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Author: John Gardner
Publisher: Open Road Media
ISBN: 1480409219
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
“Fearless, illuminating” criticism from a New York Times–bestselling author and legendary teacher, “proving . . . that true art is moral and not trivial” (Los Angeles Times). Novelist John Gardner’s thesis in On Moral Fiction is simple: “True art is by its nature moral.” It is also an audacious statement, as Gardner asserts an inherent value in life and in art. Since the book’s first publication, the passion behind Gardner’s assertion has both provoked and inspired readers. In examining the work of his peers, Gardner analyzes what has gone wrong, in his view, in modern art and literature, and how shortcomings in artistic criticism have contributed to the problem. He develops his argument by showing how artists and critics can reintroduce morality and substance to their work to improve society and cultivate our morality. On Moral Fiction is an essential read in which Gardner presents his thoughtfully developed criteria for the elements he believes are essential to art and its creation. This ebook features an illustrated biography of John Gardner, including original letters, rare photos, and never-before-seen documents from the Gardner family and the University of Rochester Archives.
Author: John Gardner
Publisher: Open Road Media
ISBN: 1480409219
Category : Literary Criticism
Languages : en
Pages : 258
Get Book Here
Book Description
“Fearless, illuminating” criticism from a New York Times–bestselling author and legendary teacher, “proving . . . that true art is moral and not trivial” (Los Angeles Times). Novelist John Gardner’s thesis in On Moral Fiction is simple: “True art is by its nature moral.” It is also an audacious statement, as Gardner asserts an inherent value in life and in art. Since the book’s first publication, the passion behind Gardner’s assertion has both provoked and inspired readers. In examining the work of his peers, Gardner analyzes what has gone wrong, in his view, in modern art and literature, and how shortcomings in artistic criticism have contributed to the problem. He develops his argument by showing how artists and critics can reintroduce morality and substance to their work to improve society and cultivate our morality. On Moral Fiction is an essential read in which Gardner presents his thoughtfully developed criteria for the elements he believes are essential to art and its creation. This ebook features an illustrated biography of John Gardner, including original letters, rare photos, and never-before-seen documents from the Gardner family and the University of Rochester Archives.
Author: John Gardner
Publisher: Univ. Press of Mississippi
ISBN: 9780878054237
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
This collection, selected from more than 140 interviews Gardner granted, presents a wealth of information on the life and art of one of America's foremost novelists. These interviews show him as a novelist, a charismatic teacher of creative writing, and a widely published scholar who has vast knowledge and who generated much literary information in his lectures and interviews. After the publication of such popular and critical successes as Grendel (1971) and The Sunlight Dialogues (1972), this philosophical writer with an enviable talent for storytelling was regarded as ""a major contemporary writer."" After Gardner had demonstrated that he was one of America's most prolific, versatile, and imaginative authors, he became one of its most controversial when he attacked the literary establishment in his book On Moral Fiction and in his interviews. These candid conversations reveal a man of contrasts and contradictions, a writer who, as one of his interviewers remarks, ""brought to everything he did a passion that at times bordered on madness.
Author: John W. Gardner
Publisher: Pickle Partners Publishing
ISBN: 1789120071
Category : Psychology
Languages : en
Pages : 188
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Book Description
“The only stability possible is stability in motion.”—John William Gardner In his classic treatise Self-Renewal, John W. Gardner examines why great societies thrive and die. He argues that it is dynamism, not decay, that is dramatically altering the landscape of American society. The twentieth century has brought about change more rapidly than any previous era, and with that came advancements, challenges, and often destruction. Gardner cautions that “a society must court the kinds of change that will enrich and strengthen it, rather than the kind of change that will fragment and destroy it.” A society’s ability to renew itself hinges upon its individuals. Gardner reasons that it is the waning of the heart and spirit—not a lack of material might—that threatens American society. Young countries, businesses, and humans have several key commonalities: they are flexible, eager, open, curious, unafraid, and willing to take risks. These conditions lead to success. However, as time passes, so too comes complacency, apathy, and rigidity, causing motivation to plummet. It is at this junction that great civilizations fall, businesses go bankrupt, and life stagnates. Gardner asserts that the individual’s role in social renewal requires each person to face and look beyond imminent threats. Ultimately, we need a vision that there is something worth saving. Through this vision, Gardner argues, society will begin to renew itself, not permanently, but past its average lifespan, and it will at once become enriched and rejuvenated.
Author: John Gardner
Publisher:
ISBN: 9780878054220
Category : Fiction
Languages : en
Pages : 310
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Book Description
Gathers interviews with John Gardner from each period of his career, and offers a brief profile of his life and accomplishments
Author: John Gardner
Publisher: Catapult
ISBN: 1582434948
Category : Philosophy
Languages : en
Pages : 329
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Book Description
This compilation of essays and reviews, gathered posthumously from the New York Times Book Review and other publications, solidifies John Gardner's legacy as a consummate teacher and controversial critic with a provocative sense of humor. Writing about his fellow craftsmen, John Gardner offers piercing insights into those whose works he admired and those whose works he didn't. In exacting unapologetic evaluations upon such writers as Saul Bellow, Vladimir Nabokov, Philip Roth, John Cheever, Larry Woiwode, Joyce Carol Oates, and John Updike, Gardner separates genuine fiction from fakery, careful not to spare his own writings in the process, and in doing so, he displays his influences and wide–reaching observations of the literary life. Refreshingly unpredictable and self–aware, this collection lays bare the core qualities of lasting fiction and is essential reading for anyone interested in American literature.
