Author: Magdalena Dabrowski
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 298
Book Description
Magdalena Dabrowski retraces the course of geometric abstract art in our century, she divides the years from 1910 to 1980- into five spans. The first: Origins of the Nonobjective - Cubism, Futurism, Cubo-Futurism. The second: Surface to space - Suprematism, de Stiji, Russian Constructivism. Then, Internation constructivism, followed by Paris-New Yourk connection and finally, Nonfigurative tendrncies.
Contrasts of Form
Author: Magdalena Dabrowski
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 298
Book Description
Magdalena Dabrowski retraces the course of geometric abstract art in our century, she divides the years from 1910 to 1980- into five spans. The first: Origins of the Nonobjective - Cubism, Futurism, Cubo-Futurism. The second: Surface to space - Suprematism, de Stiji, Russian Constructivism. Then, Internation constructivism, followed by Paris-New Yourk connection and finally, Nonfigurative tendrncies.
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 298
Book Description
Magdalena Dabrowski retraces the course of geometric abstract art in our century, she divides the years from 1910 to 1980- into five spans. The first: Origins of the Nonobjective - Cubism, Futurism, Cubo-Futurism. The second: Surface to space - Suprematism, de Stiji, Russian Constructivism. Then, Internation constructivism, followed by Paris-New Yourk connection and finally, Nonfigurative tendrncies.
Theory and Practice of Contrast
Author: Mariusz Stanowski
Publisher: CRC Press
ISBN: 100039364X
Category : Science
Languages : en
Pages : 225
Book Description
The book Theory and Practice of Contrast completes, corrects and integrates the foundations of science and humanities, which include: theory of art, philosophy (aesthetics, epistemology, ontology, axiology), cognitive science, theory of information, theory of complexity and physics. Through the integration of these distant disciplines, many unresolved issues in contemporary science have been clarified or better understood, among others: defining impact (contrast) and using this definition in different fields of knowledge; understanding what beauty/art is and what our aesthetic preferences depend on; deeper understanding of what complexity and information are in essence, and providing their general definitions. Complexity means integration, value and goodness - concepts that seem to be neglected today. The book also has a high degree of integration/complexity, although each chapter introduces a new issue. The last chapter: "Binary Model of the Universe" draws attention to the need for including in physics the analysis of our mind and the resulting new possibilities, which include the mentioned (digital) model of the universe. Despite the difficult issues raised here, this study is written in accessible language and may be interesting not only for scientists and academics.
Publisher: CRC Press
ISBN: 100039364X
Category : Science
Languages : en
Pages : 225
Book Description
The book Theory and Practice of Contrast completes, corrects and integrates the foundations of science and humanities, which include: theory of art, philosophy (aesthetics, epistemology, ontology, axiology), cognitive science, theory of information, theory of complexity and physics. Through the integration of these distant disciplines, many unresolved issues in contemporary science have been clarified or better understood, among others: defining impact (contrast) and using this definition in different fields of knowledge; understanding what beauty/art is and what our aesthetic preferences depend on; deeper understanding of what complexity and information are in essence, and providing their general definitions. Complexity means integration, value and goodness - concepts that seem to be neglected today. The book also has a high degree of integration/complexity, although each chapter introduces a new issue. The last chapter: "Binary Model of the Universe" draws attention to the need for including in physics the analysis of our mind and the resulting new possibilities, which include the mentioned (digital) model of the universe. Despite the difficult issues raised here, this study is written in accessible language and may be interesting not only for scientists and academics.
