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Author: Karmen MacKendrick
Publisher: SUNY Press
ISBN: 9780791441480
Category : Philosophy
Languages : en
Pages : 228
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Book Description
Counterpleasures takes up a series of literary and physical pleasures that do not appear to be pleasurable, ranging from saintly asceticism to Sadean narrative to leathersex. Each is placed in its cultural context to unfold a history of transgressive pleasure and to argue for the value and power of such pleasures as resistant to more totalizing forms of power.
Author: Karmen MacKendrick
Publisher: SUNY Press
ISBN: 9780791441480
Category : Philosophy
Languages : en
Pages : 228
Get Book Here
Book Description
Counterpleasures takes up a series of literary and physical pleasures that do not appear to be pleasurable, ranging from saintly asceticism to Sadean narrative to leathersex. Each is placed in its cultural context to unfold a history of transgressive pleasure and to argue for the value and power of such pleasures as resistant to more totalizing forms of power.
Author: Andrew Mein
Publisher: Bloomsbury Publishing
ISBN: 0567660079
Category : Religion
Languages : en
Pages : 306
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Book Description
Isaiah, Jeremiah, and Ezekiel share much in common. They address the pivotal times and topics associated with the last stages of the monarchical history of Israel, and with the development of new forms of communal and religious life through exile and beyond. One important structural component of all three books is a substantial section which concerns itself with a range of foreign nations, commonly called the “Oracles against the Nations”, which form the focus of this book. These chapters together present the most up-to-date scholarship on the oracles - an oft-neglected but significant area in the study of the prophetic literature. The particular characteristics of Isaiah, Jeremiah (both Masoretic Text and Septuagint versions), and Ezekiel, are discussed showcasing the unique issues pertinent to each book and the diverse methods used to address them. These evident differences aside, the Oracles Against the Nations are employed as a springboard in order to begin the work of tracing similarities between the texts. By focusing on these unique yet common sections, a range of interrelated themes and issues of both content and method become noticeable: for example, though not exhaustively, pattern, structure, language, comparative history, archaeology, sociology, politics, literature, imagery, theme, theology, and hermeneutical issues related to today's context. As a result this collection presents a range of cutting-edge approaches on these key prophetic books, and will provide a basis for further comparative study and reflection.
Author: Marion Grau
Publisher: A&C Black
ISBN: 9780567027306
Category : Religion
Languages : en
Pages : 274
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Book Description
God gives Green Stamps. A look at the theological and economic meanings of redemption.
Author: Anna Mercedes
Publisher: Bloomsbury Publishing
ISBN: 0567277682
Category : Religion
Languages : en
Pages : 185
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Book Description
Contesting the feminist critique of the dangers of Christianity's self-giving ethics, this book advances a contemporary feminist christology engaging the strength of self-giving power.
Author: Karmen MacKendrick
Publisher: State University of New York Press
ISBN: 1438411588
Category : Social Science
Languages : en
Pages : 222
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Book Description
Counterpleasures takes up a series of literary and physical pleasures that do not appear to be pleasurable, ranging from saintly asceticism to Sadean narrative to leathersex. Each is placed in its cultural context to unfold a history of transgressive pleasure and to argue for the value and power of such pleasures as resistant to more totalizing forms of power.
Author: Teresa J. Hornsby
Publisher: SBL Press
ISBN: 1589835530
Category : Religion
Languages : en
Pages : 373
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Book Description
The essays in Bible Trouble all engage queer theories for purposes of biblical interpretation, a rare effort to date within biblical scholarship. The title phrase “Bible Trouble” plays on Judith Butler's Gender Trouble, gesturing toward a primary text for contemporary queer theory. The essays consider, among others, the Lazarus story, the Ethiopian eunuch, “gender trouble” in Judges 4 and 5, the Song of Songs, and an unorthodox coupling of the books of Samuel and the film Paris Is Burning. This volume “troubles” not only the boundaries between biblical scholarship and queer theory but also the boundaries between different frameworks currently used in the analysis of biblical literature, including sexuality, gender, race, class, history, and literature. The contributors are Ellen T. Armour, Michael Joseph Brown, Sean D. Burke, Heidi Epstein, Deryn Guest, Jione Havea, Teresa J. Hornsby, Lynn R. Huber, S. Tamar Kamionkowski, Joseph A. Marchal, Jeremy Punt, Erin Runions, Ken Stone, Gillian Townsley, Jay Twomey, and Manuel Villalobos.
