Author: Monica Blackmun Visonà
Publisher:
ISBN: 9781138249745
Category : Art, African
Languages : en
Pages : 216
Book Description
Constructing African Art Histories for the Lagoons of Côte d'Ivoire is an investigation of the methods employed by art historians who study creative production in Africa. While providing insights into the rich visual arts of the Lagoon Peoples of southeastern Côte d'Ivoire, this study is one of the few attempts by an Africanist to situate local and regional artistic practices in the context of the global art market, and to trace the varied receptions an African art work is given as it leaves a local context and enters an international one. Drawing on her three seasons of fieldwork among Akan populations in Côte d'Ivoire, Monica Blackmun Visonà provides a comprehensive account of a major art-producing region of Africa, and explores such topics as gender roles in performance, the role of sculpture in divination, and the interchange of arts and ideas across ethnic boundaries. The book also addresses issues inherent in research practices, such as connoisseurship and participant observation, and examines theoretical positions that have had an impact on the discipline of African art history.
Constructing African Art Histories for the Lagoons of Côte D'Ivoire
Author: Monica Blackmun Visonà
Publisher:
ISBN: 9781138249745
Category : Art, African
Languages : en
Pages : 216
Book Description
Constructing African Art Histories for the Lagoons of Côte d'Ivoire is an investigation of the methods employed by art historians who study creative production in Africa. While providing insights into the rich visual arts of the Lagoon Peoples of southeastern Côte d'Ivoire, this study is one of the few attempts by an Africanist to situate local and regional artistic practices in the context of the global art market, and to trace the varied receptions an African art work is given as it leaves a local context and enters an international one. Drawing on her three seasons of fieldwork among Akan populations in Côte d'Ivoire, Monica Blackmun Visonà provides a comprehensive account of a major art-producing region of Africa, and explores such topics as gender roles in performance, the role of sculpture in divination, and the interchange of arts and ideas across ethnic boundaries. The book also addresses issues inherent in research practices, such as connoisseurship and participant observation, and examines theoretical positions that have had an impact on the discipline of African art history.
Publisher:
ISBN: 9781138249745
Category : Art, African
Languages : en
Pages : 216
Book Description
Constructing African Art Histories for the Lagoons of Côte d'Ivoire is an investigation of the methods employed by art historians who study creative production in Africa. While providing insights into the rich visual arts of the Lagoon Peoples of southeastern Côte d'Ivoire, this study is one of the few attempts by an Africanist to situate local and regional artistic practices in the context of the global art market, and to trace the varied receptions an African art work is given as it leaves a local context and enters an international one. Drawing on her three seasons of fieldwork among Akan populations in Côte d'Ivoire, Monica Blackmun Visonà provides a comprehensive account of a major art-producing region of Africa, and explores such topics as gender roles in performance, the role of sculpture in divination, and the interchange of arts and ideas across ethnic boundaries. The book also addresses issues inherent in research practices, such as connoisseurship and participant observation, and examines theoretical positions that have had an impact on the discipline of African art history.
Constructing African Art Histories for the Lagoons of C?d'Ivoire
Author: Monica Blackmun Visonà
Publisher: Routledge
ISBN: 1351571117
Category : Art
Languages : en
Pages : 236
Book Description
Constructing African Art Histories for the Lagoons of C?d'Ivoire is an investigation of the methods employed by art historians who study creative production in Africa. While providing insights into the rich visual arts of the Lagoon Peoples of southeastern C?d'Ivoire, this study is one of the few attempts by an Africanist to situate local and regional artistic practices in the context of the global art market, and to trace the varied receptions an African art work is given as it leaves a local context and enters an international one. Drawing on her three seasons of fieldwork among Akan populations in C?d'Ivoire, Monica Blackmun Vison?rovides a comprehensive account of a major art-producing region of Africa, and explores such topics as gender roles in performance, the role of sculpture in divination, and the interchange of arts and ideas across ethnic boundaries. The book also addresses issues inherent in research practices, such as connoisseurship and participant observation, and examines theoretical positions that have had an impact on the discipline of African art history.
