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Author: Michael Schumacher
Publisher: Bloomsbury Publishing
ISBN: 9780747546788
Category : Motion picture producers and directors
Languages : en
Pages : 536
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Book Description
FRANCIS FORD COPPOLA: A FILM-MAKERS LIFE is the first complete picture of the flawed cinematic genius who directed the GODFATHER trilogy, APOCALYPSE NOW, THE CONVERSATION, and other distinctive films - some wildly successful, some disastrous.
Author: Michael Schumacher
Publisher: Bloomsbury Publishing
ISBN: 9780747546788
Category : Motion picture producers and directors
Languages : en
Pages : 536
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Book Description
FRANCIS FORD COPPOLA: A FILM-MAKERS LIFE is the first complete picture of the flawed cinematic genius who directed the GODFATHER trilogy, APOCALYPSE NOW, THE CONVERSATION, and other distinctive films - some wildly successful, some disastrous.
Author: Francis Ford Coppola
Publisher: Simon and Schuster
ISBN: 1942872313
Category : Performing Arts
Languages : en
Pages : 786
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Book Description
THE PUBLISHING SENSATION OF THE YEAR FOR EVERY FILM FAN The never-before-published edition of Francis Ford Coppola’s notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the world’s most iconic films. The most important unpublished work on one of the greatest films of all time, The Godfather, written before filming, by the man who wrote and directed it—Francis Ford Coppola, then only thirty-two years old—reveals the intense creative process that went into making this seminal film. With his meticulous notes and impressions of Mario Puzo’s novel, the notebook was referred to by Coppola daily on set while he directed the movie. The Godfather Notebook pulls back the curtain on the legendary filmmaker and the film that launched his illustrious career. Complete with an introduction by Francis Ford Coppola and exclusive photographs from on and off the set, this is a unique, beautiful, and faithful reproduction of Coppola’s original notebook. This publication will change the way the world views the iconic film—and the process of filmmaking at large. A must-have book of the season. Nothing like it has ever been published before
Author: Anna Backman Rogers
Publisher: Berghahn Books
ISBN: 1785339664
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
A feminist study of the mood, texture, tone, and multifaceted meaning of director Sofia Coppola’s aesthetic through her most influential and well-known films. A Choice Outstanding Academic Title 2019 “With this book Rogers has produced a sophisticated and impassioned analysis of Coppola’s work... Rogers’s main argument – that Coppola manipulates pleasurable images to unsettle rather than mollify us – is utterly convincing. If nothing else, this certainly hits home in relation to my own enchantment with Coppola’s work.”—Bright Lights Film Journal All too often, the movies of Sofia Coppola have been dismissed as “all style, no substance.” But such an easy caricature, as this engaging and accessible survey of Coppola’s oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the “female gothic” in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola’s films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy. From the Introduction: Sofia Coppola possesses a highly sophisticated and intricate knowledge of how images come to work on us; that is, she understands precisely how to construct an image – what to add in and what to remove – in order to achieve specific moods, tones and cinematic affects. She knows that similar kinds of images can have vastly different effects on the viewer depending on their context.... This monograph is an extended study of Coppola’s outstanding ability to think through and in images.
Author: Alicia Coppola
Publisher: CreateSpace
ISBN: 9781484029114
Category : Biography & Autobiography
Languages : en
Pages : 204
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Book Description
In my wildest literary dreams, where I imagine I am a highly acclaimed author, I would love to imagine that if Simone de Beauvoir was an angry twenty-one year old young woman living in Manhattan in 1992 with a passion for boys, Marlboros and Depeche Mode and she lost her father instead of her mother her memoir A Very Easy Death might very well have been titled Gracefully Gone. Gracefully Gone is the fusion of two journals: my father, Matthew L Coppola Sr.'s and mine. My father's journal was written in 1982, two years after his diagnosis and remission with brain cancer. Mine was written in 1990-1991, roughly eight years later, as he began to die. In Gracefully Gone I chronicle my twenty-one year old pursuit of life and all the bitter and amusingly confusing angst that accompanies being twenty-one during the last six months of my father's struggle towards death. In one sense, it is a coming of age tale: from the age of twelve on, I was acutely aware of all things cancer. I was sent to a New England prep school at fifteen to escape all things cancer only to return after graduating NYU in 1990 to all things cancer. During the six pivotal months between the summer of 1990 and January of 1991, not only did I journal my caretaking of my dad but also our profound love story. At its core, for me, Gracefully Gone is very simply a love story: it is my love affair with my dad. I loved, he loved, he died and a bit of me went with him. When thinking about who might be interested in our story I was reminded of an article I read in the Los Angeles Times, (November 19, 2003) about Rebecca Brown who wrote “Excerpts From a Family Medical Dictionary.” (University Of Wisconsin Press, 2003) It is a memoir of her mother's death and according to the LA Times “raises an important question; 'How does one make the death of a beloved parent meaningful to strangers?'” Well, I think I'd like to try and answer that with my own question: how is it not? Everyone I know has either lost or is losing a loved one to cancer. Very few superbly lucky ones have struggled and beaten the cancer monster. The sad fact is in the world we live in today there are no strangers to cancer and there are certainly no strangers to struggle and loss. What I am hoping, what I am counting on, is that my life, my father's life and our story, might be meaningful to strangers; or perhaps, if not meaningful, then at the very least, identifiable, relatable and at times, humorously understandable. Gracefully Gone is not about death, it is about the journey of a family, specifically, the journey of a young girl trying to find her way in the wake of growing up in the looming shadow of cancer. Gracefully Gone is to me the literary version of the magical love song “Unforgettable” by Nat King Cole that his daughter Natalie Cole laid her own track to; it is, very simply, a duet. Perhaps our duet in Gracefully Gone is written as a prayer for all the families, all the children too young to understand and for all the victims of this all too often insurmountable war to know they are not alone. Even though my mother and brother went through the same experience as I, we experienced it very differently. It was as if my father was the LOVEBOAT and we three were on our own separate lifeboats surrounding him, each of us handling our grief privately. Perhaps, if we're really lucky, Gracefully Gone might allow someone a little peace and some comfort knowing that even though they are on their own lifeboats they are in an ocean full of them.