Frames, Fields, and Contrasts
Author: Adrienne Lehrer
Publisher: Routledge
ISBN: 113647580X
Category : Language Arts & Disciplines
Languages : en
Pages : 474
Book Description
Recently, there has been a surge of interest in the lexicon. The demand for a fuller and more adequate understanding of lexical meaning required by developments in computational linguistics, artificial intelligence, and cognitive science has stimulated a refocused interest in linguistics, psychology, and philosophy. Different disciplines have studied lexical structure from their own vantage points, and because scholars have only intermittently communicated across disciplines, there has been little recognition that there is a common subject matter. The conference on which this volume is based brought together interested thinkers across the disciplines of linguistics, philosophy, psychology, and computer science to exchange ideas, discuss a range of questions and approaches to the topic, consider alternative research strategies and methodologies, and formulate interdisciplinary hypotheses concerning lexical organization. The essay subjects discussed include: * alternative and complementary conceptions of the structure of the lexicon, * the nature of semantic relations and of polysemy, * the relation between meanings, concepts, and lexical organization, * critiques of truth-semantics and referential theories of meaning, * computational accounts of lexical information and structure, and * the advantages of thinking of the lexicon as ordered.
Publisher: Routledge
ISBN: 113647580X
Category : Language Arts & Disciplines
Languages : en
Pages : 474
Book Description
Recently, there has been a surge of interest in the lexicon. The demand for a fuller and more adequate understanding of lexical meaning required by developments in computational linguistics, artificial intelligence, and cognitive science has stimulated a refocused interest in linguistics, psychology, and philosophy. Different disciplines have studied lexical structure from their own vantage points, and because scholars have only intermittently communicated across disciplines, there has been little recognition that there is a common subject matter. The conference on which this volume is based brought together interested thinkers across the disciplines of linguistics, philosophy, psychology, and computer science to exchange ideas, discuss a range of questions and approaches to the topic, consider alternative research strategies and methodologies, and formulate interdisciplinary hypotheses concerning lexical organization. The essay subjects discussed include: * alternative and complementary conceptions of the structure of the lexicon, * the nature of semantic relations and of polysemy, * the relation between meanings, concepts, and lexical organization, * critiques of truth-semantics and referential theories of meaning, * computational accounts of lexical information and structure, and * the advantages of thinking of the lexicon as ordered.
Fernand Léger
Author: Matthew Affron
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 56
Book Description
Between 1912 and 1914, Fernand Léger executed a large cycle of works known as the Contrasts of Forms. The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). The Contrasts of Forms are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art. Curated by Léger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections. Fernand Léger: Contrasts of Forms was presented at the University of Virginia Art Museum from January 19 to March 18, 2007, and will be at the Fogg Art Museum, Harvard University Art Museums, from April 14 to June 10, 2007. The full-color catalogue features two essays. Affron examines the logic of the Contrasts of Forms and the importance of this cycle in shaping the character of Léger's art. Maria Gough (Stanford University) focuses on the drawings and on Léger's notion of abstraction.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 56
Book Description
Between 1912 and 1914, Fernand Léger executed a large cycle of works known as the Contrasts of Forms. The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). The Contrasts of Forms are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art. Curated by Léger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections. Fernand Léger: Contrasts of Forms was presented at the University of Virginia Art Museum from January 19 to March 18, 2007, and will be at the Fogg Art Museum, Harvard University Art Museums, from April 14 to June 10, 2007. The full-color catalogue features two essays. Affron examines the logic of the Contrasts of Forms and the importance of this cycle in shaping the character of Léger's art. Maria Gough (Stanford University) focuses on the drawings and on Léger's notion of abstraction.
Patterns in Contrast
Author: Jarle Ebeling
Publisher: John Benjamins Publishing
ISBN: 9027271623
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
Combining the fields of phraseology and contrastive analysis, this book describes how patterns, defined as recurrent word-combinations with semantic unity, behave cross-linguistically. As the contrastive approach adopted in the book relies on translations and a bidirectional corpus model, the first part offers an in-depth discussion of contrastive linguistics, with special emphasis on using translations as tertium comparationis and a parallel corpus as the main source of material. Central to the contrastive analysis is the use of corpus-linguistic methods in the identification of patterns, while a deeper understanding of the phraseological nature of the patterns is closely related to the concept of extended units of meaning. The second part of the book presents five case studies, using an easy-to-follow step-by-step method to illustrate the phraseological-contrastive approach at work. The studies show that patterns weave an intricate web of meanings across languages and demonstrate the potential of exploring patterns in contrast.
