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Author: Cosima Wagner
Publisher: New York : Harcourt Brace Jovanovich, 1978-[1980]
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1224
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Book Description
Author: Cosima Wagner
Publisher: New York : Harcourt Brace Jovanovich, 1978-[1980]
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1224
Get Book Here
Book Description
Author: Cosima Wagner
Publisher: New York : Harcourt Brace Jovanovich, 1978-[1980]
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1224
Get Book Here
Book Description
Author: Cosima Wagner
Publisher:
ISBN: 9780300069044
Category : Biography & Autobiography
Languages : en
Pages : 524
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Book Description
Franz Liszt's daughter Cosima began her diaries on January 1, 1869, a few weeks after leaving her husband to live with Richard Wagner. Until Wagner's death in 1883 they were rarely parted, and the diaries provided a continuous and intimate picture of the composer's life and work during those fourteen years. Widely hailed when they were first published in Geoffrey Skelton's English translation in 1978 and 1980, the diaries are now available in an abridged paperback edition from Yale University Press.
Author: Cosima Wagner
Publisher: New York : Harcourt Brace Jovanovich, 1978-[1980]
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1224
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Book Description
Author: Oliver Hilmes
Publisher: Yale University Press
ISBN: 0300168233
Category : Biography & Autobiography
Languages : en
Pages : 530
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Book Description
In this meticulously researched book, Oliver Hilmes paints a fascinating and revealing picture of the extraordinary Cosima Wagner—illegitimate daughter of Franz Liszt, wife of the conductor Hans von Bülow, then mistress and subsequently wife of Richard Wagner. After Wagner’s death in 1883 Cosima played a crucial role in the promulgation and politicization of his works, assuming control of the Bayreuth Festival and transforming it into a shrine to German nationalism. The High Priestess of the Wagnerian cult, Cosima lived on for almost fifty years, crafting the image of Richard Wagner through her organizational ability and ideological tenacity.The first book to make use of the available documentation at Bayreuth, this biography explores the achievements of this remarkable and obsessive woman while illuminating a still-hidden chapter of European cultural history.
Author: Joachim Köhler
Publisher: Yale University Press
ISBN: 9780300104226
Category : Biography & Autobiography
Languages : en
Pages : 726
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Book Description
This major new biography of Richard Wagner is iconoclastic, astringent and bold. It explores the philosophical roots of Wagner's work, which the composer himself deliberately obfuscated. It re-evaluates Wagner's relationships with his mother, step-father and - most revealingly - his wife, Cosima, standing received opinion on its head. And he meets head on, and confirms, the controversy over Wagner's anti-semitism. At the same time, and notwithstanding, Kohler profoundly acknowledges Wagner's genius.
Author: Cosima Wagner
Publisher:
ISBN: 9780151226368
Category : Composers
Languages : en
Pages : 0
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Book Description
Author: Milton E. Brener
Publisher: McFarland
ISBN: 0786491388
Category : Social Science
Languages : en
Pages : 344
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Book Description
It is well known that Richard Wagner, the renowned and controversial 19th century composer, exhibited intense anti-Semitism. The evidence is everywhere in his writings as well as in conversations his second wife recorded in her diaries. In his infamous essay "Judaism in Music," Wagner forever cemented his unpleasant reputation with his assertion that Jews were incapable of either creating or appreciating great art. Wagner's close ties with many talented Jews, then, are surprising. Most writers have dismissed these connections as cynical manipulations and rank hypocrisy. Examination of the original sources, however, reveals something different: unmistakeable, undeniable empathy and friendship between Wagner and the Jews in his life. Indeed, the composer had warm relationships with numerous individual Jews. Two of them resided frequently over extended periods in his home. One of these, the rabbi's son Hermann Levi, conducted Wagner's final opera--Parsifal, based on Christian legend--at Wagner's request; no one, Wagner declared, understood his work so well. Even in death his Jewish friends were by his side; two were among his twelve pallbearers. The contradictions between Wagner's antipathy toward the amorphous entity "The Jews" and his genuine friendships with individual Jews are the subject of this book. Drawing on extensive sources in both German and English, including Wagner's autobiography and diary and the diaries of his second wife, this comprehensive treatment of Wagner's anti-Semitism is the first to place it in perspective with his life and work. Included in the text are portions of unpublished letters exchanged between Wagner and Hermann Levi. Altogether, the book reveals astonishing complexities in a man long known as much for his prejudice as for his epic contributions to opera.
Author: Dieter Borchmeyer
Publisher: Oxford University Press on Demand
ISBN: 9780193153226
Category : Biography & Autobiography
Languages : en
Pages : 423
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Book Description
Richard Wagner has come to be seen as the quintessential artist of the nineteenth century, whose work embraces all the arts of the period. Dieter Borchmeyer here provides the first systematic and comprehensive account of Wagner's aesthetic theory, examining his hitherto neglected prosewritings and his ideas on music drama from the various standpoints of literature, the linking of ideas, and the sociology of art. The pre-eminent importance for Wagner of classical Greek art and mythology emerges with particular clarity, while his links with the great figures and forms of worldtheatre - Shakespeare, the commedia dell'arte, the popular theatre, and the puppet theatre - are traced in detail. The influence on Wagner of the historical and social novel is also discussed. The author provides the first comprehensive analysis of Cosima Wagner's Diaries, and throws unexpectedsidelights on Wagner's relationship with Nietzsche, in particular his important contribution to Nietzsche's The Birth of Tragedy. Central to the present study are Wagner's music dramas from Die Feen to Parsifal. These are examined in their literary, ideological, and socio-political contexts (including the problem of anti-Semitism). First published in German in 1982, this book has become established as a standard work ofWagner scholarship, and now appears for the first time in English in a completely revised edition incorporating a number of new chapters on the music dramas.
Author: Laurence Dreyfus
Publisher: Harvard University Press
ISBN: 0674018818
Category : History
Languages : en
Pages : 285
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Book Description
Though his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (1813–1883) was better known in the nineteenth century for his provocative musical eroticism. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner’s obsession with sexuality prefigured the composition of operas such as Tannhäuser, Die Walküre, Tristan und Isolde, and Parsifal. Daring to represent erotic stimulation, passionate ecstasy, and the torment of sexual desire, Wagner sparked intense reactions from figures like Baudelaire, Clara Schumann, Nietzsche, and Nordau, whose verbal tributes and censures disclose what was transmitted when music represented sex. Wagner himself saw the cultivation of an erotic high style as central to his art, especially after devising an anti-philosophical response to Schopenhauer’s “metaphysics of sexual love.” A reluctant eroticist, Wagner masked his personal compulsion to cross-dress in pink satin and drench himself in rose perfumes while simultaneously incorporating his silk fetish and love of floral scents into his librettos. His affection for dominant females and surprising regard for homosexual love likewise enable some striking portraits in his operas. In the end, Wagner’s achievement was to have fashioned an oeuvre which explored his sexual yearnings as much as it conveyed—as never before—how music could act on erotic impulse.
