Contemporary Black Women Filmmakers and the Art of Resistance PDF Download
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Author: Christina N. Baker
Publisher: Black Performance and Cultural
ISBN: 9780814254998
Category : Performing Arts
Languages : en
Pages : 195
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Book Description
An analysis of the ways that contemporary Black women filmmakers engage in acts of resistance through their filmmaking.
Author: Christina N. Baker
Publisher: Black Performance and Cultural
ISBN: 9780814254998
Category : Performing Arts
Languages : en
Pages : 195
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Book Description
An analysis of the ways that contemporary Black women filmmakers engage in acts of resistance through their filmmaking.
Author: Christina N. Baker
Publisher: Rutgers University Press
ISBN: 197881335X
Category : Performing Arts
Languages : en
Pages : 175
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Book Description
Black women have long recognized the power of film for storytelling. For far too long, however, the cultural and historical narratives about film have not accounted for the contributions of Black women directors. This book remedies this omission by highlighting the trajectory of the culturally significant work of Black women directors in the United States, from the under-examined pioneers of the silent era, to the documentarians who sought to highlight the voices and struggles of Black women, and the contemporary Black women directors in Hollywood. Applying a Black feminist perspective, this book examines the ways that Black women filmmakers have made a way for themselves and their work by resisting the dominant cultural expectations for Black women and for the medium of film, as a whole.
Author: Jacqueline Bobo
Publisher: Routledge
ISBN: 1135225427
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
Black women film and video makers have been producing shorts, documentaries and films since the early part of this century. Unfortunately, not only has their work been overlooked by distributors, but critical reviews have been few and far between. Conceived to redress that omission, Black Women Film and Video Artists is the first comprehensive history and analysis of this genre. Gathered here are noted scholars and critics, as well as the film/video makers themselves who offer insight into the work of underexplored artists. The discussions range from pioneering to contemporary film makers and include artists such as Madeline Anderson, Monica Freeman, Jacqueline Shearer, Kathleen Collins, Julie Dash, Camille Billops, Zeinabu irene Davis, and Michelle Parkerson, among others. Contributors include: Jacqueline Bobo, Carmen Coustaut, Gloria J. Gibson, C.A. Griffith, Monique Guillory, Carol Munday Lawrence, O. Funmilayo Makarah, Ntongela Maselila, Jacqueline Shearer, P. Jane Splawn.
Author: Joachim Friedmann
Publisher: transcript Verlag
ISBN: 3839464862
Category : Social Science
Languages : en
Pages : 369
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Book Description
As the dominant narrative forms in the age of media convergence, films and games call for a transmedial perspective in narratology. Games allow a participatory reception of the story, bringing the transgression of the ontological boundary between the narrated world and the world of the recipient into focus. These diverse transgressions - medial and ontological - are the subject of this transdisciplinary compendium, which covers the subject in an interdisciplinary way from various perspectives: game studies and media studies, but also sociology and psychology, to take into account the great influence of storytelling on social discourses and human behavior.
Author: Christina N. Baker
Publisher: Rutgers University Press
ISBN: 1978813333
Category : Biography & Autobiography
Languages : en
Pages : 175
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Book Description
For far too long, the cultural and historical narratives about film have overlooked the contributions of Black women directors. This book remedies this omission by highlighting the trajectory of the culturally significant work of Black women directors in the U.S., from the under-examined pioneers of the silent era to the contemporary Black women directors in Hollywood.
Author: Kay Siebler
Publisher: Rowman & Littlefield
ISBN: 179363601X
Category : Social Science
Languages : en
Pages : 249
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Book Description
Black Women Shattering Stereotypes: A Streaming Revolution focuses on the work, voices, and perspectives of Black women in popular film and television. Kay Siebler argues that within the past five years, in response to the digital age and the number of racist stereotypes being purported in dominant culture, Black women creators are making entertainment media that fights back against these racist and sexist narratives and celebrates the realities of being Black and being a woman in today’s world. When Black women are behind the camera, writing, directing, and producing, Siebler finds, the representations of Black women change dramatically in empowering and important ways. Focusing on films and series produced since 2015 that are made by, for, and about Black women, Siebler analyzes the portrayals of Black women and their culture in Bessie, Self Made, Hidden Figures, Harriet, Insecure, Being Mary Jane, Twenties, and Chewing Gum, among others. Siebler intertwines these analyses with in-depth interviews with over one hundred Black women throughout the book, offering a variety of perspectives across the broad spectrum of demographics that are—and are not—being represented in mainstream media.
