Author: Samuel Richardson
Publisher: Cambridge University Press
ISBN: 1107728932
Category : Literary Criticism
Languages : en
Pages : 649
Book Description
Samuel Richardson (1689–1761), among the most important and influential English novelists, was also a prolific letter writer. Beyond its extraordinary range, his correspondence holds special interest as that of a practising epistolary novelist, who thought long and hard about the letter as a form. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. The present volume contains his correspondences with Dr George Cheyne and Thomas Edwards, linked not only by their pronounced medical content but also by their generally unguarded character. An early admirer of Richardson's Pamela (1740–41), Cheyne elicits some of the novelist's most significant statements concerning his own literary practice and tastes. Edwards, an astute literary critic as well as notable sonneteer, draws Richardson into expressing some remarkable insights as a close reader of poetry and prose.
Correspondence with George Cheyne and Thomas Edwards
Author: Samuel Richardson
Publisher: Cambridge University Press
ISBN: 1107728932
Category : Literary Criticism
Languages : en
Pages : 649
Book Description
Samuel Richardson (1689–1761), among the most important and influential English novelists, was also a prolific letter writer. Beyond its extraordinary range, his correspondence holds special interest as that of a practising epistolary novelist, who thought long and hard about the letter as a form. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. The present volume contains his correspondences with Dr George Cheyne and Thomas Edwards, linked not only by their pronounced medical content but also by their generally unguarded character. An early admirer of Richardson's Pamela (1740–41), Cheyne elicits some of the novelist's most significant statements concerning his own literary practice and tastes. Edwards, an astute literary critic as well as notable sonneteer, draws Richardson into expressing some remarkable insights as a close reader of poetry and prose.
Publisher: Cambridge University Press
ISBN: 1107728932
Category : Literary Criticism
Languages : en
Pages : 649
Book Description
Samuel Richardson (1689–1761), among the most important and influential English novelists, was also a prolific letter writer. Beyond its extraordinary range, his correspondence holds special interest as that of a practising epistolary novelist, who thought long and hard about the letter as a form. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. The present volume contains his correspondences with Dr George Cheyne and Thomas Edwards, linked not only by their pronounced medical content but also by their generally unguarded character. An early admirer of Richardson's Pamela (1740–41), Cheyne elicits some of the novelist's most significant statements concerning his own literary practice and tastes. Edwards, an astute literary critic as well as notable sonneteer, draws Richardson into expressing some remarkable insights as a close reader of poetry and prose.
Correspondence with George Cheyne
Author: Samuel Richardson
Publisher:
ISBN: 9781139024464
Category : Novelists, English
Languages : en
Pages : 0
Book Description
Samuel Richardson (1689-1761), among the most important and influential English novelists, was also a prolific letter writer. Beyond its extraordinary range, his correspondence holds special interest as that of a practising epistolary novelist, who thought long and hard about the letter as a form. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. The present volume contains his correspondences with Dr George Cheyne and Thomas Edwards, linked not only by their pronounced medical content but also by their generally unguarded character. An early admirer of Richardson's Pamela (1740-41), Cheyne elicits some of the novelist's most significant statements concerning his own literary practice and tastes. Edwards, an astute literary critic as well as notable sonneteer, draws Richardson into expressing some remarkable insights as a close reader of poetry and prose.
Publisher:
ISBN: 9781139024464
Category : Novelists, English
Languages : en
Pages : 0
Book Description
Samuel Richardson (1689-1761), among the most important and influential English novelists, was also a prolific letter writer. Beyond its extraordinary range, his correspondence holds special interest as that of a practising epistolary novelist, who thought long and hard about the letter as a form. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. The present volume contains his correspondences with Dr George Cheyne and Thomas Edwards, linked not only by their pronounced medical content but also by their generally unguarded character. An early admirer of Richardson's Pamela (1740-41), Cheyne elicits some of the novelist's most significant statements concerning his own literary practice and tastes. Edwards, an astute literary critic as well as notable sonneteer, draws Richardson into expressing some remarkable insights as a close reader of poetry and prose.
Literary Coteries and the Making of Modern Print Culture
Author: Betty A. Schellenberg
Publisher: Cambridge University Press
ISBN: 1107128161
Category : Language Arts & Disciplines
Languages : en
Pages : 321
Book Description
The first examination of interconnected manuscript-exchanging coteries as an integral element of literary culture in eighteenth-century Britain. This title is also available as Open Access.
Publisher: Cambridge University Press
ISBN: 1107128161
Category : Language Arts & Disciplines
Languages : en
Pages : 321
Book Description
The first examination of interconnected manuscript-exchanging coteries as an integral element of literary culture in eighteenth-century Britain. This title is also available as Open Access.
