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Author: Roger White
Publisher: Bloomsbury Publishing USA
ISBN: 1620400960
Category : Art
Languages : en
Pages : 289
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Book Description
It's been nearly a century since Marcel Duchamp exhibited a urinal and called it art. Since then, painting has been declared dead several times over, and contemporary art has now expanded to include just about any object, action, or event: dance routines, slideshows, functional hair salons, seemingly random accretions of waste. In the meantime, being an artist has gone from a join-the-circus fantasy to a plausible vocation for scores of young people in America. But why--and how and by whom--does all this art get made? How is it evaluated? And for what, if anything, will today's artists be remembered? In The Contemporaries, Roger White, himself a young painter, serves as our spirited, skeptical guide through this diffuse creative world.From young artists trying to elbow their way in to those working hard at dropping out, White's essential book offers a once-in-a-generation glimpse of the inner workings of the American art world at a moment of unparalleled ambition, uncertainty, and creative exuberance.
Author: Roger White
Publisher: Bloomsbury Publishing USA
ISBN: 1620400960
Category : Art
Languages : en
Pages : 289
Get Book Here
Book Description
It's been nearly a century since Marcel Duchamp exhibited a urinal and called it art. Since then, painting has been declared dead several times over, and contemporary art has now expanded to include just about any object, action, or event: dance routines, slideshows, functional hair salons, seemingly random accretions of waste. In the meantime, being an artist has gone from a join-the-circus fantasy to a plausible vocation for scores of young people in America. But why--and how and by whom--does all this art get made? How is it evaluated? And for what, if anything, will today's artists be remembered? In The Contemporaries, Roger White, himself a young painter, serves as our spirited, skeptical guide through this diffuse creative world.From young artists trying to elbow their way in to those working hard at dropping out, White's essential book offers a once-in-a-generation glimpse of the inner workings of the American art world at a moment of unparalleled ambition, uncertainty, and creative exuberance.
Author: Oscar George Theodore Sonneck
Publisher: New York : G. Schirmer
ISBN:
Category :
Languages : en
Pages : 278
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Book Description
Author: Joseph R. Urgo
Publisher: Univ. Press of Mississippi
ISBN: 1604730587
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Although he spent the bulk of his life in Oxford, Mississippi-far removed from the intellectual centers of modernism and the writers who created it—William Faulkner (1897–1962) proved to be one of the American novelists who most comprehensively grasped modernism. In his fiction he tested its tenets in the most startling and insightful ways. What, then, did such contemporaries as Ernest Hemingway, Eudora Welty, and Walker Evans think of his work? How did his times affect and accept what he wrote? Faulkner and His Contemporaries explores the relationship between the Nobel laureate, ensconced in his “postage stamp of native soil,” and the world of letters within which he created his masterpieces. In this anthology, essays focus on such topics as how Faulkner's literary antecedents (in particular, Willa Cather and Joseph Conrad) influenced his writing, his literary/aesthetic feud with rival Ernest Hemingway, and the common themes he shares with fellow southerners Welty and Evans. Several essays examine the environment in which Faulkner worked. Deborah Clarke concentrates on the rise of the automobile industry. W. Kenneth Holditch shows how the city of New Orleans acted as a major force in Faulkner's fiction, and Grace Elizabeth Hale examines how the civil rights era of Faulkner's later career compelled him to deal with his ideas about race and rebellion in new ways.
Author: C.A. Evans
Publisher: BRILL
ISBN: 9004332782
Category : Religion
Languages : en
Pages : 548
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Book Description
The first part of this book attempts to situate Jesus in his historical and cultural context through comparisons with the prayers, parables, prophecies, and miracles attributed to various Jewish figures of Palestine who are Jesus' near contemporaries. It is concluded that Jesus' teachings and activities do not represent a radical break with the piety and restorative hopes of many of his contemporaries. This conclusion stands in tension with some of the recent Jesus research, especially emanating from the Jesus Seminar, which tends to view Jesus as a Stoic or Cynic philosopher with little interest in the restoration of Israel and the fulfilment of prophecy. The second part of the book explores the aims of Jesus and the factors that led to Jesus' death. This publication has also been published in paperback, please click here for details.
