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Author: Lydia Papadimitriou
Publisher: Traditions in World Cinema
ISBN: 9781474458443
Category : Motion pictures
Languages : en
Pages : 0
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Book Description
This edited collection examines post-2008 developments in Balkan cinema in terms of aesthetics and industry. It provides critical and comprehensive profiles of the cinematic output in each Balkan country, while stressing transnational links, global networks and cross-cultural exchanges.
Author: Lydia Papadimitriou
Publisher: Traditions in World Cinema
ISBN: 9781474458443
Category : Motion pictures
Languages : en
Pages : 0
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Book Description
This edited collection examines post-2008 developments in Balkan cinema in terms of aesthetics and industry. It provides critical and comprehensive profiles of the cinematic output in each Balkan country, while stressing transnational links, global networks and cross-cultural exchanges.
Author: Lydia Papadimitriou
Publisher:
ISBN: 9781474495219
Category : Motion pictures
Languages : en
Pages : 328
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Book Description
This edited collection examines post-2008 developments in Balkan cinema in terms of aesthetics and industry. It provides critical and comprehensive profiles of the cinematic output in each Balkan country, while stressing transnational links, global networks and cross-cultural exchanges.
Author: GRGIC
Publisher:
ISBN: 9789463728300
Category :
Languages : en
Pages :
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Book Description
- It is based on original archival research conducted in film archives and institutions in the Balkans and Europe and employs previously undiscovered archival materials and film footage. - It constitutes a transnational and multi-faceted examination of visual culture and early cinema development in the Balkan region and its relevance to world cinema at the time. - It comprises a first cultural study in the English language on early cinema history of the various countries in the Balkan region, which can serve as a departing point for further studies in early cinema, archives, film spectatorship and a point of reference which provides a useful context for studying later historical periods in Balkan cinemas.
Author: Dominique Nasta
Publisher: Columbia University Press
ISBN: 0231167458
Category : Performing Arts
Languages : en
Pages : 282
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Book Description
Over the last decade, audiences worldwide have become familiar with highly acclaimed films from the Romanian New Wave such as 4 Months, 3 Weeks and 2 Days (2007), The Death of Mr. Lazarescu (2005), and 12:08 East of Bucharest (2006). However, the hundred or so years of Romanian cinema leading to these accomplishments have been largely overlooked. This book is the first to provide in-depth analyses of essential works ranging from the silent period to contemporary productions. In addition to relevant information on historical and cultural factors influencing contemporary Romanian cinema, this volume covers the careers of daring filmmakers who approached various genres despite fifty years of Communist censorship. An important chapter is dedicated to Lucian Pintilie, whose seminal work, Reconstruction (1969), strongly inspired Romania's 21st-century innovative output. The book's second half closely examines both the 'minimalist' trend (Cristian Mungiu, Cristi Puiu, Corneliu Porumboiu, Radu Muntean) and the younger, but no less inspired, directors who have chosen to go beyond the 1989 revolution paradigm by dealing with the complexities of contemporary Romania.
Author: Michael Jon Stoil
Publisher: Ann Arbor, MI : UMI Research Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
Author: Sandra Barriales-Bouche
Publisher: Cambridge Scholars Publishing
ISBN: 1443807966
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
In the context of the transformations that Europe is undergoing, Zoom in, Zoom out: Crossing Borders in Contemporary European Cinema attempts to serve as a testimony to the multiple ways in which European filmmakers are questioning the many borders of the continent. European films have become a vital cultural space where the relationship between borders and identity is being renegotiated. The films discussed here self-consciously address the question of European identity while overtly crossing geographic, cultural, linguistic and aesthetic borders. While all the articles explore the crossing of borders in Contemporary European films, the volume maintains diverse themes and perspectives as subtopics. It includes articles not only about films that deal thematically with border-crossings, but also articles that examine movies that cross borders in genres and techniques. The articles have different theoretical approaches (Film theory, Cultural Studies, History, Sociology, Philosophy, and Psychoanalysis) and cover films from well-known cinematic traditions (French, Spanish, German, and Italian) as well as lesser-known cinematic traditions (Yugoslavian, Greek, and Irish). As a whole, the essays frame the self-conscious gesture by European filmmakers to define European cinema as a work-in-progress, or at the very least, as a project that, like Europe itself, raises as many questions as it answers. "This volume is a welcome addition to the growing critical literature on the evolution of the conception and practice of national cinema in Europe over the last two decades. Sandra Barriales-Bouche and Marjorie Attignol Salvodon have chosen a solid selection of representative case