Author: Buffalo Fine Arts Academy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 912
Book Description
Academy Notes
Author: Buffalo Fine Arts Academy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 912
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 912
Book Description
National Identity and Nineteenth-Century Franco-Belgian Sculpture
Author: Jana Wijnsouw
Publisher: Routledge
ISBN: 1351778145
Category : Art
Languages : en
Pages : 322
Book Description
This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists that supposedly constituted a "national sculpture." By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugène Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.
Publisher: Routledge
ISBN: 1351778145
Category : Art
Languages : en
Pages : 322
Book Description
This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists that supposedly constituted a "national sculpture." By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugène Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.
The Studio
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 444
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 444
Book Description
The International Studio
Author: Charles Holme
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 506
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 506
Book Description
Journal of the Royal Society of Arts
Author: Royal Society of Arts (Great Britain)
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 1072
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 1072
Book Description
Literary Digest
Author:
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 1590
Book Description
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 1590
Book Description
Literary Digest: a Repository of Contemporaneous Thought and Research as Presented in the Periodical Literature of the World
Author: Edward Jewitt Wheeler
Publisher:
ISBN:
Category :
Languages : en
Pages : 1612
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1612
Book Description
Scribner's Magazine ...
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 906
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 906
Book Description
Scribner's Magazine
Author: Edward Livermore Burlingame
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 834
Book Description
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 834
Book Description
Philosophy of Sculpture
Author: Kristin Gjesdal
Publisher: Routledge
ISBN: 0429870035
Category : Art
Languages : en
Pages : 236
Book Description
Sculpture has been a central aspect of almost every art culture, contemporary or historical. This volume comprises ten essays at the cutting edge of thinking about sculpture in philosophical terms, representing approaches to sculpture from the perspectives of both Anglo-American and European philosophy. Some of the essays are historically situated, while others are more straightforwardly conceptual. All of the essays, however, pay strict attention to actual sculptural examples in their discussions. This reflects the overall aim of the volume to not merely "apply" philosophy to sculpture, but rather to test the philosophical approaches taken in tandem with deep analyses of sculptural examples. There is an array of philosophical problems unique to sculpture, namely certain aspects of its three-dimensionality, physicality, temporality, and morality. The authors in this volume respond to a number of challenging philosophical questions related to these characteristics. Furthermore, while the focus of most of the essays is on Western sculptural traditions, there are contributions that features discussion of sculptural examples from non-Western sources. Philosophy of Sculpture is the first full-length book treatment of the philosophical significance of sculpture in English. It is a valuable resource for advanced students and scholars across aesthetics, art history, history, performance studies, and visual studies.
Publisher: Routledge
ISBN: 0429870035
Category : Art
Languages : en
Pages : 236
Book Description
Sculpture has been a central aspect of almost every art culture, contemporary or historical. This volume comprises ten essays at the cutting edge of thinking about sculpture in philosophical terms, representing approaches to sculpture from the perspectives of both Anglo-American and European philosophy. Some of the essays are historically situated, while others are more straightforwardly conceptual. All of the essays, however, pay strict attention to actual sculptural examples in their discussions. This reflects the overall aim of the volume to not merely "apply" philosophy to sculpture, but rather to test the philosophical approaches taken in tandem with deep analyses of sculptural examples. There is an array of philosophical problems unique to sculpture, namely certain aspects of its three-dimensionality, physicality, temporality, and morality. The authors in this volume respond to a number of challenging philosophical questions related to these characteristics. Furthermore, while the focus of most of the essays is on Western sculptural traditions, there are contributions that features discussion of sculptural examples from non-Western sources. Philosophy of Sculpture is the first full-length book treatment of the philosophical significance of sculpture in English. It is a valuable resource for advanced students and scholars across aesthetics, art history, history, performance studies, and visual studies.