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Author: J. B. Bullen
Publisher: OUP Oxford
ISBN: 0191541907
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
Continental Crosscurrents is a series of case studies reflecting British attitudes to continental art during the nineteenth and the early twentieth centuries. It stresses the way in which the British went to the continent in their search for origins or their pursuit of sources of purity and originality. This cult of the primitive took many forms; it involved a reassessment of medieval German and Italian art and offered new ways of interpreting Venetian painting; it opened up new readings of architectural history and the 'discovery' of the Romanesque; it generated a debate about the value of returning to religious subjects in art and it raised the question of the relationship between modern art and Byzantine art in the early twentieth century. J. B. Bullen's original study presents some exciting findings. Few critics have noticed how much in advance of his time was Coleridge's passion for medieval art; Ruskin's debt in the Stones of Venice to Victor Hugo's Notre Dame de Paris has hardly been noted, and Browning's involvement with the debate on the morality of Christian art is explored more extensively than previously. Three chapters are devoted to the role of British criticism in identifying the Romanesque style in architecture and differentiating it from the Gothic. They trace the concept as it arose in criticism at the beginning of the nineteenth century; its employment in the remarkable buildings of Edmund Sharpe and Sara Losh and the way in which it reached a climax in Waterhouse's enigmatic choice of Romanesque for the Natural History Museum in London. The collection concludes with two continental episodes from the history of modernism. One is the explosive British reaction to the primitivism of Gauguin; the other involves the identifying of one of the characters in D. H. Lawrence's novel Women in Love. Curious evidence suggests that the malevolent figure of Loerke was based on a German sculptor whom Lawrence met in Italy before the First World War.
Author: J. B. Bullen
Publisher: OUP Oxford
ISBN: 0191541907
Category : Literary Criticism
Languages : en
Pages : 308
Get Book Here
Book Description
Continental Crosscurrents is a series of case studies reflecting British attitudes to continental art during the nineteenth and the early twentieth centuries. It stresses the way in which the British went to the continent in their search for origins or their pursuit of sources of purity and originality. This cult of the primitive took many forms; it involved a reassessment of medieval German and Italian art and offered new ways of interpreting Venetian painting; it opened up new readings of architectural history and the 'discovery' of the Romanesque; it generated a debate about the value of returning to religious subjects in art and it raised the question of the relationship between modern art and Byzantine art in the early twentieth century. J. B. Bullen's original study presents some exciting findings. Few critics have noticed how much in advance of his time was Coleridge's passion for medieval art; Ruskin's debt in the Stones of Venice to Victor Hugo's Notre Dame de Paris has hardly been noted, and Browning's involvement with the debate on the morality of Christian art is explored more extensively than previously. Three chapters are devoted to the role of British criticism in identifying the Romanesque style in architecture and differentiating it from the Gothic. They trace the concept as it arose in criticism at the beginning of the nineteenth century; its employment in the remarkable buildings of Edmund Sharpe and Sara Losh and the way in which it reached a climax in Waterhouse's enigmatic choice of Romanesque for the Natural History Museum in London. The collection concludes with two continental episodes from the history of modernism. One is the explosive British reaction to the primitivism of Gauguin; the other involves the identifying of one of the characters in D. H. Lawrence's novel Women in Love. Curious evidence suggests that the malevolent figure of Loerke was based on a German sculptor whom Lawrence met in Italy before the First World War.
Author: Anne-Marie Millim
Publisher: Routledge
ISBN: 1317012615
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
In her examination of neglected diaristic texts, Anne-Marie Millim expands the field of Victorian diary criticism by complicating the conventional notion of diaries as mainly private sources of biographical information. She argues that for Elizabeth Rigby Eastlake, Henry Crabb Robinson, George Eliot, George Gissing, John Ruskin, Edith Simcox and Gerard Manley Hopkins, the exposure or publication of their diaries was a real possibility that they either coveted or feared. Millim locates the diary at the intersection of the public and private spheres to show that well-known writers and public figures of both sexes exploited the diary's self-reflexive, diurnal structure in order to enhance their creativity and establish themselves as authors. Their object was to manage, rather than to indulge or repress, their emotions for the purposes of perfecting their observational and critical skills. Reading these diaries as literary works in their own right, Millim analyses their crucial role in the construction of authorship. By relating these Victorian writers' diaries to their publications and to contemporary works of cultural criticism, Millim shows the multifarious ways in which diaristic practices, emotional management and professional output corresponded to experiences of the literary marketplace and to nineteenth-century codes of propriety.
