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Author: Paul D. Morris
Publisher: University of Toronto Press
ISBN: 1442698845
Category : Literary Criticism
Languages : en
Pages : 481
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Book Description
Vladimir Nabokov (1899-1977), the eminent Russian-American writer and intellectual, is best known for his novels, though he was also the author of plays, poems, and short stories. In this important new work, Paul D. Morris offers a comprehensive reading of Nabokov's Russian and English poetry, until now a neglected facet of his oeuvre. Morris' unique and insightful study re-evaluates Nabokov's poetry and demonstrates that poetry was in fact central to his identity as an author and was the source of his distinctive authorial - lyric - voice. After offering a critical overview of the multi-staged history of the reception of Nabokov's poetry and an extensive analysis of his poetic writing, Morris argues that Nabokov's poetry has largely been misinterpreted and its place in his oeuvre misunderstood. Through a detailed examination of the form and content of Nabokov's writings, Morris demonstrates that Nabokov's innovations in the realms of drama, the short story, and the novel were profoundly shaped by his lyric sensibility.
Author: Paul D. Morris
Publisher: University of Toronto Press
ISBN: 1442698845
Category : Literary Criticism
Languages : en
Pages : 481
Get Book Here
Book Description
Vladimir Nabokov (1899-1977), the eminent Russian-American writer and intellectual, is best known for his novels, though he was also the author of plays, poems, and short stories. In this important new work, Paul D. Morris offers a comprehensive reading of Nabokov's Russian and English poetry, until now a neglected facet of his oeuvre. Morris' unique and insightful study re-evaluates Nabokov's poetry and demonstrates that poetry was in fact central to his identity as an author and was the source of his distinctive authorial - lyric - voice. After offering a critical overview of the multi-staged history of the reception of Nabokov's poetry and an extensive analysis of his poetic writing, Morris argues that Nabokov's poetry has largely been misinterpreted and its place in his oeuvre misunderstood. Through a detailed examination of the form and content of Nabokov's writings, Morris demonstrates that Nabokov's innovations in the realms of drama, the short story, and the novel were profoundly shaped by his lyric sensibility.
Author: Jonathan Borden Sisson
Publisher:
ISBN:
Category :
Languages : en
Pages : 720
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Book Description
Author: Julian W. Connolly
Publisher: Cambridge University Press
ISBN: 9780521632836
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Published in 1999 to mark the centenary of Vladimir Nabokov's birth, this volume brings together the work of eleven of the world's foremost Nabokov scholars offering perspectives on the writer and his fiction. Their essays cover a broad range of topics and approaches, from close readings of major texts, including Speak, Memory and Pale Fire, to penetrating discussions of the significant relationship between Nabokov's personal beliefs and experiences and his art. Several of the essays attempt to uncover the artistic principles that underlie the author's literary creations, while others seek to place Nabokov's work in a variety of literary and cultural contexts. Among these essays are a first glimpse at a little-known work, The Tragedy of Mr Morn, as well as a perspective on Nabokov's most famous novel, Lolita. The volume as a whole offers valuable insight into Nabokov scholarship.
Author: Vladimir E. Alexandrov
Publisher: Princeton University Press
ISBN: 1400861713
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
A major reexamination of the novelist Vladimir Nabokov as "literary gamesman," this book systematically shows that behind his ironic manipulation of narrative and his puzzle-like treatment of detail there lies an aesthetic rooted in his intuition of a transcendent realm and in his consequent redefinition of "nature" and "artifice" as synonyms. Beginning with Nabokov's discursive writings, Vladimir Alexandrov finds his world view centered on the experience of epiphany--characterized by a sudden fusion of varied sensory data and memories, a feeling of timelessness, and an intuition of immortality--which grants the true artist intimations of an "otherworld." Readings of The Defense, Invitation to a Beheading, The Gift, The Real Life of Sebastian Knight, Lolita, and Pale Fire reveal the epiphanic experience to be a touchstone for the characters' metaphysical insightfulness, moral makeup, and aesthetic sensibility, and to be a structural model for how the narratives themselves are fashioned and for the nature of the reader's involvement with the text. In his conclusion, Alexandrov outlines several of Nabokov's possible intellectual and artistic debts to the brilliant and variegated culture that flourished in Russia on the eve of the Revolution. Nabokov emerges as less alienated from Russian culture than most of his emigre readers believed, and as less "modernist" than many of his Western readers still imagine. "Alexandrov's work is distinctive in that it applies an `otherworld' hypothesis as a consistent context to Nabokov's novels. The approach is obviously a fruitful one. Alexandrov is innovative in rooting Nabokov's ethics and aesthetics in the otherwordly and contributes greatly to Nabokov studies by examining certain key terms such as `commonsense,' `nature,' and `artifice.' In general Alexandrov's study leads to a much clearer understanding of Nabokov's metaphysics."--D. Barton Johnson, University of California, Santa Barbara Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Domnica Radulescu
Publisher: Lexington Books
ISBN: 9780739103333
Category : Fiction
Languages : en
Pages : 258
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Book Description
Realms of Exile brings together authors writing on diverse themes of Eastern European exile to define the experiential and linguistic peculiarities of exiled people who share similar cultural, geographical, and mythological backgrounds and who have suffered under totalitarian rule. Interdisciplinary and cross-cultural scholarship at its best, the book casts new light on the many nuances and variations of many of the cultures and ethnic groups of Eastern Europeans.
