Costume in the Comedies of Aristophanes PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Costume in the Comedies of Aristophanes PDF full book. Access full book title Costume in the Comedies of Aristophanes by Gwendolyn Compton-Engle. Download full books in PDF and EPUB format.
Author: Gwendolyn Compton-Engle
Publisher: Cambridge University Press
ISBN: 1316033449
Category : History
Languages : en
Pages : 217
Get Book Here
Book Description
This book offers an interpretation of the handling of costume in the plays of the fifth-century comic poet Aristophanes. Drawing on both textual and material evidence from the fourth- and fifth-century Greek world, it examines three layers of costume: the bodysuit worn by the actors, the characters' clothes, and the additional layering of disguise. A chapter is also devoted to the inventive costumes of the comic chorus. Going beyond describing what costumes looked like, the book focuses instead on the dynamics of costume as it is manipulated by characters in the performance of plays. The book argues that costume is used competitively, as characters handle each other's costumes and poets vie for status using costume. This argument is informed by performance studies and by analyses of gender and the body.
Author: Gwendolyn Compton-Engle
Publisher: Cambridge University Press
ISBN: 1316033449
Category : History
Languages : en
Pages : 217
Get Book Here
Book Description
This book offers an interpretation of the handling of costume in the plays of the fifth-century comic poet Aristophanes. Drawing on both textual and material evidence from the fourth- and fifth-century Greek world, it examines three layers of costume: the bodysuit worn by the actors, the characters' clothes, and the additional layering of disguise. A chapter is also devoted to the inventive costumes of the comic chorus. Going beyond describing what costumes looked like, the book focuses instead on the dynamics of costume as it is manipulated by characters in the performance of plays. The book argues that costume is used competitively, as characters handle each other's costumes and poets vie for status using costume. This argument is informed by performance studies and by analyses of gender and the body.
Author: Gwendolyn Compton-Engle
Publisher: Cambridge University Press
ISBN: 1107083796
Category : Art
Languages : en
Pages : 217
Get Book Here
Book Description
This book interprets the handling of costume in the plays of the ancient Greek comic playwright Aristophanes, using as evidence the surviving plays as well as vase-paintings and terracotta figurines. This book fills a gap in the study of ancient Greek drama, focusing on performance, gender, and the body.
Author: Martin Revermann
Publisher: Cambridge University Press
ISBN: 0521760283
Category : Drama
Languages : en
Pages : 523
Get Book Here
Book Description
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Author: David Braund
Publisher: Cambridge University Press
ISBN: 1107170591
Category : History
Languages : en
Pages : 583
Get Book Here
Book Description
Presents a landmark study combining key specialists around the region with well-established international scholars, from a wide range of disciplines.
Author: Dimitrios Kanellakis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110677032
Category : Literary Criticism
Languages : en
Pages : 264
Get Book Here
Book Description
The purpose of this book is to examine the variety, the mechanisms, and the poetological intention of the effect of surprise in Aristophanic comedy, addressing the phenomenon not as a self-evident or unselfconscious element of comedy as a genre, but as an elaborate system which characterises the style of the specific dramatist. More precisely, the book analyses Aristophanes’ most prominent verbal, thematic, and theatrical modes of surprise from a typological perspective, and interprets them as comprising the key area in which the playwright claims and demonstrates his artistic superiority over rival genres and individual poets. In line with this purpose, two parallel aims of the book are to provide an original commentary on the passages under examination, and to promote the study of modern performances – a practice which has so far been either restricted to Classical Reception or only theoretically acknowledged (if at all) by mainstream philological scholarship. This is a timely book on a topic of wide current interest across a range of interlocking disciplines: emotion studies, semiotics, narratology, information theory, and -most pertinently for this book- humour research.
Author: Matthew C. Farmer
Publisher: Oxford University Press
ISBN: 0190492074
Category : Drama
Languages : en
Pages : 289
Get Book Here
Book Description
Aristophanes' engagement with tragedy is one of the most striking features of his comedies. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries.
Author: Ben Akrigg
Publisher: Cambridge University Press
ISBN: 1107008557
Category : Drama
Languages : en
Pages : 289
Get Book Here
Book Description
Greek comedy offers a unique insight into the reality of life as a slave, giving this disenfranchised group a 'voice'.
Author: Kenneth S. Rothwell, Jr
Publisher: Cambridge University Press
ISBN: 0521860660
Category : History
Languages : en
Pages : 9
Get Book Here
Book Description
Publisher description
Author: Edith Hall
Publisher: MHRA
ISBN: 1904350615
Category : Literary Criticism
Languages : en
Pages : 411
Get Book Here
Book Description
Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades to retrieve a dead tragedian - such were the cosmic missions on which Aristophanes, the father of comedy, sent his heroes of the classical Athenian stage. The wit, intellectual bravura, political clout and sheer imaginative power of Aristophanes' quest dramas have profoundly influenced humorous literature and satire, but this volume, which originated at an international conference held at the Archive of Performances of Greek and Roman Drama at Oxford University in 2004, is the first interdisciplinary study of their seminal contribution to the evolution of comic performance. Interdisciplinary essays by specialists in Classics, Theatre, and Modern Literatures trace the international performance history of Aristophanic comedy, and its implication in aesthetic and political controversies, from antiquity to the twenty-first century. The story encompasses Jonson's satire, Cromwell's Ireland, German classicism, British Imperial India, censorship scandals in France, Greece and South Africa, Brechtian experiments in East Berlin, and musical theatre from Gilbert and Sullivan to Stephen Sondheim.
Author: Craig Jendza
Publisher: Oxford University Press
ISBN: 0190090944
Category : Drama
Languages : en
Pages : 240
Get Book Here
Book Description
Paracomedy: Appropriations of Comedy in Greek Drama is the first book that examines how ancient Greek tragedy engages with the genre of comedy. While scholars frequently study paratragedy (how Greek comedians satirize tragedy), this book investigates the previously overlooked practice of paracomedy: how Greek tragedians regularly appropriate elements from comedy such as costumes, scenes, language, characters, or plots. Drawing upon a wide variety of complete and fragmentary tragedies and comedies (Aeschylus, Sophocles, Euripides, Aristophanes, Rhinthon), this monograph demonstrates that paracomedy was a prominent feature of Greek tragedy. Blending a variety of interdisciplinary approaches including traditional philology, literary criticism, genre theory, and performance studies, this book offers innovative close readings and incisive interpretations of individual plays. Jendza presents paracomedy as a multivalent authorial strategy: some instances impart a sense of ugliness or discomfort; others provide a sense of light-heartedness or humor. While this work traces the development of paracomedy over several hundred years, it focuses on a handful of Euripidean tragedies at the end of the fifth century BCE. Jendza argues that Euripides was participating in a rivalry with the comedian Aristophanes and often used paracomedy to demonstrate the poetic supremacy of tragedy; indeed, some of Euripides' most complex uses of paracomedy attempt to re-appropriate Aristophanes' mockery of his theatrical techniques. Paracomedy: Appropriations of Comedy in Greek Tragedy theorizes a new, ground-breaking relationship between Greek tragedy and comedy that not only redefines our understanding of the genre of tragedy, but also reveals a dynamic theatrical world filled with mutual cross-generic influence.