Publisher: John Benjamins Publishing
ISBN: 9027271623
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
Combining the fields of phraseology and contrastive analysis, this book describes how patterns, defined as recurrent word-combinations with semantic unity, behave cross-linguistically. As the contrastive approach adopted in the book relies on translations and a bidirectional corpus model, the first part offers an in-depth discussion of contrastive linguistics, with special emphasis on using translations as tertium comparationis and a parallel corpus as the main source of material. Central to the contrastive analysis is the use of corpus-linguistic methods in the identification of patterns, while a deeper understanding of the phraseological nature of the patterns is closely related to the concept of extended units of meaning. The second part of the book presents five case studies, using an easy-to-follow step-by-step method to illustrate the phraseological-contrastive approach at work. The studies show that patterns weave an intricate web of meanings across languages and demonstrate the potential of exploring patterns in contrast.
The Principles of Harmony and Contrast of Colours
Author: M. Chevreul
Publisher: BoD – Books on Demand
ISBN: 3382153513
Category : Fiction
Languages : en
Pages : 518
Book Description
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Publisher: BoD – Books on Demand
ISBN: 3382153513
Category : Fiction
Languages : en
Pages : 518
Book Description
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The laws of contrast of colour, tr. by J. Spanton
Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category :
Languages : en
Pages : 274
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 274
Book Description
The Principles of Harmony and Contrast of Colours, and Their Applications to the Arts
Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 544
Book Description
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 544
Book Description
German and Dutch in Contrast
Author: Gunther Vogelaer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110669463
Category : Foreign Language Study
Languages : en
Pages : 409
Book Description
Designed as a contribution to contrastive linguistics, the present volume brings up-to-date the comparison of German with its closest neighbour, Dutch, and other Germanic relatives like English, Afrikaans, and the Scandinavian languages. It takes its inspiration from the idea of a "Germanic Sandwich", i.e. the hypothesis that sets of genetically related languages diverge in systematic ways in diverse domains of the linguistic system. Its contributions set out to test this approach against new phenomena or data from synchronic, diachronic and, for the first time in a Sandwich-related volume, psycholinguistic perspectives. With topics ranging from nickname formation to the IPP (aka 'Ersatzinfinitiv'), from the grammaticalisation of the definite article to /s/-retraction, and from the role of verb-second order in the acquisition of L2 English to the psycholinguistics of gender, the volume appeals to students and specialists in modern and historical linguistics, psycholinguistics, translation studies, language pedagogy and cognitive science, providing a wealth of fresh insights into the relationships of German with its closest relatives while highlighting the potential inherent in the integration of different methodological traditions.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110669463
Category : Foreign Language Study
Languages : en
Pages : 409
Book Description
Designed as a contribution to contrastive linguistics, the present volume brings up-to-date the comparison of German with its closest neighbour, Dutch, and other Germanic relatives like English, Afrikaans, and the Scandinavian languages. It takes its inspiration from the idea of a "Germanic Sandwich", i.e. the hypothesis that sets of genetically related languages diverge in systematic ways in diverse domains of the linguistic system. Its contributions set out to test this approach against new phenomena or data from synchronic, diachronic and, for the first time in a Sandwich-related volume, psycholinguistic perspectives. With topics ranging from nickname formation to the IPP (aka 'Ersatzinfinitiv'), from the grammaticalisation of the definite article to /s/-retraction, and from the role of verb-second order in the acquisition of L2 English to the psycholinguistics of gender, the volume appeals to students and specialists in modern and historical linguistics, psycholinguistics, translation studies, language pedagogy and cognitive science, providing a wealth of fresh insights into the relationships of German with its closest relatives while highlighting the potential inherent in the integration of different methodological traditions.
The Principles of Harmony and Contrast of Colours ... Translated ... by Charles Martel. Third edition, illustrated
Author: Michel Eugène CHEVREUL
Publisher:
ISBN:
Category :
Languages : en
Pages : 570
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 570
Book Description