Samuel Richardson as Anonymous Editor and Printer
Author: John A. Dussinger
Publisher: Anthem Press
ISBN: 1785273558
Category : Literary Criticism
Languages : en
Pages : 135
Book Description
During the first two decades of his career, Richardson’s role as printer was hardly limited to setting the type for the periodicals that issued from his shop. Perhaps the most glaring evidence of his intervention in producing text is the fact that both The True Briton (1723-24) and The Weekly Miscellany (1732-41) just happen to have letters supposedly from women who protest the legal restraints against their participation in the public sphere. Neither the Duke of Wharton, the owner of The True Briton, nor William Webster, the desperately impecunious producer of The Weekly Miscellany, launched their journals with the objective of advancing radical views about political equality for women. But almost inadvertently this middle-aged, rotund printer at Salisbury Court was quietly feminizing journalism. After his first experiments in Wharton’s anti-Walpole journal he developed his satiric powers in the Miscellany by creating not only his own feisty counterpart to Pope’s coquette Belinda but even partnering with Sarah Chapone’s subversive Delia. As an outlier in what was perceived to be a corrupt, predatory political world, Richardson readily assumed a female voice to express his resistance.
Publisher: Anthem Press
ISBN: 1785273558
Category : Literary Criticism
Languages : en
Pages : 135
Book Description
During the first two decades of his career, Richardson’s role as printer was hardly limited to setting the type for the periodicals that issued from his shop. Perhaps the most glaring evidence of his intervention in producing text is the fact that both The True Briton (1723-24) and The Weekly Miscellany (1732-41) just happen to have letters supposedly from women who protest the legal restraints against their participation in the public sphere. Neither the Duke of Wharton, the owner of The True Briton, nor William Webster, the desperately impecunious producer of The Weekly Miscellany, launched their journals with the objective of advancing radical views about political equality for women. But almost inadvertently this middle-aged, rotund printer at Salisbury Court was quietly feminizing journalism. After his first experiments in Wharton’s anti-Walpole journal he developed his satiric powers in the Miscellany by creating not only his own feisty counterpart to Pope’s coquette Belinda but even partnering with Sarah Chapone’s subversive Delia. As an outlier in what was perceived to be a corrupt, predatory political world, Richardson readily assumed a female voice to express his resistance.
Heart Religion
Author: John Coffey
Publisher: Oxford University Press
ISBN: 0198724152
Category : History
Languages : en
Pages : 247
Book Description
A collection of ten essays on the phenomenon of evangelical piety most closely associated with the Evangelical Revival of the 1730s and 1740s. The essays ask whether the 'religion of the heart' predated the Revival and look at a range of possible influences.
Publisher: Oxford University Press
ISBN: 0198724152
Category : History
Languages : en
Pages : 247
Book Description
A collection of ten essays on the phenomenon of evangelical piety most closely associated with the Evangelical Revival of the 1730s and 1740s. The essays ask whether the 'religion of the heart' predated the Revival and look at a range of possible influences.
Arc of Feeling
Author: Javier Moscoso
Publisher: Reaktion Books
ISBN: 1789147255
Category : History
Languages : en
Pages : 263
Book Description
From beloved elements of children’s playgrounds to leather tools of bondage, a sweeping study of the cultural significance of swings. In Arc of Feeling Javier Moscoso investigates the pleasure of oscillation and explores the surprising history of the swing through its meanings and metaphors, noting echoes and coincidences in remote times and places: from the witch’s broom to aerial yoga and from the gallows to sexual mores. Taking in cultural history, science, art, anthropology, and philosophy, Moscoso explores the presence and role of this artifact in the West, such as in the works of Watteau, Fragonard, and Goya, as well as in other Eastern traditions, including those of India, Korea, Thailand, and China. Linked since ancient times with sex and death, used by gods and madmen, as well as an erotic and therapeutic instrument, the swing is revealed to be an essential but forgotten object in the history of human experience.
Publisher: Reaktion Books
ISBN: 1789147255
Category : History
Languages : en
Pages : 263
Book Description
From beloved elements of children’s playgrounds to leather tools of bondage, a sweeping study of the cultural significance of swings. In Arc of Feeling Javier Moscoso investigates the pleasure of oscillation and explores the surprising history of the swing through its meanings and metaphors, noting echoes and coincidences in remote times and places: from the witch’s broom to aerial yoga and from the gallows to sexual mores. Taking in cultural history, science, art, anthropology, and philosophy, Moscoso explores the presence and role of this artifact in the West, such as in the works of Watteau, Fragonard, and Goya, as well as in other Eastern traditions, including those of India, Korea, Thailand, and China. Linked since ancient times with sex and death, used by gods and madmen, as well as an erotic and therapeutic instrument, the swing is revealed to be an essential but forgotten object in the history of human experience.