Author: Paul Benedict Grant
Publisher: Edinburgh University Press
ISBN: 1399519247
Category : Biography & Autobiography
Languages : en
Pages : 335
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Book Description
The first in-depth study of Vladimir Nabokov’s humour, investigating its physical aspects such as farce, slapstick, sexual and scatological humour Offers the first in-depth study of Nabokov’s humour Presents a revisionist reading of Nabokov Examines the metaphysical aspects of Nabokov’s humour Examines the sexual and scatological aspects of Nabokov’s humour Applies humour theory (e.g. those of Hobbes, Bergson, Freud) to Nabokov’s texts Compares Nabokov’s humour to that of his Russian predecessors (e.g. Pushkin, Gogol, Chekhov) and to literary humourists such as Rabelais, Swift, Joyce Many critics classify Vladimir Nabokov as a highbrow humourist, a refined wordsmith overly fond of playful puzzles and private in-jokes whose art appeals primarily to an intellectually-sophisticated readership. This study presents a more balanced portrait, placing equal emphasis on the broader, earthier humour that is such a marked feature of Nabokov’s writing, which draws on the human body and all things physical for its laughs: sex and scatology, farce and slapstick. Moving between the metaphysical and the physical, the cosmic and the comic, mind and matter, it presents Nabokov as a writer at home in both high and low forms of humour, a comedian who is capable of producing as many belly laughs as brainteasers, and of appealing to a much wider readership than is commonly supposed.
Author: Vladimir E. Alexandrov
Publisher: Routledge
ISBN: 1136601570
Category : Literary Criticism
Languages : en
Pages : 849
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Book Description
First published in 1995. This companion constitutes a virtual encyclopaedia of Nabokov, and occupies a unique niche in scholarship about him. Articles on individual works by Nabokov, including his short stories and poetry, provide a brief survey of critical reactions and detailed analyses from diverse vantage points. For anyone interested in Nabokov, from scholars to readers who love his works, this is an ideal guide. Its chronology of Nabokov's life and works, bibliographies of primary and secondary works, and a detailed index make it easy to find reliable information any aspect of Nabokov's rich legacy.
Author: David S. Rutledge
Publisher: McFarland
ISBN: 0786486481
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
This critical text examines the ways in which Vladimir Nabokov, one of the twentieth century's great writers, structured his works to encapsulate his metaphysical beliefs. It draws examples from Nabokov's novels, stories and nonfiction, revealing a startling consistency in his beliefs over the course of his career, even as the structure of his novels increased in complexity. At the heart of his work is a profound respect for what's missing, for unsolvable riddles, for questions even at the expense of answers. Nabokov's techniques--from wordplay to plotlines--reveal an enduring reverence for permanent mystery.
Author: Julia Trubikhina
Publisher: Academic Studies PRess
ISBN: 1618119435
Category : Literary Criticism
Languages : en
Pages : 183
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Book Description
Using Vladimir Nabokov as its “case study,” this volume approaches translation as a crucial avenue into literary history and theory, philosophy and interpretation. The book attempts to bring together issues in translation and the shift in Nabokov studies from its earlier emphasis on the “metaliterary” to the more recent “metaphysical” approach. Addressing specific texts (both literary and cinematic), the book investigates Nabokov’s deeply ambivalent relationship to translation as a hermeneutic oscillation on his part between the relative stability of meaning, which expresses itself philosophically as a faith in the beyond, and deep metaphysical uncertainty. While Nabokov’s practice of translation changes profoundly over the course of his career, his adherence to the Romantic notion of a “true” but ultimately elusive metaphysical language remained paradoxically constant.
Author: Maxim Shrayer
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
Drawing on Nabokov's unpublished manuscripts and letters, Shrayer analyzes the paradigms of Nabokov's poetics and tests them in studies of major stories such as "Spring in Fialta" and "Cloud, Castle, Lake." He investigates Nabokov's dialogue with Chekhov and his rivalry with Bunin over such issues as the use of narrative closure and the nature of love. This in-depth analysis places Nabokov's short fiction in the main line of his bilingual and bicultural writing career. Through references to all of Nabokov's stories, as well as to many novels and discursive writings, from the early emigre works of the 1920s to the late American works of the 1970s, Shrayer delineates the principal historical and cultural contexts that shaped Nabokov's development. Most importantly, he reveals the metaphysical, ethical, and aesthetic concerns that shaped one of the most significant bodies of modern fiction.
