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Author: Heinrich Schenker
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 408
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Book Description
Author: Heinrich Schenker
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 408
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Book Description
Author: Felix Salzer
Publisher: Columbia University Press
ISBN: 023107039X
Category : Composition (Music)
Languages : en
Pages : 504
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Book Description
-- Stanley Persky, City University of New York
Author: Thomas Pankhurst
Publisher: Routledge
ISBN: 1135871027
Category : Music
Languages : en
Pages : 298
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Book Description
SchenkerGUIDE is an accessible overview of Heinrich Schenker's complex but fascinating approach to the analysis of tonal music. The book has emerged out of the widely used website, www.SchenkerGUIDE.com, which has been offering straightforward explanations of Schenkerian analysis to undergraduate students since 2001. Divided into four parts, SchenkerGUIDE offers a step-by-step method to tackling this often difficult system of analysis. Part I is an introduction to Schenkerian analysis, outlining the concepts that are involved in analysis Part II outlines a unique and detailed working method to help students to get started on the process of analysis Part III puts some of these ideas into practice by exploring the basics of a Schenkerian approach to form, register, motives and dramatic structure Part IV provides a series of exercises from the simple to the more sophisticated, along with hints and tips for their completion.
Author: Johann Fux
Publisher: W. W. Norton & Company
ISBN: 9780393002775
Category : Music
Languages : en
Pages : 164
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Book Description
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
Author: Ernst Friedrich Richter
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 188
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Book Description
Author: Thomas Tapper
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 124
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Book Description
Author: Peter Schubert
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 372
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Book Description
The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.
Author: Heinrich Schenker
Publisher:
ISBN: 9780028732206
Category :
Languages : en
Pages : 360
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Book Description
Author: DAVID D AUTOR BOYDEN
Publisher: Carl Fischer, L.L.C.
ISBN: 9780825827648
Category :
Languages : en
Pages : 110
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Book Description
Author: Henry Martin
Publisher: Scarecrow Press
ISBN: 9780810854093
Category : Music
Languages : en
Pages : 152
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Book Description
"Counterpoint proceeds by developing species counterpoint in the tradition of Johann Joseph Fux and his famous Gradus ad Parnassum (1725), but with attention to Schenker's more in-depth study. Everyone from beginning music theory students to composers to graduate composition students will benefit from the methods introduced here. As emphasized in the preface, readers are presented with "exercises for composition." Rather than actually teaching a student to compose, working through these exercises will improve musicianship as it applies to both composition and understanding music theory."--BOOK JACKET.