The First Scottish Enlightenment
Author: Kelsey Jackson Williams
Publisher:
ISBN: 0198809697
Category : History
Languages : en
Pages : 368
Book Description
This book argues that the 'first' Scottish Enlightenment was championed by minority groups traditionally assumed to have been backward-looking and conservative--Jacobites, Episcopalians, and Catholics--and that it resulted in a dramatic transformation of how Scots understood their history.
Publisher:
ISBN: 0198809697
Category : History
Languages : en
Pages : 368
Book Description
This book argues that the 'first' Scottish Enlightenment was championed by minority groups traditionally assumed to have been backward-looking and conservative--Jacobites, Episcopalians, and Catholics--and that it resulted in a dramatic transformation of how Scots understood their history.
Circulating Enlightenment
Author: Adam Budd
Publisher: Oxford University Press
ISBN: 0199557179
Category : Language Arts & Disciplines
Languages : en
Pages : 651
Book Description
Historians of the intellectual and literary culture of the Enlightenment have recognised the importance of Andrew Millar (1705-68). His publisher's imprint adorned the title-pages of the most important works of the eighteenth century, in fiction, poetry, drama, medicine, and philosophy. This is the first extended study of Millar's commercial and social role in the commissioning, production, circulation, and consumption of Enlightenment literature in Britain. Providing a new intervention on the culture of Enlightenment this study shows how and why Millar provoked major controversies through his role as friend, patron, and publisher to great rivals in the republic of letters. An unprecedent analysis of publishing and authorship at the intersection of politics, business, visual arts, moral debate, and literary self-fashioning, this study of Andrew Millar also shows the degree to which Scottish identity shaped a professional career within London's rise as the cosmopolitan centre of learning and trade at the heart of the British empire. This volume presents hundreds of previously unpublished letters that passed between Millar and his literary network, and includes the 52 letters that passed between Millar and David Hume, the majority of which have been edited for the first time since 1931. This is a major contribution to the material and intellectual worlds that defined the culture of Enlightenment in Britain during the eighteenth century, casting new light in the history of publishing and authorship.
Publisher: Oxford University Press
ISBN: 0199557179
Category : Language Arts & Disciplines
Languages : en
Pages : 651
Book Description
Historians of the intellectual and literary culture of the Enlightenment have recognised the importance of Andrew Millar (1705-68). His publisher's imprint adorned the title-pages of the most important works of the eighteenth century, in fiction, poetry, drama, medicine, and philosophy. This is the first extended study of Millar's commercial and social role in the commissioning, production, circulation, and consumption of Enlightenment literature in Britain. Providing a new intervention on the culture of Enlightenment this study shows how and why Millar provoked major controversies through his role as friend, patron, and publisher to great rivals in the republic of letters. An unprecedent analysis of publishing and authorship at the intersection of politics, business, visual arts, moral debate, and literary self-fashioning, this study of Andrew Millar also shows the degree to which Scottish identity shaped a professional career within London's rise as the cosmopolitan centre of learning and trade at the heart of the British empire. This volume presents hundreds of previously unpublished letters that passed between Millar and his literary network, and includes the 52 letters that passed between Millar and David Hume, the majority of which have been edited for the first time since 1931. This is a major contribution to the material and intellectual worlds that defined the culture of Enlightenment in Britain during the eighteenth century, casting new light in the history of publishing and authorship.
Class, Patronage, and Poetry in Hanoverian England
Author: Jennifer Batt
Publisher: Oxford University Press
ISBN: 0192603442
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
In 1730 Stephen Duck became the most famous agricultural labourer in the Hanoverian England when his writing won him the patronage of Queen Caroline. Duck and his writing intrigued his contemporaries. How was it possible for an agricultural labourer to become a poet? What would a thresher write? Did he really deserve royal patronage, and what would he do with such an honour? How should he be supported? And was he an isolated prodigy, or were there others like him, equally deserving of support? Duck's remarkable story reveals the tolerances, and intolerances, of the Hanoverian social order. Class, Patronage, and Poetry in Hanoverian England: Stephen Duck, The Famous Threshing Poet explores these complex and contested relationships through Duck's life and work. It sheds new light on the poet's early life, revealing how the farm labourer developed an interest in poetry; how he wrote his most famous poem, 'The Thresher's Labour'; how his public identity as the 'famous Threshing Poet' took shape; and how he came to be positioned as a figurehead of labouring-class writing. It explores how the patronage Duck received shaped his writing; how he came to reconceive his relationship with land, labour, and leisure; and how he made use of his newly acquired classical learning to develop new friendships and career opportunities. Finally, it reveals how, after Duck's death, rumours about his suicide came to overshadow the achievements of his life. Both in life, and in death, this book argues, Duck provided both opportunity and provocation for thinking through the complex interplay of class, patronage, and poetry in Hanoverian England.