Author: Adam Alston
Publisher: Bloomsbury Publishing
ISBN: 135023706X
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
How is decadence being staged today as a practice, issue, pejorative, and as a site of pleasure? Where might we find it, why might we look for it, and who is decadence for? This book is the first monographic study of decadence in theatre and performance. Adam Alston makes a passionate case for the contemporary relevance of decadence in the thick of a resurgent culture war by focusing on its antithetical relationship to capitalist-led growth, progress, and intensified productivity. He argues that the qualities used to disparage the study and practice of theatre and performance are the very things we should embrace in celebrating their value namely, their spectacular uselessness, wastefulness, outmodedness, and abundant potential for producing forms of creativity that flow away from the ends and excesses of capitalism. Alston covers an eclectic range of examples by Julia Bardsley (UK), Hasard Le Sin (Finland), jaamil olawale kosoko (USA), Toco Nikaido (Japan), Martin O'Brien (UK), Toshiki Okada (Japan), Marcel·lí Antúnez Roca (Spain), Normandy Sherwood (USA), The Uhuruverse (USA), Nia O. Witherspoon (USA), and Wunderbaum (Netherlands). Expect ruminations on monstrous scenographies, catatonic choreographies, turbo-charged freneticism, visions of the apocalypse and what might lie in its wake.
Author: Virginia Burrus
Publisher: University of Pennsylvania Press
ISBN: 0812200721
Category : History
Languages : en
Pages : 224
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Book Description
Has a repressive morality been the primary contribution of Christianity to the history of sexuality? The ascetic concerns that pervade ancient Christian texts would seem to support such a common assumption. Focusing on hagiographical literature, Virginia Burrus pursues a fresh path of interpretation, arguing that the early accounts of the lives of saints are not antierotic but rather convey a sublimely transgressive "countereroticism" that resists the marital, procreative ethic of sexuality found in other strands of Christian tradition. Without reducing the erotics of ancient hagiography to a single formula, The Sex Lives of Saints frames the broad historical, theological, and theoretical issues at stake in such a revisionist interpretation of ascetic eroticism, with particular reference to the work of Michel Foucault and Georges Bataille, David Halperin and Geoffrey Harpham, Leo Bersani and Jean Baudrillard. Burrus subsequently proceeds through close, performative readings of the earliest Lives of Saints, mostly dating to the late fourth and early fifth centuries—Jerome's Lives of Paul, Malchus, Hilarion, and Paula; Gregory of Nyssa's Life of Macrina; Augustine's portrait of Monica; Sulpicius Severus's Life of Martin; and the slightly later Lives of so-called harlot saints. Queer, s/m, and postcolonial theories are among the contemporary discourses that prove intriguingly resonant with an ancient art of "saintly" loving that remains, in Burrus's reading, promisingly mobile, diverse, and open-ended.
Author: Jennifer L. Koosed
Publisher: Bloomsbury Publishing USA
ISBN: 0567401111
Category : Religion
Languages : en
Pages : 149
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Book Description
(Per)mutations of Qohelet explores the question, Who is Qohelet? Rather than peering behind or through the text to answer this question in terms of authorship, Koosed analyzes the identity that is created through the words on the page. The text is not a transparent medium connecting reader with author; instead, it is an opaque body - it has weight, substance, skin. Koosed begins with an analysis of the ways in which words construct identities and the reasons why words can affect us so profoundly, relying primarily on the work of Judith Butler and Elaine Scarry. She then explores autobiography and how the genre of autobiography - as reconfigured by Roland Barthes and Jacques Derrida - relates to Qohelet. These two chapters then set the framework for what follows: an analysis of the various bodily organs and sensations contained within the book of Qohelet. The body is embedded in the text through the naming of body parts (eye, hand, heart). And this same body is encoded in form, structure, and syntax, so that the text becomes a body with organs, systems, and even a life of its own. The book is a body and the book speaks of bodies. It speaks of the body's organs and senses; it concerns itself with the pleasures and pains of the body, the gendered body, the dying body. Finally, the ritual body is highlighted in the final passage of this enigmatic book.
Author: Natalie Wigg-Stevenson
Publisher: SCM Press
ISBN: 0334059496
Category : Religion
Languages : en
Pages : 150
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Book Description
Academic theology is in need of a new genre. In "Transgressive Devotion" Natalie Wigg-Stevenson articulates a theological vision of that genre as performance art. She argues that theology done as performance art stops trying to describe who God is, and starts trying to make God appear. Recognising that the act of studying theology or practicing ministry is always a performance, where the boundaries between what we see, feel, experience and learn are not just blurred but potentially invisible, Wigg-Stevenson brings together ethnographic theological fieldwork, historical and contemporary Christian theological traditions, and performance artworks themselves. A daring vision of theology which will energise anybody feeling ‘boxed in’ by the discipline, Transgressive Devotion blurs borders between orthodoxy, heterodoxy and heresy to reveal how the very act of doing theology makes God and humanity vulnerable to each other. This is theology which is a liturgy of Divine incantation. In other words: this is theology which is also prayer.