Author: Brandale N. Mills
Publisher: Routledge
ISBN: 0429890508
Category : Social Science
Languages : en
Pages : 137
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Book Description
This book offers a thorough analysis of how romantic love between Black men and women (referred to here as Black Love) is portrayed in Hollywood films, specifically from the perspective of Black female filmmakers. Using historical and contemporary images of Black female representation in the media as a foundation, the main themes of this text focus on the male gazes’ influence on Hollywood narratives, the necessity for the Black female perspective in Hollywood, and that perspective’s influence on ideologies and narratives.
Author: Christina N. Baker
Publisher: Univ. Press of Mississippi
ISBN: 1496831705
Category : Performing Arts
Languages : en
Pages : 114
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Book Description
Beginning with her critically acclaimed independent feature film Eve’s Bayou (1997), writer-director Kasi Lemmons’s mission has been to push the boundaries that exist in Hollywood. With Eve’s Bayou, her first feature film, Lemmons (b. 1961) accomplished the rare feat of creating a film that was critically successful and one of the highest-grossing independent films of the year. Moreover, the cultural impact of Eve’s Bayou endures, and in 2018 the film was added to the Library of Congress’s National Film Registry as a culturally, historically, or aesthetically significant film. Lemmons’s directing credits also include The Caveman’s Valentine, Talk to Me, Black Nativity, and, most recently, Harriet, making Lemmons one of the most prolific and long-standing women directors in Hollywood. As a black woman filmmaker and a self-proclaimed black feminist, Lemmons breaks the mold of what is expected of a filmmaker in Hollywood. She began her career in Hollywood as an actor, with roles in numerous television series and high-profile films, including Spike Lee’s School Daze and Jonathan Demme’s Academy Award–winning The Silence of the Lambs. This volume collects fifteen interviews that illuminate Lemmons’s distinctive ability to challenge social expectations through film and actualize stories that broaden expectations of cinematic black femaleness and maleness. The interviews reveal Lemmons’s passion to create art through film, intimately linked to her mission to protest culturally and structurally imposed limitations and push the boundaries imposed by Hollywood.
Author: Michele Meek
Publisher: Routledge
ISBN: 1351244299
Category : Art
Languages : en
Pages : 296
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Book Description
Independent Female Filmmakers collects original and previously published essays, interviews, and manifestos from some of the most defining and groundbreaking independent female filmmakers of the last 40 years. Featuring material from the seminal magazine The Independent Film and Video Monthly—a leading publication for independent filmmakers for several decades—as well as new interviews conducted with the filmmakers, this book, edited by Michele Meek, presents a unique perspective into the ethnically and culturally diverse voices of women filmmakers whose films span narrative, documentary, and experimental genres and whose work remains integral to independent film history from the 1970s to the present. Independent Female Filmmakers also includes a biographical profile of each filmmaker, as well as an online resource with links to additonal interviews and a sample course syllabus. The filmmakers in this book include: • Lisa Cholodenko (High Art, The Kids Are All Right) • Martha Coolidge (Valley Girl, Real Genius, Introducing Dorothy Dandridge) • Cheryl Dunye (The Watermelon Woman, Stranger Inside) • Miranda July (The Future, Me And You And Everyone We Know) • Barbara Kopple (Harlan County USA, Wild Man Blues) • Maria Maggenti (The Incredibly True Adventures of Two Girls in Love) • Deepa Mehta (Fire, Earth, Water) • Trinh T. Minh-ha (Surname Viet, Given Name Nam, Night Passage) . . . and more!
Author: Courtney Brannon Donoghue
Publisher: University of Texas Press
ISBN: 1477327320
Category : Performing Arts
Languages : en
Pages : 344
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Book Description
How female directors, producers, and writers navigate the challenges and barriers facing female-driven projects at each stage of filmmaking in contemporary Hollywood. Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. The Value Gap traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value” female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money” or “women can’t direct big-budget blockbusters” have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.
