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Author: A. Vardy
Publisher: Springer
ISBN: 0230283098
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
Constructing Coleridge examines Coleridge's penchant for re-invention and carefully demonstrates how the Coleridge family editors followed his lead in constructing his posthumous reputation. Following his death in 1834, the family editors faced immediate scandals and sought to construct the Coleridge they preferred in these trying circumstances.
Author: A. Vardy
Publisher: Springer
ISBN: 0230283098
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
Constructing Coleridge examines Coleridge's penchant for re-invention and carefully demonstrates how the Coleridge family editors followed his lead in constructing his posthumous reputation. Following his death in 1834, the family editors faced immediate scandals and sought to construct the Coleridge they preferred in these trying circumstances.
Author: P. Swaab
Publisher: Springer
ISBN: 1137011602
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
This book explores Sara Coleridge's critical intelligence and theoretical reach. It shows her in various critical guises: editing works by her father, Samuel Taylor Coleridge, commenting on her own poetry and prose, and writing diversely brilliant criticism of classical and English literature.
Author: J. Mays
Publisher: Springer
ISBN: 1137350237
Category : Literary Criticism
Languages : en
Pages : 492
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Book Description
Coleridge has been perceived as the youthful author of a few brilliant poems. This study argues that his poetry is actually a continuous process of experimentation and provides a new perspective on both familiar and unfamiliar poems, as well as the relation between Coleridge's poetry and philosophical thinking.
Author: Adam Nicolson
Publisher: Farrar, Straus and Giroux
ISBN: 0374721270
Category : Literary Criticism
Languages : en
Pages : 457
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Book Description
Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them before June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.
Author: Samuel Coleridge
Publisher: HarperCollins
ISBN: 1443442216
Category : Poetry
Languages : en
Pages : 12
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Book Description
Though left uncompleted, “Kubla Khan” is one of the most famous examples of Romantic era poetry. In it, Samuel Coleridge provides a stunning and detailed example of the power of the poet’s imagination through his whimsical description of Xanadu, the capital city of Kublai Khan’s empire. Samuel Coleridge penned “Kubla Khan” after waking up from an opium-induced dream in which he experienced and imagined the realities of the great Mongol ruler’s capital city. Coleridge began writing what he remembered of his dream immediately upon waking from it, and intended to write two to three hundred lines. However, Coleridge was interrupted soon after and, his memory of the dream dimming, was ultimately unable to complete the poem. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Author: Marjorie Stone
Publisher: Univ of Wisconsin Press
ISBN: 9780299217648
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
This innovative collection challenges the traditional focus on solitary genius by examining the rich diversity of literary couplings and collaborations from the early modern to the postmodern period. Literary Couplings explores some of the best-known literary partnerships—from the Sidneys to Boswell and Johnson to Sylvia Plath and Ted Hughes—and also includes lesser-known collaborators such as Daphne Marlatt and Betsy Warland. The essays place famous authors such as Samuel Coleridge, Oscar Wilde, and William Butler Yeats in new contexts; reassess overlooked members of writing partnerships; and throw new light on texts that have been marginalized due to their collaborative nature. By integrating historical studies with authorship theory, Literary Couplings goes beyond static notions of the writing "couple" to explore literary couplings created by readers, critics, historians, and publishers as well as by writers themselves, thus expanding our understanding of authorship.
Author:
Publisher: Oxford University Press
ISBN: 0192536338
Category : Literary Criticism
Languages : en
Pages : 785
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Book Description
The Oxford Handbook of Lord Byron offers the latest in critical thinking about the poet that defined the Romantic era across Europe and beyond. The volume presents forty-four groundbreaking essays that enable readers to assess Lord Byron's central position in Romantic traditions and his profound and far-reaching influence on British, European, and world culture. The chapters are organized into five sections-'Works', 'Biographical Contexts', 'Literary and Cultural Contexts', 'Afterlives', and 'Reading Byron Now'-that guide readers through the most important issues and frameworks for interpreting Byron. 'Works' presents original readings of Byron's key works and many of his lesser-known ones, giving space to extensive studies of his great epic, Don Juan, and the poem that brought him fame, Childe Harold's Pilgrimage. 'Biographical Contexts' invites readers to consider Byron's life through key themes and patterns. 'Literary and Cultural Contexts' sets out the most important intellectual traditions from which Byron's work emerged and in which it developed. 'Afterlives' shows readers the extent of Byron's influence on literature, art, music, and politics in Europe and beyond. 'Reading Byron Now' advances the critical agendas that are shaping Byron Studies today. The Handbook tackles key themes associated with Byron including the Byronic Hero, cosmopolitanism, liberalism, sexuality, mobility, scepticism, the Gothic, celebrity culture, and much more. For new readers of Byron, the volume provides an excellent grounding in his life and work, and for specialists, it opens up exciting new approaches to an icon of Romantic literature.
Author: Anne C. McCarthy
Publisher: University of Toronto Press
ISBN: 1487516290
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.
Author: Kristine Moruzi
Publisher: Routledge
ISBN: 1317161505
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Focusing on six popular British girls' periodicals, Kristine Moruzi explores the debate about the shifting nature of Victorian girlhood between 1850 and 1915. During an era of significant political, social, and economic change, girls' periodicals demonstrate the difficulties of fashioning a coherent, consistent model of girlhood. The mixed-genre format of these magazines, Moruzi suggests, allowed inconsistencies and tensions between competing feminine ideals to exist within the same publication. Adopting a case study approach, Moruzi shows that the Monthly Packet, the Girl of the Period Miscellany, the Girl's Own Paper, Atalanta, the Young Woman, and the Girl's Realm each attempted to define and refine a unique type of girl, particularly the religious girl, the 'Girl of the Period,' the healthy girl, the educated girl, the marrying girl, and the modern girl. These periodicals reflected the challenges of embracing the changing conditions of girls' lives while also attempting to maintain traditional feminine ideals of purity and morality. By analyzing the competing discourses within girls' periodicals, Moruzi's book demonstrates how they were able to frame feminine behaviour in ways that both reinforced and redefined the changing role of girls in nineteenth-century society while also allowing girl readers the opportunity to respond to these definitions.
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 184
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Book Description