Author: Charles Phillips
Publisher:
ISBN:
Category : Lawyers
Languages : en
Pages : 464
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Book Description
Author: Warren Montag
Publisher: Duke University Press
ISBN: 0822354004
Category : Philosophy
Languages : en
Pages : 257
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Book Description
Althusser and His Contemporaries alters and expands understanding of Louis Althusser and French philosophy of the 1960s and 1970s. Thousands of pages of previously unpublished work from different periods of Althusser's career have been made available in French since his death in 1990. Based on meticulous study of the philosopher's posthumous publications, as well as his unpublished manuscripts, lecture notes, letters, and marginalia, Warren Montag provides a thoroughgoing reevaluation of Althusser's philosophical project. Montag shows that the theorist was intensely engaged with the work of his contemporaries, particularly Foucault, Derrida, Deleuze, and Lacan. Examining Althusser's philosophy as a series of encounters with his peers' thought, Montag contends that Althusser's major philosophical confrontations revolved around three themes: structure, subject, and beginnings and endings. Reading Althusser reading his contemporaries, Montag sheds new light on structuralism, poststructuralism, and the extraordinary moment of French thought in the 1960s and 1970s.
Author: Peter William Clayden
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 488
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Book Description
Author: Tim Carter
Publisher: Taylor & Francis
ISBN: 1040246648
Category : History
Languages : en
Pages : 271
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Book Description
This collection of reprinted essays takes the trends of the author's Music, Patronage and Printing in Late Renaissance Florence (also in the 'Variorum' series) in a somewhat different direction. If the focus there was primarily on archival documents, here it is on the actual music. The starting-point is similar - the rise of the 'new music' for solo voice and basso continuo in late sixteenth- and early seventeenth-century Florence, in particular the songs of Giulio Caccini. But it moves on to broader aesthetic issues crystallized in contemporary theoretical debate and musical practice - not least the rise of aria-based styles - and concludes with a series of studies of Claudio Monteverdi's works for the theatre, including the operas Il ritorno d'Ulisse in patria (1640) and the ever-problematic L'incoronazione di Poppea (1643).
Author: Dominic Parviz Brookshaw
Publisher: Bloomsbury Publishing
ISBN: 1786735881
Category : Poetry
Languages : en
Pages : 392
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Book Description
Despite his towering presence in premodern Persian letters, Shams al-Din Muhammad Hafiz of Shiraz (d. 1390) remains an elusive and opaque character for many. In order to look behind the hyperbole that surrounds Hafiz's poetry and penetrate the quasi-hagiographical film that obscures the poet himself, this book attempts a contextualisation of Hafiz that is at once socio-political, historical, and literary. Here, Hafiz's ghazals (short, monorhyme, broadly amorous lyric poems) are read comparatively against similar texts composed by his less-studied rivals in the hyper competitive, imitative, and profoundly intertextual environment of fourteenth-century Shiraz. By bringing Hafiz's lyric poetry into productive, detailed dialogue with that of the counterhegemonic satirist, 'Ubayd Zakani (d. 1371), and the marginalised Jahan-Malik Khatun (d. after 1391; the most prolific female poet of premodern Iran), our received understanding of this most iconic of stages in the development of the Persian ghazal is disrupted, and new avenues for literary exploration open up. Looking beyond the particular milieu of Shiraz, this study re-assesses Hafiz's place in the Persian poetic canon through reading his poems alongside those produced by professional poets in other major centres of Persian literary activity who enjoyed comparable fame in the fourteenth century. Recognising the aesthetic achievements of his contemporaries does not diminish the splendour of Hafiz's, rather it forces us to accept that Hafiz was but one member of a band of poets who jostled for the limelight in competing, often intersecting, patronage and reception networks that facilitated intense cultural exchange between the cities of post-Mongol Iran and Iraq. Hafiz's ghazals, characterised as they are by conscious and deliberate hybridity, ambiguity, and polysemy, are products of a creative mind bent on experimenting with genre. While in no way seeking to deny the mystical stratum of the Persian ghazal in its fourteenth-century manifestation, this study emphasises the courtly and profane dimensions of the form, and regards Hafiz through a sober lens with keen attention to his dynamic role at the heart of a vibrant poetic community that was at once both fiercely local and boldly cosmopolitan.
Author: David C. Sim
Publisher: A&C Black
ISBN: 056704453X
Category : Religion
Languages : en
Pages : 221
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Book Description
A comprehensive comparison of the author of Matthew's Gospel with a selection of contemporary Christian authors and/or texts.
