Court and Humour in the French Renaissance PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Court and Humour in the French Renaissance PDF full book. Access full book title Court and Humour in the French Renaissance by Sarah Alyn Stacey. Download full books in PDF and EPUB format.
Author: Sarah Alyn Stacey
Publisher: Peter Lang
ISBN: 9783039105595
Category : History
Languages : en
Pages : 276
Get Book Here
Book Description
This collection of essays by thirteen renowned specialists in the fields of French Renaissance literature and history is a fitting tribute to the scholarship of Pauline Smith, Emeritus Professor in French at the University of Hull and Research Associate of the Centre for Medieval and Renaissance Studies, Trinity College, Dublin. The essays, which focus on areas of research to which Professor Smith has herself given - and continues to give - particular attention, are organised into two frequently converging strands: court and humour. The contributors engage with political and cultural issues at the heart of the construction and aesthetic expression of the French Renaissance, whilst also offering insights into the broader European context. The collection as a whole challenges and revises a number of established views and identifies paths for future research.
Author: Sarah Alyn Stacey
Publisher: Peter Lang
ISBN: 9783039105595
Category : History
Languages : en
Pages : 276
Get Book Here
Book Description
This collection of essays by thirteen renowned specialists in the fields of French Renaissance literature and history is a fitting tribute to the scholarship of Pauline Smith, Emeritus Professor in French at the University of Hull and Research Associate of the Centre for Medieval and Renaissance Studies, Trinity College, Dublin. The essays, which focus on areas of research to which Professor Smith has herself given - and continues to give - particular attention, are organised into two frequently converging strands: court and humour. The contributors engage with political and cultural issues at the heart of the construction and aesthetic expression of the French Renaissance, whilst also offering insights into the broader European context. The collection as a whole challenges and revises a number of established views and identifies paths for future research.
Author: Barbara C Bowen
Publisher: Routledge
ISBN: 9781138375642
Category :
Languages : en
Pages : 314
Get Book Here
Book Description
Of the articles in this volume, eight concern a world-famous author (François Rabelais); the others are studies of little-known authors (Cortesi, Corrozet, Mercier) or genres (the joke, the apophthegm). The common theme, in all but one, is humour: how it was defined, and how used, by orators and humanists but also by court jesters, princes, peasants and housewives. Though neglected by historians, this subject was of crucial importance to writers as different as Luther, Erasmus, Thomas More and François Rabelais. The book is divided into four sections. 'Humanist Wit' concerns the large and multi-lingual corpus of Renaissance facetiae. The second and third parts focus on French humanist humour, Rabelais in particular, while the last section is titled '"Serious" Humanists' because humour is by no means absent from it. For the Renaissance, as Erasmus and Rabelais amply demonstrate, and as the 'minor' authors studied here confirm, wit, whether affectionate or bitingly satirical, can coexist with, and indeed be inseparable from, serious purpose. Rabelais, as so often, said it best: 'Rire est le propre de l'homme.'
Author: Donald Perret
Publisher: Librairie Droz
ISBN: 9782600036900
Category : French drama
Languages : en
Pages : 172
Get Book Here
Book Description
Author: Daniel Derrin
Publisher: Springer Nature
ISBN: 3030566463
Category : History
Languages : en
Pages : 538
Get Book Here
Book Description
This handbook addresses the methodological problems and theoretical challenges that arise in attempting to understand and represent humour in specific historical contexts across cultural history. It explores problems involved in applying modern theories of humour to historically-distant contexts of humour and points to the importance of recognising the divergent assumptions made by different academic disciplines when approaching the topic. It explores problems of terminology, identification, classification, subjectivity of viewpoint, and the coherence of the object of study. It addresses specific theories, together with the needs of specific historical case-studies, as well as some of the challenges of presenting historical humour to contemporary audiences through translation and curation. In this way, the handbook aims to encourage a fresh exploration of methodological problems involved in studying the various significances both of the history of humour and of humour in history.
Author: Vivienne Westbrook
Publisher: Routledge
ISBN: 0429849885
Category : History
Languages : en
Pages : 235
Get Book Here
Book Description
This collection demonstrates the usefulness of approaching texts—verbal, visual and aural—through a framework of humour. Contributors offer in-depth discussions of humour in the West within a wider cultural historical context to achieve a coherent, chronological sense of how humour proceeds from antiquity to modernity. Reading humorously reveals the complexity of certain aspects of texts that other reading approaches have so far failed to reveal. Humour in the Arts explores humour as a source of cultural formation that engages with ethical, political, and religious controversies whilst acquainting readers with a wide range of humorous structures and strategies used across Western cultures.
