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Author: Lieneke Nijkamp
Publisher: Harvey Miller
ISBN: 9781909400207
Category : Art
Languages : en
Pages : 0
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Book Description
Proceedings of a conference held December 6, 2013 in Antwerp, marking the 50th anniversary of the Rubenianum.
Author: Lieneke Nijkamp
Publisher: Harvey Miller
ISBN: 9781909400207
Category : Art
Languages : en
Pages : 0
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Book Description
Proceedings of a conference held December 6, 2013 in Antwerp, marking the 50th anniversary of the Rubenianum.
Author: Hans Vlieghe
Publisher: Oxford University Press
ISBN: 9780199210565
Category : Art
Languages : en
Pages : 400
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Book Description
Author: Gitta Bertram
Publisher: BRILL
ISBN: 9004464522
Category : Art
Languages : en
Pages : 635
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Book Description
An investigation of the complex image-text relationships between frontispieces and illustrated title pages with the following texts in European books published between 1500 and 1800.
Author: Kristin Lohse Belkin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 348
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Book Description
Author: Thomas Patrick Campbell
Publisher: Metropolitan Museum of Art
ISBN: 030015514X
Category : Tapestry
Languages : en
Pages : 367
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Book Description
This illustrated volume is a comprehensive survey of 17th century European tapestry. It features some of the finest surviving examples from many international collections, as well as a number of related designs and oil sketches.
Author: Herbert Wilhelm Rott
Publisher:
ISBN: 9781872501338
Category :
Languages : en
Pages :
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Author: Marjon van der Meulen
Publisher:
ISBN: 9781872501666
Category : Antiquarians
Languages : en
Pages : 0
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Book Description
Author: Reinhold Baumstark
Publisher: Metropolitan Museum of Art
ISBN: 0870993941
Category : Painting
Languages : en
Pages : 66
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Book Description
The sequence of paintings on the history of the Roman consul Decius Mus, which has been one of the greatest glories of the Liechtenstein collection since its acquisition in 1693, occupies a significant position in the work of Peter Paul Rubens (Flemish, 1577-1640). In it the artist uses for the first time the cycle form-that is, the narration of a story through a series of paintings. The development of a sequence of monumental works with abundant imagery and forceful visual impact had a great attraction for Rubens. Again and again he turned his artistic energy to creating cycles, the foremost being the huge paintings celebrating the life of the French queen Maria de' Medici (Louvre, Paris). The Decius Mus cycle is a seminal force in Rubens's career in yet another sense. It is one of the earliest works in which he presented an episode from Roman history; here he made one of his first forays into classical antiquity, a domain that later inspired some of his most important paintings. Rubens himself can be understood only in the context of his extensive classical education. As a member of a circle of humanists around Justus Lipsius, the great master of classical philology and Neostoical philosophy, Rubens was well acquainted with antique thought, literature, and art, regarding as preeminent the authority of these ancient thinkers. The Decius Mus cycle also represents the artist's debut into tapestry design. These larger paintings were not planned as autonomous works of art; instead, the canvases were composed as cartoons, designs that were followed by the weavers as they transformed the master's compositions into tapestries. The Decius Mus cycle was a successful debut for Rubens into the field of tapestry weaving, a time-honored art that was developed in his native Flanders and later spread throughout Europe. Other Flemish artists, especially Jacob Jordaens, followed Rubens's example, thus reaffirming Flanders as the center of tapestry weaving in seventeenth-century Europe.
Author: Jeffrey M. Muller
Publisher:
ISBN: 9780691002989
Category : Art
Languages : en
Pages : 185
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Book Description
Peter Paul Rubens assembled a collection of art that was, for an artist and for the Netherlands, of unprecedented richness and breadth. Hundreds of pictures (including masterpieces by Titian, Bruegel, and Van Dyck) and prints and drawings, as well as ancient sculptures, coins, and gems, were joined with select works by Rubens himself and displayed in the artist's magnificent house in Antwerp. This richly illustrated volume is the first to treat the significance of the collection in depth, to document its major components, and to catalogue all the individual pieces in it. "A contribution to Rubens studies which will be of lasting value".--Oliver Millar, The Times Literary Supplement "[Muller] fully and effectively combines the techniques of the social historian, the intellectual historian, and the art historian in order to examine the cultural assumptions and achievements of the period. . . . That the story of Rubens as a collector can . . . cover so many aspects of the culture of seventeenth-century Europe is vivid testimony to the efficacy of Muller's integration of the techniques and interests of the historian and the art historian".--Theodore K. Rabb, Journal of Interdisciplinary History
Author: David Freedberg
Publisher:
ISBN:
Category :
Languages : en
Pages : 425
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Book Description