Author: Keith Wilson
Publisher: John Wiley & Sons
ISBN: 1118398513
Category : Literary Criticism
Languages : en
Pages : 503
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Book Description
Through original essays from a distinguished team of international scholars and Hardy specialists, A Companion to Thomas Hardy provides a unique, one-volume resource, which encompasses all aspects of Hardy's major novels, short stories, and poetry Informed by the latest in scholarly, critical, and theoretical debates from some of the world's leading Hardy scholars Reveals groundbreaking insights through examinations of Hardy’s major novels, short stories, poetry, and drama Explores Hardy's work in the context of the major intellectual and socio-cultural currents of his time and assesses his legacy for subsequent writers
Author: Johannes van den Berg
Publisher: BRILL
ISBN: 9004476504
Category : History
Languages : en
Pages : 300
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Book Description
The religious history of seventeenth- and eighteenth-century Protestantism was marked by a twofold movement. On the one hand there were attempts to consolidate and, if necessary, to reaffirm the heritage of the Reformation; on the other hand, we meet a growing critical evaluation of the legacy of mainstream orthodox thought, which could lead to a process of gradual renewal and reorientation, but also to forms of more radical and controversial criticism. Conservative as well as critical tendencies can be discerned in the religious landscape on both sides of the North Sea. In spite of differences in the historical framework and spiritual culture, the developments in Great-Britain and on the Continent often present remarkable parallels, and the water of the North Sea was not too deep for creative interaction. This volume contains a number of essays which deal with various aspects of English and Dutch church history and theology in the seventeenth and eighteenth centuries. Special attention is given to the problems surrounding the Calvinist doctrine of predestination; to English Puritanism and its impact on the Netherlands; to Jewish-Christian relations and polemics in the seventeenth century; to seventeenth-century millenarianism, in particular in the circle of the Cambridge Platonists; to the attitute of Dutch Reformed theologians to the Church of England, to eighteenth-century English and Dutch orientalist studies and to the development of enlightened ideas in the circles of English and Dutch Protestantism.
Author: AA.VV.
Publisher: Kermes
ISBN: 8894268381
Category : Art
Languages : en
Pages : 156
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Book Description
Foreword Philippe Jockey INTRODUCTION L'éclat: the scientific challenges of an extinguished brilliance Philippe Jockey THE VOCABULARY OF LIGHT REFLECTED All that glitters is not gold... Clarisse Prêtre Matte surfaces: meaning for audiences of 18th-century pastel portraits and the implications for their care today Thea Burns Brilliance and the imprint: Roman mural painting, an architectural epidermis Maud Mulliez The eternal life of the painting: obliteration versus the brilliance of the artist's genius Ana González Mozo ANCIENT, MODERN AND CONTEMPORARYS TAGINGS OF ÉCLAT AND ITS ERASURE Architecture and the radiance of Greek sculpture Sophie Montel Colour, radiance and meaning. A semiological perspective on Greek Archaic Korai Anthony Mathé Technology in the arts, humanities and cultural heritage Franz Fischnaller Ritual practices of 'preservative' obliteration in the Iron Age. An archaeological perspective on the choice of colours and materials Mario Denti De-gild, re-gild, erase. The decorations of Paleo-Christian churches (4th-6th century). The morals of religion and the political discourse of erasure and obliteration – the role of materials Elisabetta Neri "A world of material splendour". Walter Pater and the paradox of Greek sculptural polychromy Charlotte Ribeyrol "A world of material splendour". Walter Pater and the paradox of Greek sculptural polychromy Charlotte Ribeyrol POST SCRIPTA Some reflections on éclat and its erasure. The perspective of a restorer and translator Helen Glanville The luminous materials of the divine Claudio Seccaroni Cronache del restauro Il Gabinetto in "cuoio dorato" della Villa Reale di Monza. Provenienza, analisi e restauro Sofia Incarbone Un inedito duplice bozzetto di Joseph Mallord William Turner Roberta Lapucci, Leonardo Borgioli Il Ritratto del Conte Antonio Porcìa di Tiziano e i suoi restauri Andrea Carini Il restauro di Modulo bianco a tripla struttura di Vanna Nicolotti Lodovica Picciolli, LuciaVanghi La ricerca Valorizzazione e conservazione del patrimonio fotografico. Intervento di conservazione in "cold storage" di materiali sensibili su pellicola Letizia Montalbano, Annalisa Lusuardi, Emanuela Sesti Metodologia di studio per il restauro di un abito del XVII secolo. Riscoperto a Milano un capolavoro d'arte suntuaria Francesco Pertegato
Author: United States. Congress. Senate. Foreign Relations
Publisher:
ISBN:
Category :
Languages : en
Pages : 1264
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Book Description
Author: United States. Congress. Senate. Committee on Foreign Relations
Publisher:
ISBN:
Category : Foreign agents
Languages : en
Pages : 176
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Book Description
Author: United States. Congress. Senate. Committee on Foreign Relations
Publisher:
ISBN:
Category : Foreign agents
Languages : en
Pages : 2086
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Book Description
Author: Mark Charlton
Publisher: Scarborough, Ont. : Nelson Canada
ISBN:
Category : History
Languages : en
Pages : 580
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Book Description
Author: Jody Griffith
Publisher: State University of New York Press
ISBN: 143847833X
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Although Victorian novels often feature lengthy descriptions of the buildings where characters live, work, and pray, we may not always notice the stories these buildings tell. But when we do pay attention, we find these buildings offer more than evocative background settings. Victorian Structures uses the architectural writings of Victorian critic John Ruskin as a framework for examining the interaction of physical, social, and narrative structures in Little Dorrit by Charles Dickens, Adam Bede by George Eliot, and The Mayor of Casterbridge and Jude the Obscure by Thomas Hardy. By closely reading their descriptions of architectural structure, this book reconsiders structure itself—both the social structures the novels reflect, and the narrative structures they employ. Weaving together analysis of these three kinds of structure offers an interpretation of Victorian realism that is far more socially and formally unstable than critics have tended to assume. It illustrates how these novels radically critique the limitations, dysfunctions, and deceptions of structure, while also imagining alternative possibilities. This unique interdisciplinary approach emphasizes structure-in-time: while current conversations about structure focus on its static and fixed properties, this book understands it as various forces in tension, producing meanings that are always in flux. Victorian Structures focuses not only on the way structures shape our perceptions and experiences, but also, more importantly, on the processes through which those structures come to be constructed in the first place, and how they change over time.