Author: Bram van Leuveren
Publisher: BRILL
ISBN: 9004537813
Category : History
Languages : en
Pages : 345
Get Book Here
Book Description
This book is the first to explore the rich festival culture of late sixteenth- and early seventeenth-century France as a tool for diplomacy. Bram van Leuveren examines how the late Valois and early Bourbon rulers of the kingdom made conscious use of festivals to advance their diplomatic interests in a war-torn Europe and how diplomatic stakeholders from across the continent participated in and responded to the theatrical and ceremonial events that featured at these festivals. Analysing a large body of multilingual eyewitness and commemorative accounts, as well as visual and material objects, Van Leuveren argues that French festival culture operated as a contested site where the diplomatic concerns of stakeholders from various national, religious, and social backgrounds fought for recognition.
Author: Robert J. Knecht
Publisher: Taylor & Francis
ISBN: 1000939502
Category : History
Languages : en
Pages : 220
Get Book Here
Book Description
The reputation of Francis I, king of France (1515-47 ) has fluctuated over the centuries. Acclaimed as ’noble’ and ’great’ in the sixteenth century, he came to be unfairly denigrated under the Bourbon kings and the republic. But, in the twentieth century, research based on archival material has restored his standing as one of the most important rulers of his age. The present volume brings together seventeen articles by Robert Knecht published over several decades on particular aspects of the reign, with three specially translated from French into English. They examine the period in more depth than was possible in the author's 1994 biography of Francis I, and include studies of the Concordat of 1516 with the papacy, the Field of Cloth of Gold in 1520, the lit-de-justice of 1527, and the visit to France of the Emperor Charles V in 1540. Other articles consider the king’s attitude to the Reformation, his court, his relations with Paris and visits to Aquitaine, his patronage of architecture as demonstrated by his building of the château of Fontainebleau, and his relations with his mother, Louise of Savoy, and sister, Marguerite d’Angoulême. The king’s love of books and the political advice he received from scholars are also considered as well as the extent of his ’absolutism’. Two articles compare the English and French Reformations and the nobilities of the two countries. The volume is intended as a contribution to the celebration of the 500th anniversary of Francis I’s accession.
Author: Artemis Preeshl
Publisher: Routledge
ISBN: 131723040X
Category : Drama
Languages : en
Pages : 514
Get Book Here
Book Description
Shakespeare and Commedia dell’Arte examines the ongoing influence of commedia dell’arte on Shakespeare’s plays. Exploring the influence of commedia dell’arte improvisation, sight gags, and wordplay on the development of Shakespeare’s plays, Artemis Preeshl blends historical research with extensive practical experience to demonstrate how these techniques might be applied when producing some of Shakespeare's best-known works today. Each chapter focuses on a specific play, from A Midsummer Night’s Dream to The Winter’s Tale, drawing out elements of commedia dell’arte style in the playscripts and in contemporary performance. Including contemporary directors’ notes and interviews with actors and audience members alongside Elizabethan reviews, criticism, and commentary, Shakespeare and Commedia dell’Arte presents an invaluable resource for scholars and students of Renaissance theatre.
Author: Parkin
Publisher: BRILL
ISBN: 9004649433
Category : Literary Criticism
Languages : en
Pages : 244
Get Book Here
Book Description
Author: Noah D. Guynn
Publisher: University of Pennsylvania Press
ISBN: 0812296494
Category : Literary Criticism
Languages : en
Pages : 273
Get Book Here
Book Description
As Noah D. Guynn observes, early French farce has been summarily dismissed as filth for centuries. Renaissance humanists, classical moralists, and Enlightenment philosophes belittled it as an embarrassing reminder of the vulgarity of medieval popular culture. Modern literary critics and theater historians often view it as comedy's poor relation—trite, smutty pap that served to divert the masses and to inure them to lives of subservience. Yet, as Guynn demonstrates in his reexamination of the genre, the superficial crudeness and predictability of farce belie the complexities of its signifying and performance practices and the dynamic, contested nature of its field of reception. Pure Filth focuses on overlooked and occluded content in farce, arguing that apparently coarse jokes conceal finely drawn, and sometimes quite radical, perspectives on ethics, politics, and religion. Engaging with cultural history, political anthropology, and critical, feminist, and queer theory, Guynn shows that farce does not pander to the rabble in order to cultivate acquiescence or curb dissent. Rather, it uses the tools of comic theater—parody and satire, imitation and exaggeration, cross-dressing and masquerade—to address the urgent issues its spectators faced in their everyday lives: economic inequality and authoritarian rule, social justice and ethical renewal, sacramental devotion and sacerdotal corruption, and heterosocial relations and household politics. Achieving its subtlest effects by employing the lewdest forms of humor, farce reveals that aspirations to purity, whether ethical, political, or religious, are inevitably mired in the very filth they repudiate.
