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Author: Patrick Harrington
Publisher: Lulu.com
ISBN: 1847281184
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
First published in 1992 Counter Culture was conceived as part of a 'War of Position' against capitalism. It represents a vibrant alternative view of popular culture through reviews, debate and commentary. This anthology is an introduction to a radical new way of looking at our world. www.altculture.org
Author: Patrick Harrington
Publisher: Lulu.com
ISBN: 1847281184
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
First published in 1992 Counter Culture was conceived as part of a 'War of Position' against capitalism. It represents a vibrant alternative view of popular culture through reviews, debate and commentary. This anthology is an introduction to a radical new way of looking at our world. www.altculture.org
Author: Deforrest Brown
Publisher: Primary Information
ISBN: 9781734489736
Category : Music
Languages : en
Pages : 80
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Book Description
In this critical history, DeForrest Brown, Jr "makes techno Black again" by tracing the music's origins in Detroit and beyond In Assembling a Black Counter Culture, writer and musician DeForrest Brown, Jr, provides a history and critical analysis of techno and adjacent electronic music such as house and electro, showing how the genre has been shaped over time by a Black American musical sensibility. Brown revisits Detroit's 1980s techno scene to highlight pioneering groups like the Belleville Three before jumping into the origins of today's international club floor to draw important connections between industrialized labor systems and cultural production. Among the other musicians discussed are Underground Resistance (Mad Mike Banks, Cornelius Harris), Drexciya, Juan Atkins (Cybotron, Model 500), Derrick May, Jeff Mills, Robert Hood, Detroit Escalator Co. (Neil Ollivierra), DJ Stingray/Urban Tribe, Eddie Fowlkies, Terrence Dixon (Population One) and Carl Craig. With references to Theodore Roszak's Making of a Counter Culture, writings by African American autoworker and political activist James Boggs, and the "techno rebels" of Alvin Toffler's Third Wave, Brown approaches techno's unique history from a Black theoretical perspective in an effort to evade and subvert the racist and classist status quo in the mainstream musical-historical record. The result is a compelling case to "make techno Black again." DeForrest Brown, Jris a New York-based theorist, journalist and curator. He produces digital audio and extended media as Speaker Music and is a representative of the Make Techno Black Again campaign.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
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Book Description
Author: Pete Maratta
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 114
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Book Description
Author: Alan Watts
Publisher: Tuttle Publishing
ISBN:
Category : Family & Relationships
Languages : en
Pages : 136
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Book Description
A collection of lectures presented during the 1960s explores the roots of the American counter-cultural movement.
Author: Geoff Kaplan
Publisher: University of Chicago Press
ISBN: 0226424375
Category : Art
Languages : en
Pages : 265
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Book Description
Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole—helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury’s paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors’ fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock ‘n’ roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation. No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. Power to the People is not just a major compendium of art from the ’60s and ’70s—it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day.
Author: Steven C. Ridgely
Publisher: U of Minnesota Press
ISBN: 0816667527
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
Explores the significant impact of this countercultural figure of postwar Japan.
Author: Rick Beard
Publisher: Rutgers University Press
ISBN: 9780813519470
Category : Greenwich Village (New York, N.Y.)
Languages : en
Pages : 0
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Book Description
Treating New York's bohemian enclave, Greenwich Village, as an urban microcosm, the 22 essays in this volume explore its architecture and art, cultural dimensions, political life, and peoples. The editors bring together both astute commentators on American life and culture and a rich collection of visual images from the Museum of the City of New York. 129 illustrations.
Author: Keith Melville
Publisher: New York : Morrow
ISBN:
Category : Collective settlements
Languages : en
Pages : 266
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Book Description
Records man's quest for encounter in a technological society through a discussion of the characteristics and functions of the communal movement in America.
Author: Damon R. Bach
Publisher: University Press of Kansas
ISBN: 0700630104
Category : History
Languages : en
Pages : 384
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Book Description
Restricted to the shorthand of “sex, drugs, and rock ‘n’ roll,” the counterculture would seem to be a brief, vibrant stretch of the 1960s. But the American counterculture, as this book clearly demonstrates, was far more than a historical blip and its impact continues to resonate. In this comprehensive history, Damon R. Bach traces the counterculture from its antecedents in the 1950s through its emergence and massive expansion in the 1960s to its demise in the 1970s and persistent echoes in the decades since. The counterculture, as Bach tells it, evolved in discrete stages and his book describes its development from coast to heartland to coast as it evolved into a national phenomenon, involving a diverse array of participants and undergoing fundamental changes between 1965 and 1974. Hippiedom appears here in relationship to the era’s movements—civil rights, women’s and gay liberation, Red and Black Power, the New Left, and environmentalism. In its connection to other forces of the time, Bach contends that the counterculture’s central objective was to create a new, superior society based on alternative values and institutions. Drawing for the first time on documents produced by self-described “freaks” from 1964 through 1973—underground newspapers, memoirs, personal correspondence, flyers, and pamphlets—his book creates an unusually nuanced, colorful, and complete picture of a time often portrayed in clichéd or nostalgic terms. This is the counterculture of love-ins and flower children, of the Grateful Dead and Jefferson Airplane, but also of antiwar demonstrations, communes, co-ops, head shops, cultural feminism, Earth Day, and antinuclear activism. What Damon R. Bach conjures is the counterculture in all of its permutations and ramifications as he illuminates its complexity, continually evolving values, and constantly changing components and adherents, which defined and redefined it throughout its near decade-long existence. In the long run, Bach convincingly argues that the counterculture spearheaded cultural transformation, leaving a changed America in its wake.
