. Now she takes to the road on a tour of the country to discover and celebrate the things that make Great Britain a nation of truly great crafters. Kirstie Allsopp Craft is an inspiring collection of projects that introduces you to traditional crafting skills in a fresh, modern way. From making your own family scrapbooks and appliqué cushions to jam-making and handmade bunting, Kirstie Allsopp Craft contains 50 practical projects to inspire you to have a go.
Crafting Qualitative Research: Working in the Postpositivist Traditions
Author: Pushkala Prasad
Publisher: Routledge
ISBN: 1317473698
Category : Business & Economics
Languages : en
Pages : 350
Book Description
Courses in management research have traditionally focused on quantitative techniques, and no available text adequately covers the many different perspectives within the qualitative model or shows which qualitative techniques work best in different settings. "Crafting Qualitative Research" fills this need. In clear and readable prose, this comprehensive text offers a detailed guide to the rich diversity of qualitative research traditions, with examples and applications specifically designed for the field of management. Each of the book's four main sections includes a descriptive "tree" diagram that lays out the historical origins of that section's traditions. Each chapter is devoted to a specific methodology and includes historical origins and development; techniques and applications; current controversies and emerging issues; and a summary box highlighting that method's utility. With its detailed and easy-to-understand coverage, this will be the text of choice for any instructor who wants to include the qualitative approach in a research methods course, as well as a useful resource for anyone doing research in the post-positivist traditions.
Publisher: Routledge
ISBN: 1317473698
Category : Business & Economics
Languages : en
Pages : 350
Book Description
Courses in management research have traditionally focused on quantitative techniques, and no available text adequately covers the many different perspectives within the qualitative model or shows which qualitative techniques work best in different settings. "Crafting Qualitative Research" fills this need. In clear and readable prose, this comprehensive text offers a detailed guide to the rich diversity of qualitative research traditions, with examples and applications specifically designed for the field of management. Each of the book's four main sections includes a descriptive "tree" diagram that lays out the historical origins of that section's traditions. Each chapter is devoted to a specific methodology and includes historical origins and development; techniques and applications; current controversies and emerging issues; and a summary box highlighting that method's utility. With its detailed and easy-to-understand coverage, this will be the text of choice for any instructor who wants to include the qualitative approach in a research methods course, as well as a useful resource for anyone doing research in the post-positivist traditions.
Crafting an Indigenous Nation
Author: Jenny Tone-Pah-Hote
Publisher: UNC Press Books
ISBN: 1469643677
Category : History
Languages : en
Pages : 163
Book Description
In this in-depth interdisciplinary study, Jenny Tone-Pah-Hote reveals how Kiowa people drew on the tribe's rich history of expressive culture to assert its identity at a time of profound challenge. Examining traditional forms such as beadwork, metalwork, painting, and dance, Tone-Pah-Hote argues that their creation and exchange were as significant to the expression of Indigenous identity and sovereignty as formal political engagement and policymaking. These cultural forms, she argues, were sites of contestation as well as affirmation, as Kiowa people used them to confront external pressures, express national identity, and wrestle with changing gender roles and representations. Combatting a tendency to view Indigenous cultural production primarily in terms of resistance to settler-colonialism, Tone-Pah-Hote expands existing work on Kiowa culture by focusing on acts of creation and material objects that mattered as much for the nation's internal and familial relationships as for relations with those outside the tribe. In the end, she finds that during a time of political struggle and cultural dislocation at the turn of the twentieth century, the community's performative and expressive acts had much to do with the persistence, survival, and adaptation of the Kiowa nation.
Publisher: UNC Press Books
ISBN: 1469643677
Category : History
Languages : en
Pages : 163
Book Description
In this in-depth interdisciplinary study, Jenny Tone-Pah-Hote reveals how Kiowa people drew on the tribe's rich history of expressive culture to assert its identity at a time of profound challenge. Examining traditional forms such as beadwork, metalwork, painting, and dance, Tone-Pah-Hote argues that their creation and exchange were as significant to the expression of Indigenous identity and sovereignty as formal political engagement and policymaking. These cultural forms, she argues, were sites of contestation as well as affirmation, as Kiowa people used them to confront external pressures, express national identity, and wrestle with changing gender roles and representations. Combatting a tendency to view Indigenous cultural production primarily in terms of resistance to settler-colonialism, Tone-Pah-Hote expands existing work on Kiowa culture by focusing on acts of creation and material objects that mattered as much for the nation's internal and familial relationships as for relations with those outside the tribe. In the end, she finds that during a time of political struggle and cultural dislocation at the turn of the twentieth century, the community's performative and expressive acts had much to do with the persistence, survival, and adaptation of the Kiowa nation.
A Theory of Craft
Author: Howard Risatti
Publisher: ReadHowYouWant.com
ISBN: 1458762009
Category : Art
Languages : en
Pages : 586
Book Description
What is craft? How is it different from fine art or design? In A Theory of Craft, Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft's unique qualities as functionality combined with an ability to express human values that transcend temporal, spatial, and social boundaries. Modern design today has taken over from craft the making of functional objects of daily use by employing machines to do work once done by hand. Understanding the aesthetic and social implications of this transformation forces us to see craft as well as design and fine art in a new perspective, Risatti argues. Without a way of understanding and valuing craft on its own terms, the field languishes aesthetically, being judged by fine art criteria that automatically deny art status to craft objects. Craft must articulate a role for itself in contemporary society, says Risatti; otherwise it will be absorbed by fine art or design and its singular approach to understanding the world will be lost. A Theory of Craft is a signal contribution to establishing a craft theory that recognizes, defines, and celebrates the unique blend of function and human aesthetic values embodied in the craft object.
Publisher: ReadHowYouWant.com
ISBN: 1458762009
Category : Art
Languages : en
Pages : 586
Book Description
What is craft? How is it different from fine art or design? In A Theory of Craft, Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft's unique qualities as functionality combined with an ability to express human values that transcend temporal, spatial, and social boundaries. Modern design today has taken over from craft the making of functional objects of daily use by employing machines to do work once done by hand. Understanding the aesthetic and social implications of this transformation forces us to see craft as well as design and fine art in a new perspective, Risatti argues. Without a way of understanding and valuing craft on its own terms, the field languishes aesthetically, being judged by fine art criteria that automatically deny art status to craft objects. Craft must articulate a role for itself in contemporary society, says Risatti; otherwise it will be absorbed by fine art or design and its singular approach to understanding the world will be lost. A Theory of Craft is a signal contribution to establishing a craft theory that recognizes, defines, and celebrates the unique blend of function and human aesthetic values embodied in the craft object.
Cultural Heritage in Migration
Author: Lina Gergova
Publisher:
ISBN: 9543263329
Category :
Languages : en
Pages : 494
Book Description
Publisher:
ISBN: 9543263329
Category :
Languages : en
Pages : 494
Book Description