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Author: Susan McCulloch
Publisher: Allen & Unwin
ISBN: 9781865083056
Category : Art
Languages : en
Pages : 254
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Book Description
Foreword by Margo Neale Preface Introduction to Contemporary Aboriginal Art CENTRAL AND WESTERN DESERT Introduction Papunya Yuendumu Utopia Lajamanu Ernabella Hermannsburg Haasts Bluff THE KIMERBLEY Introduction Warmun Kalumburu Balgo Fitzroy Crossing ARNHEM LAND Introduction Gunbalanya (Oenpelli) Maningrida Ramingining Yirrkala Melville Island Bathurst Island Galiwin'ku (Elcho Island) Ngukurr URBAN AND NEW FORMS OF ART A Buyer's Guide Directory of Art Centres and Art Galleries Recommended Reading Endnotes Sources of Illustrations Index
Author: Susan McCulloch
Publisher: Allen & Unwin
ISBN: 9781865083056
Category : Art
Languages : en
Pages : 254
Get Book Here
Book Description
Foreword by Margo Neale Preface Introduction to Contemporary Aboriginal Art CENTRAL AND WESTERN DESERT Introduction Papunya Yuendumu Utopia Lajamanu Ernabella Hermannsburg Haasts Bluff THE KIMERBLEY Introduction Warmun Kalumburu Balgo Fitzroy Crossing ARNHEM LAND Introduction Gunbalanya (Oenpelli) Maningrida Ramingining Yirrkala Melville Island Bathurst Island Galiwin'ku (Elcho Island) Ngukurr URBAN AND NEW FORMS OF ART A Buyer's Guide Directory of Art Centres and Art Galleries Recommended Reading Endnotes Sources of Illustrations Index
Author: Henry F. Skerritt
Publisher: Yale University Press
ISBN: 0300214707
Category : Art
Languages : en
Pages : 230
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Book Description
"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."
Author: Jennifer Isaacs
Publisher: Hardie Grant
ISBN: 9781742701530
Category : History
Languages : en
Pages : 220
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Book Description
Spirit Country explores the vibrant contemporary Aboriginal art of northern and central Australia, with its diverse regional traditions – from the finely cross-hatched bark paintings of Arnhem Land to the mesmerising dotted canvases of the Central Desert, from the elaborate Pukumani poles of the Tiwi islands to the broad fields of ochre in contemporary works from the Kimberley. Jennifer Isaacs has been a close observer of the artistic renaissance across Aboriginal Australia since it began during the early 1970s. In Spirit Country she outlines the forces that propelled the movement’s initial upsurge and seeks the sources of its continuing vitality. Drawing on the rich resources of the Ganter Myer Collection of Contemporary Aboriginal Art, she traces the widening compass of the movement, and particularly the involvement of women artists, whose works have taken contemporary Aboriginal art in new directions. For the communities of the Central Desert, the Kimberley and Arnhem Land, art is both a much-needed source of income and a vital means of personal and collective expression. The art of these remote communities is intended to send a message to the wider world, to educate and enlighten outsiders about the artists’ religious thought and the continuing vitality of their cultures. Theirs is an artistic practice that comes from a conjunction of individual creativity, ancient art-making traditions and contemporary political struggles for land. While the extraordinary abstract qualities of these works have caught the eyes of the Western art world, for those who make them they are also religious documents, maps, personal histories and title deeds to land.
Author: Henry F. Skerritt
Publisher: Prestel
ISBN: 9783791355917
Category : Art
Languages : en
Pages : 0
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Book Description
A lively, in-depth look at nine women on the vanguard of Aboriginal Australian art. This book explores women artists who are at the forefront of the Aboriginal arts movement in Australia. Comprised of a series of illustrated essays, this book brings to life a wide array of artistic practices, each attempting to grapple with the most fundamental questions of existence. Written by leading art historians, anthropologists, curators, and other experts in the field, these essays provide a penetrating look at one of today's most dynamic artistic movements.
Author: Henry F. Skerritt
Publisher: Prestel
ISBN: 9783791358161
Category : ART
Languages : en
Pages : 0
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Book Description
"Traditionally used in Aboriginal funeral ceremonies, memorial poles have been transformed into compelling contemporary artworks. The memorial pole is made from the trunk of the Eucalyptus tetradonta, hollowed naturally by termites. When the bones of the deceased were placed inside, it signified the moment when the spirit had finally returned home--when they had left the "outside" world, and become one with the "inside" world of the ancestral realm. Today, these works of art have become a powerful symbol of Aboriginal culture's significance around the globe. The artists featured in the book--including John Mawurndjul, Djambawa Marawili, and Nyapanyapa Yunupingu--are some of Australia's most acclaimed contemporary artists. Taking their inspiration from ancient clan insignia, the designs on these poles are transformed in new and personal ways that offer a powerful reminder of the resilience and beauty of Aboriginal culture. This book features dazzling color images and impeccable scholarship and includes essays from some of the leading scholars in the field of Aboriginal art"--
Author: Ian McLean
Publisher: Power Publications, Sydney
ISBN: 9780909952372
Category : Art
Languages : en
Pages : 0
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Book Description
Chronicles the global critical reception of Aboriginal art since the early 1980s and argues for a re-evaluation of Aboriginal art's critical intervention into contemporary art.
Author: Marie Geissler
Publisher: Cambridge Scholars Publishing
ISBN: 9781527555464
Category : Bark painting
Languages : en
Pages : 220
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Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Author: Susan Lowish
Publisher: Routledge
ISBN: 1351049976
Category : Art
Languages : en
Pages : 292
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Book Description
This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term’s use through published literature in the late eighteenth, nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of "Aboriginal art" developed in the European imagination, manifested in early literature, and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement, this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art.
Author: Patrick Corbally Stourton
Publisher: Ben Uri Gallery & Museum
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
The art of the Australian Aborigines is widely recognised as being the oldest art form in the world, preceding that of the Americas and Europe by many centuries. For thousands of years, however, the only art forms practised by the Aborigines were rock painting and carving, bark painting, sand painting and body painting using natural ochres, wild desert cotton, charcoal and birds' down, often carried out as part of ceremonial activities. It was not until 1971 that the Aborigines of the Papunya Tula settlement in the deserts of the Northern Territory were introduced to methods of painting on canvas and board using modern materials. This book commemorates the twenty-fifth anniversary of the Papunya Tula painting movement - the birthplace of contemporary Aboriginal painting. The work of eighty Papunya Tula artists, including some of the best known Aboriginal painters - Clifford Possum Tjapaltjarri, Michael Nelson Tjakamarra and Tim Leura Tjapaltjarri - is illustrated in this book in two hundred full-colour reproductions which demonstrates the vibrancy and sophistication of the art. Patrick Corbally Stourton's introductory text examines the events which led to the birth of this extraordinary painting movement, and illuminates the mythology of Dreamings which lies behind every Aboriginal painting.
Author: Hetti Perkins
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
Featuring over 240 colour plates, this volume canvasses an extraordinary diverse range of Aboriginal art. The 27 essays by leading authorities and 13 interviews with key artists are accompanied by an extensive chronology.