Publisher: Oxford University Press
ISBN: 0192603442
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
In 1730 Stephen Duck became the most famous agricultural labourer in the Hanoverian England when his writing won him the patronage of Queen Caroline. Duck and his writing intrigued his contemporaries. How was it possible for an agricultural labourer to become a poet? What would a thresher write? Did he really deserve royal patronage, and what would he do with such an honour? How should he be supported? And was he an isolated prodigy, or were there others like him, equally deserving of support? Duck's remarkable story reveals the tolerances, and intolerances, of the Hanoverian social order. Class, Patronage, and Poetry in Hanoverian England: Stephen Duck, The Famous Threshing Poet explores these complex and contested relationships through Duck's life and work. It sheds new light on the poet's early life, revealing how the farm labourer developed an interest in poetry; how he wrote his most famous poem, 'The Thresher's Labour'; how his public identity as the 'famous Threshing Poet' took shape; and how he came to be positioned as a figurehead of labouring-class writing. It explores how the patronage Duck received shaped his writing; how he came to reconceive his relationship with land, labour, and leisure; and how he made use of his newly acquired classical learning to develop new friendships and career opportunities. Finally, it reveals how, after Duck's death, rumours about his suicide came to overshadow the achievements of his life. Both in life, and in death, this book argues, Duck provided both opportunity and provocation for thinking through the complex interplay of class, patronage, and poetry in Hanoverian England.
Textual Transformations
Author: Tessa Whitehouse
Publisher: Oxford University Press
ISBN: 0192536362
Category : Literary Criticism
Languages : en
Pages : 378
Book Description
Early modern books were not stable or settled outputs of the press but dynamic shape-changers, subject to reworking, re-presentation, revision, and reinterpretation. Their history is often the history of multiple, sometimes competing, agencies as their texts were re-packaged, redirected, and transformed in ways that their original authors might hardly recognize. Processes of editing, revision, redaction, selection, abridgement, glossing, disputation, translation, and posthumous publication resulted in a textual elasticity and mobility that could dissolve distinctions between text and paratexts, textuality and intertextuality, manuscript and print, author and reader or editor, such that title and author's name are no longer sufficient pointers to a book's identity or contents. This collection brings together original essays by an international team of eminent scholars in the field of book history that explore these various kinds of textual inconstancy and variability. The essays are alive to the impact of commercial and technological aspects of book production and distribution (discussing, for example, the career of the pre-eminent bookseller John Nourse, the market appeal of abridgements, and the financial incentives to posthumous publication), but their interest is also in the many additional forms of agency that shaped texts and their meanings as books were repurposed to articulate, and respond to, a variety of cultural and individual needs. They engage with early modern religious, political, philosophical, and scholarly trends and debates as they discuss a wide range of genres and kinds of publication including fictional and non-fictional prose, verse miscellanies, abridgements, sermons, religious controversy, and of authors including Lucy Hutchinson, Richard Baxter, John Dryden, Thomas Burnet, John Tillotson, Henry Maundrell, Jonathan Swift, Samuel Richardson, John Wesley, and Samuel Taylor Coleridge. The result is a richly diverse collection that demonstrates the embeddedness of the book trade in the cultural dynamics of early modernity.
Publisher: Oxford University Press
ISBN: 0192536362
Category : Literary Criticism
Languages : en
Pages : 378
Book Description
Early modern books were not stable or settled outputs of the press but dynamic shape-changers, subject to reworking, re-presentation, revision, and reinterpretation. Their history is often the history of multiple, sometimes competing, agencies as their texts were re-packaged, redirected, and transformed in ways that their original authors might hardly recognize. Processes of editing, revision, redaction, selection, abridgement, glossing, disputation, translation, and posthumous publication resulted in a textual elasticity and mobility that could dissolve distinctions between text and paratexts, textuality and intertextuality, manuscript and print, author and reader or editor, such that title and author's name are no longer sufficient pointers to a book's identity or contents. This collection brings together original essays by an international team of eminent scholars in the field of book history that explore these various kinds of textual inconstancy and variability. The essays are alive to the impact of commercial and technological aspects of book production and distribution (discussing, for example, the career of the pre-eminent bookseller John Nourse, the market appeal of abridgements, and the financial incentives to posthumous publication), but their interest is also in the many additional forms of agency that shaped texts and their meanings as books were repurposed to articulate, and respond to, a variety of cultural and individual needs. They engage with early modern religious, political, philosophical, and scholarly trends and debates as they discuss a wide range of genres and kinds of publication including fictional and non-fictional prose, verse miscellanies, abridgements, sermons, religious controversy, and of authors including Lucy Hutchinson, Richard Baxter, John Dryden, Thomas Burnet, John Tillotson, Henry Maundrell, Jonathan Swift, Samuel Richardson, John Wesley, and Samuel Taylor Coleridge. The result is a richly diverse collection that demonstrates the embeddedness of the book trade in the cultural dynamics of early modernity.