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Author: Margaret Bent
Publisher: Routledge
ISBN: 1136534911
Category : Music
Languages : en
Pages : 350
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Book Description
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.
Author: Margaret Bent
Publisher: Routledge
ISBN: 1136534911
Category : Music
Languages : en
Pages : 350
Get Book Here
Book Description
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.
Author: Margaret Bent
Publisher: Routledge
ISBN: 1136534849
Category : Music
Languages : en
Pages : 339
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Book Description
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.
Author: Thomas Benjamin
Publisher: Psychology Press
ISBN: 9780415971720
Category : Counterpoint
Languages : en
Pages : 214
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Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Thomas Benjamin
Publisher: Routledge
ISBN: 1135874387
Category : Music
Languages : en
Pages : 216
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Book Description
"The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it is the basis for most Early Music. Benjamin, a composer and pedagogue, offers a complete analysis of this important musical style. He begins by covering general aspects of the style, then covers in detail two, three, and four-part counterpoint. The Motet, an important form of vocal composition in this period, is studied separately. The book concludes with a brief anthology of key scores, 15 in all, for the student to study further. Also includes 132 musical examples.
Author: Reginald Owen Morris
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 146
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Book Description
Author: Kevin N. Moll
Publisher: Taylor & Francis
ISBN: 9780815323464
Category : Composition (Music)
Languages : en
Pages : 442
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Book Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Robert Stewart
Publisher: Scarecrow Press
ISBN: 1461722942
Category : Music
Languages : en
Pages : 240
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Book Description
This is a music theory text that presents a systematic approach to polyphonic composition in the ecclesiastical style of Palestrina. It is designed for use in beginning and intermediate level courses in modal counterpoint and helps students develop a systematic and reliable method to compare individual composers and stylistic trends of the Renaissance. It contains a comprehensive collection of Palestrina's works as well as selections from Lassus. Tear-out exercises can be used in conjunction with the text.
Author: Harold F. AtKisson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 192
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Book Description
The techniques of polyphonic composition in the sixteenth and eighteenth centuries.
Author: Henry Martin
Publisher: Scarecrow Press
ISBN: 9780810854093
Category : Music
Languages : en
Pages : 152
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Book Description
"Counterpoint proceeds by developing species counterpoint in the tradition of Johann Joseph Fux and his famous Gradus ad Parnassum (1725), but with attention to Schenker's more in-depth study. Everyone from beginning music theory students to composers to graduate composition students will benefit from the methods introduced here. As emphasized in the preface, readers are presented with "exercises for composition." Rather than actually teaching a student to compose, working through these exercises will improve musicianship as it applies to both composition and understanding music theory."--BOOK JACKET.
Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608757
Category : Music
Languages : en
Pages : 320
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Book Description
Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