Author: Hannah Strong
Publisher: Abrams
ISBN: 1647003636
Category : Biography & Autobiography
Languages : en
Pages : 440
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Book Description
An illustrated critical survey of Academy Award–winning writer and director Sofia Coppola’s career, covering everything from her groundbreaking music videos through her latest films In the two decades since her first feature film was released, Sofia Coppola has created a tonally diverse, meticulously crafted, and unapologetically hyperfeminine aesthetic across a wide range of multimedia work. Her films explore untenable relationships and the euphoria and heartbreak these entail, and Coppola develops these themes deftly and with discernment across her movies and music videos. From The Virgin Suicides and Marie Antoinette to Lost in Translation and The Beguiled, Coppola’s award-nominated filmography is also unique in how its consistent visual aesthetic is informed by and in conversation with contemporary fine art and photography. Sofia Coppola offers a rich and intimate look at the overarching stylistic and thematic components of Coppola's work. In addition to critical essays about Coppola's filmography, the book will include interviews with some of her closest collaborators, including musician Jean-Benoît Dunckel and costume designer Nancy Steiner, along with a foreword by Italian filmmaker Alice Rohrwacher. It engages with her creative output while celebrating her talent as an imagemaker and storyteller. Along the way, readers meet again a cast of characters mired in the ennui of missed connections: loneliness, frustrated creativity, rebellious adolescence, and the double-edged knife of celebrity, all captured by the emotional, intimate power of the female gaze.
Author: Jeff Menne
Publisher: University of Illinois Press
ISBN: 0252096789
Category : Performing Arts
Languages : en
Pages : 169
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Book Description
Acclaimed as one of the most influential and innovative American directors, Francis Ford Coppola is also lionized as a maverick auteur at war with Hollywood's power structure and an ardent critic of the postindustrial corporate America it reflects. However, Jeff Menne argues that Coppola exemplifies the new breed of creative corporate person and sees the director's oeuvre as vital for reimagining the corporation in the transformation of Hollywood. Reading auteur theory as the new American business theory, Menne reveals how Coppola's vision of a new kind of company has transformed the worker into a liberated and well-utilized artist, but has also commodified individual creativity at a level unprecedented in corporate history. Coppola negotiated the contradictory roles of shrewd businessman and creative artist by recognizing the two roles are fused in a postindustrial economy. Analyzing films like The Godfather (1970) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family--and how his studio American Zoetrope came to represent a new brand of auteurism and the model for post-Fordist Hollywood.
Author: Eleanor Coppola
Publisher: Hal Leonard Corporation
ISBN: 1423489055
Category : Biography & Autobiography
Languages : en
Pages : 307
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Book Description
Eleanor Coppola shares her life as an artist, filmmaker, wife, and mother in a book that captures the glamour and grit of Hollywood and reveals the private tragedies and joys that tested and strengthened her over the past twenty years. This book travels between the center of the film world and the intimate heart of her family. She looks at the vision that drives her husband, Francis Ford Coppola, and describes her daughter Sofia's rise to fame with the film Lost in translation. Even as she visits faraway movie sets and attends parties, she is pulled back to pursue her own art, but is always focused on keeping her family safe. The death of their son Gio in a boating accident in 1986 and her struggle to cope with her grief and anger leads to a moving exploration of her deepest feelings as a woman and a mother.
Author: Francis Ford Coppola
Publisher: Harper San Francisco
ISBN:
Category : Performing Arts
Languages : en
Pages : 112
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Book Description
Author: Steven Travers
Publisher: McFarland
ISBN: 1476664250
Category : Performing Arts
Languages : en
Pages : 238
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Book Description
In 1975, after his two Godfather epics, Francis Ford Coppola went to the Philippines to film Apocalypse Now. He scrapped much of the original script, a jingoistic narrative of U.S. Special Forces winning an unwinnable war. Harvey Keitel, originally cast in the lead role, was fired and replaced by Martin Sheen, who had a heart attack. An overweight Marlon Brando, paid a huge salary, did more philosophizing than acting. It rained almost every day and a hurricane wiped out the set. The Philippine government promised the use of helicopters but diverted them at the last minute to fight communist and Muslim separatists. Coppola filmed for four years with no ending in the script. The shoot threatened to be the biggest disaster in movie history. Providing a detailed snapshot of American cinema during the Vietnam War, this book tells the story of how Apocalypse Now became one of the great films of all time.
Author: Gene D. Phillips
Publisher: University Press of Kentucky
ISBN: 9780813129068
Category : Biography & Autobiography
Languages : en
Pages : 454
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Book Description
Author Gene D. Phillips blends biography, studio history, and film criticism to provide the most comprehensive work available on Francis Ford Coppola. Phillips gained access to the reticent director and his colleagues and examined Coppola's private production journals and screenplays. He reviewed rare copies of Coppola's student films, his early excursions into soft-core pornography, and his less celebrated productions such as One from the Heart and Tucker: The Man and His Dream. Phillips also illuminates the details of the production history of the harrowing 238-day shoot of Apocalypse Now and explains how The Godfather was almost cast without the now iconic Marlon Brando.
