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Author: Amy Lindenberger
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530626175
Category :
Languages : en
Pages : 98
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Book Description
A mesmerizing surface for colored pencils... but do you feel intimidated by the idea of drawing on such a dark background? Artist Amy Lindenberger will shatter your fears. The truth is, much less colored pencil layering is required on black paper, so it goes quick and easy! Bright colors appear brighter on the extreme contrast of a black background. A colored pencil pioneer, Amy presents a comprehensive guide on how to master this exciting new surface. Book Includes: Four step-by-step tutorials PLUS an extra mini demo! Full Color images and line drawings Tips to help you avoid all mistakes on black paper
Author: Amy Lindenberger
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530626175
Category :
Languages : en
Pages : 98
Get Book Here
Book Description
A mesmerizing surface for colored pencils... but do you feel intimidated by the idea of drawing on such a dark background? Artist Amy Lindenberger will shatter your fears. The truth is, much less colored pencil layering is required on black paper, so it goes quick and easy! Bright colors appear brighter on the extreme contrast of a black background. A colored pencil pioneer, Amy presents a comprehensive guide on how to master this exciting new surface. Book Includes: Four step-by-step tutorials PLUS an extra mini demo! Full Color images and line drawings Tips to help you avoid all mistakes on black paper
Author: Amy Lindenberger
Publisher:
ISBN: 9781986541381
Category :
Languages : en
Pages : 128
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Book Description
Enjoy painting with much less mess and frustration! This 5th book in our top-selling CP Surfaces series introduces you to watercolor paper, a surface you may have thought wouldn't work well with colored pencil...but it does, especially when combined with water-soluble colored pencil. Explore the joys without the clean up - and still keep the precision of colored pencils that we know you love. Watercolor paper is one of the most versatile and widely available white papers out there, and with colored pencil pioneer Amy Lindenberger as your expert guide, you will save hours and hours of trial and error as you try a new surface. 5 beautiful demos will give you the chance to put these skills to the test. You'll use Prismacolor, Faber-Castell and Derwent Inktense colored pencils to draw a wide array of subject matter.
Author: Gretchen Parker
Publisher:
ISBN: 9781539194064
Category :
Languages : en
Pages : 162
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Book Description
The third in the very popular CP Surfaces series, this book provides difinitive instruction on how to use colored pencil on drafting film for stunning results. Drafting film is the most forgiving surface for colored pencil as it erases completely and with ease, so there are simply never any permanent goofs. It's also a relatively quick surface to work on, since you are limited to 2 or 3 layers. What could be better than that? How about intricate, step by step, generous instruction? That's what you'll find here. With years of teaching experience behind her, Gretchen Evans Parker knows how to break steps down into very easy to follow instruction. Anyone can complete the five beautiful demos found in this book to create frameable artwork like a pro.
Author: Ann Kullberg
Publisher:
ISBN: 9780985061005
Category : Colored pencil drawing
Languages : en
Pages : 80
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Book Description
Over 70 stunning paintings showcasing master colored pencil artists from all over the globe. Every featured artist also generously shares tips, techniques and insights into their personal own style. CP Treasures will absolutely become a highly treasured volume in any colored pencil artist's library.
Author: Amy Lindenberger
Publisher:
ISBN: 9781091561823
Category :
Languages : en
Pages : 130
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Book Description
Pastelmat is a forgiving and exciting surface for colored pencils because it readily accepts pencil, dry or wet, and it accepts light pencil over dark. Creating both smooth blends and detailed textures is easy on pastelmat, and Amy Lindenberger guides you with crystal clear photos and instruction every step of the way. This book covers a wide range of subject matter, from a moody portrait to adorable puppies. A veteran instructor and author of many colored pencil instruction books, Amy Lindenberger understands students. She understands what they need to know and anticipates questions and provides answers with clear images and clear writing. This book is as close as you can get to taking a one-on-one workshop with Amy from home.
Author: Alyona Nickelsen
Publisher: Watson-Guptill
ISBN: 0823085570
Category : Art
Languages : en
Pages : 194
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Book Description
Learn to paint with groundbreaking new techniques for a favorite medium! • Dazzling colors, incredible realism—with simple step-by-step demonstrations • Easy-to-follow instructions from a top colored-pencil artist • Master the wide range of colored pencil effects possible, including blending, layering, translucent effects, and more Radiant color…painterly finishes…astonishing realism…with colored pencils! Achieve rich, luminous color and eye-popping ultra-realistic effects. Artists of every level will be inspired by the amazing new techniques created by Alyona Nickelsen, presented in Colored Pencil Painting Bible for the very first time. Nickelsen’s innovations will delight readers and detailed you-can-do-it processes bring her striking results within reach for every artist. Take colored pencils beyond the ordinary with Colored Pencil Painting Bible!
Author: Nita Leland
Publisher: North Light Books
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
How to use and control color in your painting
Author: Karl Koenig
Publisher: Taylor & Francis
ISBN: 1136090290
Category : Photography
Languages : en
Pages : 115
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Book Description
There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique. Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
Author: Rebecca de Mendonça
Publisher: SearchPress+ORM
ISBN: 1781268347
Category : Art
Languages : en
Pages : 515
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Book Description
Discover the limitless possibilities of pastels with this beginner’s guide to creating modern, lively, and colorful pastel artwork. Artist and teacher Rebecca de Mendoça offers beginners a complete course in using pastels. Step-by-step exercises and longer projects help you to build the essential skills you need to paint a range of subjects, including landscapes, still life, portraits, and animals. Vital drawing techniques are explained and demonstrated, along with easy-to-follow explanations of color theory, composition, and the pastels themselves. This volume includes techniques for using both hard and soft pastels, eight skill-building projects, and a wealth of finished artwork to provide ideas and inspiration.
Author: Christine Poggi
Publisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318
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Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