Publisher: Routledge
ISBN: 1351571117
Category : Art
Languages : en
Pages : 236
Book Description
Constructing African Art Histories for the Lagoons of C?d'Ivoire is an investigation of the methods employed by art historians who study creative production in Africa. While providing insights into the rich visual arts of the Lagoon Peoples of southeastern C?d'Ivoire, this study is one of the few attempts by an Africanist to situate local and regional artistic practices in the context of the global art market, and to trace the varied receptions an African art work is given as it leaves a local context and enters an international one. Drawing on her three seasons of fieldwork among Akan populations in C?d'Ivoire, Monica Blackmun Vison?rovides a comprehensive account of a major art-producing region of Africa, and explores such topics as gender roles in performance, the role of sculpture in divination, and the interchange of arts and ideas across ethnic boundaries. The book also addresses issues inherent in research practices, such as connoisseurship and participant observation, and examines theoretical positions that have had an impact on the discipline of African art history.
Art History in Africa
Author: Jan Vansina
Publisher:
ISBN: 9780052643677
Category : Art, African
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780052643677
Category : Art, African
Languages : en
Pages : 0
Book Description
Media Primitivism
Author: Delinda Collier
Publisher: Duke University Press
ISBN: 1478012315
Category : Art
Languages : en
Pages : 185
Book Description
In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.
Publisher: Duke University Press
ISBN: 1478012315
Category : Art
Languages : en
Pages : 185
Book Description
In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.
Treasures of African Art
Author: Malcolm D. McLeod
Publisher:
ISBN: 9780896591035
Category : Art
Languages : en
Pages : 136
Book Description
Publisher:
ISBN: 9780896591035
Category : Art
Languages : en
Pages : 136
Book Description
Art and Oracle
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 0870999338
Category : Art, Black
Languages : en
Pages : 82
Book Description
Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870999338
Category : Art, Black
Languages : en
Pages : 82
Book Description
Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR
Africa and the Renaissance
Author:
Publisher:
ISBN:
Category : Art patronage
Languages : en
Pages : 8
Book Description
Publisher:
ISBN:
Category : Art patronage
Languages : en
Pages : 8
Book Description
Art History in Africa
Author: J. Vansina
Publisher: Routledge
ISBN: 9781138141582
Category :
Languages : en
Pages : 248
Book Description
This is a pioneering introduction to a subject that is still at an early srage of academic development. It aims to provide the reader with a systematic method for the historical understanding of African art. Professor Vansina considers the medium, technique, style and meaning of art objects and examines the creative process through which they come into being. Numerous photographs and drawings illustrate his arguments, and help to explain the changes that have taken place.
Publisher: Routledge
ISBN: 9781138141582
Category :
Languages : en
Pages : 248
Book Description
This is a pioneering introduction to a subject that is still at an early srage of academic development. It aims to provide the reader with a systematic method for the historical understanding of African art. Professor Vansina considers the medium, technique, style and meaning of art objects and examines the creative process through which they come into being. Numerous photographs and drawings illustrate his arguments, and help to explain the changes that have taken place.
Treasures of African Art
Author: Malcolm McLeod
Publisher: Random House Value Pub
ISBN: 9780517386743
Category : Art, Black
Languages : en
Pages :
Book Description
Illustrates African sculpture, masks, and bas-reliefs made of gold, ivory, bronze, brass, wood, and clay, and provides background information on the tribe of origin
Publisher: Random House Value Pub
ISBN: 9780517386743
Category : Art, Black
Languages : en
Pages :
Book Description
Illustrates African sculpture, masks, and bas-reliefs made of gold, ivory, bronze, brass, wood, and clay, and provides background information on the tribe of origin
The Self and the Other
Author: Philip L. Ravenhill
Publisher: University of California Los Angeles, Fowler Museum of Cultural History
ISBN:
Category : Social Science
Languages : en
Pages : 52
Book Description
Publisher: University of California Los Angeles, Fowler Museum of Cultural History
ISBN:
Category : Social Science
Languages : en
Pages : 52
Book Description