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Author: Hersh Zeifman
Publisher: Springer
ISBN: 1349108197
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
This book focuses exclusively on the exciting and provocative plays produced in England in the last two decades. The primary aim of the collection is to celebrate the truly remarkable range of British drama since 1970, by examining the work of fourteen important and representative playwrights. This emphasis on range applies not only to the dramatists chosen for inclusion but to the critics as well - specifically to the diversity of critical methodology demonstrated in their essays.
Author: Hersh Zeifman
Publisher: Springer
ISBN: 1349108197
Category : Literary Criticism
Languages : en
Pages : 361
Get Book Here
Book Description
This book focuses exclusively on the exciting and provocative plays produced in England in the last two decades. The primary aim of the collection is to celebrate the truly remarkable range of British drama since 1970, by examining the work of fourteen important and representative playwrights. This emphasis on range applies not only to the dramatists chosen for inclusion but to the critics as well - specifically to the diversity of critical methodology demonstrated in their essays.
Author: Hersh Zeifman
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 376
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Book Description
Contemporary British Drama, 1970-90 focuses exclusively on the exciting and provocative plays produced in England in the last two decades - a period that has received relatively little critical attention. The primary aim of the collection is to celebrate the truly remarkable range of British drama since 1970, by examining the work of fourteen important and representative playwrights. This emphasis on range applies not only to the dramatists chosen for inclusion but to the critics as well - specifically to the diversity of critical methodology demonstrated in their essays, from thematic study to spectator response theory to semiotics to structuralism to performance theory.
Author: David Krasner
Publisher: John Wiley & Sons
ISBN: 1118893271
Category : Literary Criticism
Languages : en
Pages : 608
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Book Description
A History of Modern Drama: Volume II explores a remarkable breadth of topics and analytical approaches to the dramatic works, authors, and transitional events and movements that shaped world drama from 1960 through to the dawn of the new millennium. Features detailed analyses of plays and playwrights, examining the influence of a wide range of writers, from mainstream icons such as Harold Pinter and Edward Albee, to more unorthodox works by Peter Weiss and Sarah Kane Provides global coverage of both English and non-English dramas – including works from Africa and Asia to the Middle East Considers the influence of art, music, literature, architecture, society, politics, culture, and philosophy on the formation of postmodern dramatic literature Combines wide-ranging topics with original theories, international perspective, and philosophical and cultural context Completes a comprehensive two-part work examining modern world drama, and alongside A History of Modern Drama: Volume I, offers readers complete coverage of a full century in the evolution of global dramatic literature.
Author: James Acheson
Publisher: Springer
ISBN: 1349227625
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
The fifteen essays in this collection, published here for the first time, survey the work of some of the major British and Irish dramatists since 1960. Included are four dramatists - Samuel Beckett, Harold Pinter, Peter Shaffer and Peter Nichols - who began writing plays before 1960, and whose work since then has continued to develop interestingly. Most of the dramatists considered here, however, are those who have begun writing more recently, and who illustrate some of the distinctive characteristics of British and Irish drama of our time.
Author: Randall Martin
Publisher: University of Toronto Press
ISBN: 1442641746
Category : Literary Collections
Languages : en
Pages : 345
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Book Description
The relationship between modern drama and Shakespeare remains intense and fruitful, as Shakespearian themes continue to permeate contemporary plays, films, and other art-forms. Shakespeare/Adaptation/Modern Drama is the first book-length international study to examine the critical and theatrical connections among these fields, including the motivations, methods, and limits of adaptation in modern performance media. Top scholars including Peter Holland, Alexander Leggatt, Brian Parker, and Stanley Wells examine such topics as the relationship between Shakespeare and modern drama in the context of current literary theories and historical accounts of adaptive and appropriative practices. Among the diverse and intriguing examples studied are the authorial self-adaptations of Tom Stoppard and Tennessee Williams, and the generic and political appropriations of Shakespeare's texts in television, musical theatre, and memoir. This illuminating and theoretically astute tribute to Renaissance and modern drama scholar Jill Levenson will stimulate further research on the evolving adaptive and intertextual relationships between influential literary works and periods.
Author: Irving Brown (Consulting Bibliographer)
Publisher: Routledge
ISBN: 1136119086
Category : Performing Arts
Languages : en
Pages : 1344
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Book Description
An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Author: Mary F Brewer
Publisher: Liverpool University Press
ISBN: 183764246X
Category : Drama
Languages : en
Pages : 231
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Book Description
Focusing on dramatic works by contemporary British and American playwrights, in conjunction with feminist political and theoretical texts, this book discusses feminist constructions of the category "Woman".
Author: Michael Patterson
Publisher: Cambridge University Press
ISBN: 1139434993
Category : Drama
Languages : en
Pages : 252
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Book Description
This volume provides a theoretical framework for some of the most important play-writing in Britain in the second half of the twentieth century. Examining representative plays by Arnold Wesker, John Arden, Trevor Griffith, Howard Barker, Howard Brenton, Edward Bond, David Hare, John McGrath and Caryl Churchill, the author analyses their respective strategies for persuading audiences of the need for a radical restructuring of society. The book begins with a discussion of the way that theatre has been used to convey a political message. Each chapter is then devoted to an exploration of the engagement of individual playwrights with left-wing political theatre, including a detailed analysis of one of their major plays. Despite political change since the 1980s, political play-writing continues to be a significant element in contemporary play-writing, but in a very changed form.
Author: Hersh Zeifman
Publisher: Routledge
ISBN: 1135744459
Category : Performing Arts
Languages : en
Pages : 282
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Book Description
Learning that David Hare has written sixteen stage plays, eight collaborations, and eleven screenplays for film and television, one might be surprised by the fact that this leading English artist is not yet fifty years old. He was only twenty-two when his first play was performed by the Portable Theatre, and he was a major voice on the British stage before he was thirty. The present volume is the first major collection of essays devoted to Hare, and its editor, Hersh Zeifman, who is a professor at York University, Toronto, is well-qualified to assemble and supervise such a significant undertaking. As co-editor of the prestigious journal, Modern Drama, he has been exposed to all the major authors and topics of modem theatre and is ideally positioned to discern Hare's pivotal role on the contemporary stage.
Author: Valerie Barnes Lipscomb
Publisher: Springer
ISBN: 1137501693
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
This book is the first to examine age across the modern and contemporary dramatic canon, from Arthur Miller and Tennessee Williams to Paula Vogel and Doug Wright. All ages across the life course are interpreted as performance and performative both on page and on stage, including professional productions and senior-theatre groups. The common admonition "act your age" provides the springboard for this study, which rests on the premise that age is performative in nature, and that issues of age and performance crystallize in the theatre. Dramatic conventions include characters who change ages from one moment to the next, overtly demonstrating on stage the reiterated actions that create a performative illusion of stable age. Moreover, directors regularly cast actors in these plays against their chronological ages. Lipscomb contends that while the plays reflect varying attitudes toward performing age, as a whole they reveal a longing for an ageless self, a desire to present a consistent, unified identity. The works mirror prevailing social perceptions of the aging process as well as the tension between chronological age, physiological age, and cultural constructions of age.