Author: Ava Gardner
Publisher: Simon and Schuster
ISBN: 1471101169
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
Ava Gardner was one of the most glamorous and famous stars in Hollywood in the 1940s and 1950s. Her list of films includes The Killers, Showboat and Mogambo, for which she was nominated for an Academy Award for best actress, and her co-stars included Clark Gable, Gregory Peck, Burt Lancaster, Humphrey Bogart, Charlton Heston, and Richard Burton - the A-list of male Hollywood stars. Married three times - to Mickey Rooney, Artie Shaw, and Frank Sinatra - the first two lasted only about a year each whilst her marriage to Sinatra lasted several. She had a long-running affair with Howard Hughes, and a briefer one with George C. Scott, among others. In Ava Gardner, she has much to say about her husbands and lovers, and some of her co-stars,all of whom get Gardner's unflinchingly honest treatment. Ava Gardner is irresistibly candid and surprising. She began the book because, as she told Evans, 'it's either write the book or sell the jewels and I'm kinda fond of the jewels.' At the time of their collaboration Gardner was living in London, where she had lived for decades, smoking and drinking heavily. Having suffered a stroke that damaged the left side of her face and her left arm she had trouble sleeping and was often depressed - the glamorous wardrobes replaced by grey. Her story could itself have been depressing except for her wit and wickedness, which are on full display in this book. This book tells the story of her life as she wanted to tell it. Ava Gardner is the autobiography that Ava Gardner began with writer Peter Evans in 1988. She never finished it and decided against publishing it because of its frankness. She later collaborated on a tamer autobiography, which was published at her death in 1990. After Gardner's death, her estate authorised the book to be published much as she and Evans had originally conceived it.
Author: John Gardner
Publisher: Simon and Schuster
ISBN: 0029113121
Category : Business & Economics
Languages : en
Pages : 246
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Book Description
A searching examination of leadership as it is practiced, or malpracticed, in America today. Includes the elements of motivation, shared values, social cohesion, and institutional renewal.
Author: John Gardner
Publisher: New Directions Publishing
ISBN: 9780811216708
Category : Fiction
Languages : en
Pages : 722
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Book Description
Vivid, compassionate, and often disturbing, this expansive novel is John Gardner's masterpiece.
Author: William H. Gass
Publisher:
ISBN: 9781578065462
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
Biography -- Literary Criticism Conversations with William H. Gass captures the imagination and philosophical acumen of one of America's most important aestheticians, critical theorists, fiction writers, and essayists. From his first major novel, Omensetter's Luck (1966), to his numerous collections of essays and philosophical inquiries, to his controversial novel The Tunnel (1995), Gass (b. 1924) has proved himself a meticulous craftsman. Throughout these interviews, he reveals an aesthetic that combines ideas from sources as disparate as Ludwig Wittgenstein, Rainer Maria Rilke, Gertrude Stein, and Plato. The interviews make clear the unity behind Gass's views is by his own design. Conversations retrace his undergraduate years at Kenyon College and his subsequent philosophical investigation of metaphor at Cornell University. Gass has never strayed from his belief that metaphor is central and fundamental to thought and to aesthetics. In these interviews he reiterates time and again his belief that the ultimate understanding of the relationship of language to the world pivots on one's understanding of metaphor. In interviews, in profiles, and in his own essays, Gass does not hide from questions about his art and personal motivations, no matter how frequently they are asked, nor does he toy with his interviewers. Revealing how he never shies from an intellectual joust, this collection includes a rousing, contentious debate with John Gardner, fellow literary pundit and fiction writer. The distinction of Gass's prose is matched by the clarity and brilliance of the mind behind it. These talks allow an unobstructed view. Anyone interested in Gass's writing will delight in hearing the brutally honest voice of the mind that produced it. Theodore G. Ammon is chair of the philosophy department at Millsaps College in Jackson, Miss. His work has appeared in such publications as Romance Notes, Arachne, College Mathematics, and the Journal of Aesthetic Education.
Author: Lawrence Grobel
Publisher: Createspace Independent Publishing Platform
ISBN: 9781500635428
Category : Motion picture actors and actresses
Languages : en
Pages : 0
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Book Description
These conversations with the femme fatale of The Killers, Mogambo, The Barefoot Contessa, Show Boat, and Night of the Iguana, and one of the world's great beauties, are startlingly candid. Two years before she died, Ava Gardner asked Lawrence Grobel to work with her on her memoir. The reclusive actress opened up about her three volatile marriages to Mickey Rooney, Artie Shaw and Frank Sinatra ("I loved them all; I just couldn't live with them. I'm not going to try and whitewash them anymore"). She tells about Howard Hughes' 15-year pursuit of her ("As soon as I got divorced from Mickey, Howard entered my life and I couldn't get rid of him, no matter who I was with or who I married"). She reveals how George C. Scott was so crazily in love with her that he beat her up on three occasions and once stuck a broken bottle in her face ("I was frightened for my life"). She talks about her tomboy childhood as a tobacco farmer's daughter in North Carolina. She goes into detail about how she was "discovered" and became a contract player at MGM ("white slavery"); her friendships with Hemingway, Dominguin, and Brando; and of working with her favorite director, John Huston. She admits to her struggles with alcohol ("I don't give a damn what time of the day it is, I just drink too much"). And she speaks intimately about the debilitating stroke she suffered toward the end of her life ("I felt this dark cloud that wouldn't go away. I just wanted to lie in bed and drink brandy").