studies that reflects different critical approaches to the problem of maintaining local or national cinema production in Europe during a period of intense globalization. Their insightful introduction formulates the theme of “unsettled borders” and “renegotiated identities” that will resonate in the nine essays that follow. With a focus on the critical concept of these unsettled borders, the various authors explore the ways that the traditional mark of national space has been transformed through political and economic realignments as well as new technologies and the emergence of a new generation of filmmakers for whom national cinema no longer means what it did even twenty years ago. The volume provides a good balance of critical approaches that includes auteur studies, descriptions of state policies and the particular practices of filmmakers and producers in different parts of the continent (Spain, Germany, Ireland, the Balkans) and, finally, useful appendices that provide a close-up view of the complex nature of international co-productions." —Marvin D’Lugo, Professor of Spanish, Clark University "This is an interesting collection of essays that has been well conceived and organised. The standard of writing is high and I recommend publication. I particularly commend the conceptual framework underpinning the volume. This marries a cultural studies approach, which still dominates the study of film in Area Studies and language departments across Europe and the US (where filmic texts are increasingly used as teaching tools), with the more industry-based focus one tends to find adopted by Media and Screen Studies departments. Thus this collection will appeal to a wide range of students and academics. The introduction sets out the volume’s overarching framework cogently and clearly, giving a nuanced exploration of the way that the notion of the border can be used as a dynamic prism to help define and explore the limits of our understanding of Europe, European identity and European culture, within which cinema has long played a key role. The editors give a good account, for example, of the way film has been employed as a space to explore the possibilities of European integration by EU politicians as well as highlighting the flaws inherent within this project. They do, however, perhaps suggest a certain Western European/North American-centric view in their suggestion that the cinema of Yugoslavia, Greece or Ireland is somehow less well known than other national and transnational cinemas explored here. Less well known to whom? ... However, from the broad range of cinemas explored in the rest of the volume clearly this is not the case. Particular high points for me are the chapters on the work of Fatih Akin by Janis Little Solomon and John Davidson’s discussion of Schulze gets the Blues, as well as Olivier Asselin’s fascinating account of Database Cinema. This will be a good addition to scholarship on European film and I look forward to receiving my copy." —Professor Paul Cooke (University of Leeds)
Author: Michael Jon Stoil
Publisher: Ann Arbor, MI : UMI Research Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
Author: Pavle Levi
Publisher: Stanford University Press
ISBN: 9780804753685
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Disintegration in Frames explores the relationship between aesthetics and ideology in the Yugoslav and post-Yugoslav cinema, with emphasis on issues of nationalism, internationalism, and interethnic relations.
Author: Thanos Veremis
Publisher: Bloomsbury Publishing
ISBN: 1786731053
Category : History
Languages : en
Pages : 240
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Book Description
The history of the Balkans has been a distillation of the great and terrible themes of 20th century history-the rise of nationalism, communism, fascism, genocide, identity and war. Written by one of the leading historians of the region, this is a new interpretation of that history, focusing on the uses and legacies of nationalism in the Balkan region. In particular, Professor Veremis analyses the influence of the West-from the fall of the Ottoman Empire and the rise and collapse of Yugoslavia. Throughout the state-building process of Greece, Serbia, Rumania, Bulgaria and later, Albania, the West provided legal, administrative and political prototypes to areas bedevilled by competing irredentist claims. At a time when Slovenia, Rumania, Bulgaria and Croatia have become full members of the EU, yet some orphans of the Communist past are facing domestic difficulties, A Modern History of the Balkans seeks to provide an important historical context to the current problems of nationalism and identity in the Balkans.
Author: Robert D. Kaplan
Publisher: Macmillan + ORM
ISBN: 1466868309
Category : History
Languages : en
Pages : 439
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Book Description
From the assassination that triggered World War I to the ethnic warfare in Serbia, Bosnia, and Croatia, the Balkans have been the crucible of the twentieth century, the place where terrorism and genocide first became tools of policy. Chosen as one of the Best Books of the Year by The New York Times, and greeted with critical acclaim as "the most insightful and timely work on the Balkans to date" (The Boston Globe), Kaplan's prescient, enthralling, and often chilling political travelogue is already a modern classic. This new edition of Balkan Ghosts includes six opinion pieces written by Robert Kaplan about the Balkans between 1996 and 2000 beginning just after the implementation of the Dayton Peace Accords and ending after the conclusion of the Kosovo war, with the removal of Slobodan Milosevic from power.
