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Author: Gordon B. Arnold
Publisher: Bloomsbury Publishing USA
ISBN: 1567207227
Category : Social Science
Languages : en
Pages : 201
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Book Description
Since the assassination of John F. Kennedy, motion pictures and television productions-some based on historical fact and conjecture, others clearly fanciful-have embraced the idea that conspiracies shape many events, hide others, and generally dictate much of the course of modern life, often to the disadvantage of the average person. As a result, conspiracy theories have developed into a potent undercurrent in American politics. By the 1990s, it was not unusual to find conspiracies used as explanations for a wide range of political events that would otherwise seem to have quite ordinary explanations. Thus, a vast right-wing conspiracy was suggested as the source of Bill Clinton's troubles, just as conspiracy-like machinations of the liberal media were used to explain why the picture of world events did not coincide with conservative views. And this is to say nothing of the bitter arguments that still erupt over varying explanations for the attacks of 9/11. Regardless of a person's opinion about such claims, what these and many other examples clearly show is that conspiracy-theory explanations have penetrated mainstream American thought. Here, author Gordon Arnold examines the evolution of this cultural climate in the United States. Conspiracy Theory in Film, Television, and Politics examines the intersection of various film and television productions in the context of unfolding political developments. The chapters follow this story chronologically, showing how screen media have both reflected and shaped the cultural milieu in which traumatic events and political controversies have been interpreted with increasing cynicism. The work also reviews the original contexts in which film, television, and political manifestations of conspiracy ideas first appeared.
Author: Gordon B. Arnold
Publisher: Bloomsbury Publishing USA
ISBN: 1567207227
Category : Social Science
Languages : en
Pages : 201
Get Book Here
Book Description
Since the assassination of John F. Kennedy, motion pictures and television productions-some based on historical fact and conjecture, others clearly fanciful-have embraced the idea that conspiracies shape many events, hide others, and generally dictate much of the course of modern life, often to the disadvantage of the average person. As a result, conspiracy theories have developed into a potent undercurrent in American politics. By the 1990s, it was not unusual to find conspiracies used as explanations for a wide range of political events that would otherwise seem to have quite ordinary explanations. Thus, a vast right-wing conspiracy was suggested as the source of Bill Clinton's troubles, just as conspiracy-like machinations of the liberal media were used to explain why the picture of world events did not coincide with conservative views. And this is to say nothing of the bitter arguments that still erupt over varying explanations for the attacks of 9/11. Regardless of a person's opinion about such claims, what these and many other examples clearly show is that conspiracy-theory explanations have penetrated mainstream American thought. Here, author Gordon Arnold examines the evolution of this cultural climate in the United States. Conspiracy Theory in Film, Television, and Politics examines the intersection of various film and television productions in the context of unfolding political developments. The chapters follow this story chronologically, showing how screen media have both reflected and shaped the cultural milieu in which traumatic events and political controversies have been interpreted with increasing cynicism. The work also reviews the original contexts in which film, television, and political manifestations of conspiracy ideas first appeared.
Author: Oliver Boyd Barrett
Publisher: Taylor & Francis
ISBN: 1136806768
Category : History
Languages : en
Pages : 225
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Book Description
This book investigates representations of the Central Intelligence Agency (CIA) in Hollywood films, and the synergies between Hollywood product, U.S. military/defense interests and U.S. foreign policy. As probably the best known of the many different intelligence agencies of the US, the CIA is an exceptionally well known national and international icon or even "brand," one that exercises a powerful influence on the imagination of people throughout the world as well as on the creative minds of filmmakers. The book examines films sampled from five decades - the 1960s, 1970s, 1980s, 1990s and 2000s - and explores four main issues: the relative prominence of the CIA; the extent to which these films appeared to be overtly political; the degree to which they were favorable or unfavorable to the CIA; and their relative attitude to the "business" of intelligence. A final chapter considers the question: do these Hollywood texts appear to function ideologically to "normalize" the CIA? If so, might this suggest the further hypothesis that many CIA movies assist audiences with reconciling two sometimes fundamental opposites: often gruesome covert CIA activity for questionable goals and at enormous expense, on the one hand, and the values and procedures of democratic society, on the other. This interdisciplinary book will be of much interest to students of the CIA/Intelligence Studies, media and film studies, US politics and IR/Security Studies in general.
Author: Michael Butter
Publisher: Routledge
ISBN: 0429840586
Category : Political Science
Languages : en
Pages : 1090
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Book Description
Taking a global and interdisciplinary approach, the Routledge Handbook of Conspiracy Theories provides a comprehensive overview of conspiracy theories as an important social, cultural and political phenomenon in contemporary life. This handbook provides the most complete analysis of the phenomenon to date. It analyses conspiracy theories from a variety of perspectives, using both qualitative and quantitative methods. It maps out the key debates, and includes chapters on the historical origins of conspiracy theories, as well as their political significance in a broad range of countries and regions. Other chapters consider the psychology and the sociology of conspiracy beliefs, in addition to their changing cultural forms, functions and modes of transmission. This handbook examines where conspiracy theories come from, who believes in them and what their consequences are. This book presents an important resource for students and scholars from a range of disciplines interested in the societal and political impact of conspiracy theories, including Area Studies, Anthropology, History, Media and Cultural Studies, Political Science, Psychology and Sociology.
Author: Denis Newiak
Publisher: Springer Nature
ISBN: 3658436948
Category :
Languages : en
Pages : 158
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Book Description
Author: Elizabeth Suhay
Publisher:
ISBN: 0190860804
Category : Business & Economics
Languages : en
Pages : 1124
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Book Description
"Electoral persuasion is central to democratic politics. It includes strategic communication not only by candidates and parties but also by interest groups, media, and citizens. This volume surveys the vast literature on this topic, emphasizing contemporary research and topics and complementing deep coverage of U.S. politics with international perspectives"--
Author: Joseph E. Uscinski
Publisher: Oxford University Press
ISBN: 0199351805
Category : Political Science
Languages : en
Pages : 235
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Book Description
We are living in an age of conspiracy theories, whether it's enduring, widely held beliefs such as government involvement in the Kennedy assassination or alien activity at Roswell, fears of a powerful infiltrating group such as the Illuminati, Jews, Catholics, or communists, or modern fringe movements of varying popularity such as birtherism and trutherism. What is it in American culture that makes conspiracy theories proliferate? Who is targeted, and why? Are we in the heyday of the conspiracy theory, or is it in decline? Though there is significant scholarly literature on the topic in psychology, sociology, philosophy, and more, American Conspiracy Theories is the first to use broad, long-term empirical data to analyze this popular American tendency. Joseph E. Uscinski and Joseph M. Parent draw on three sources of original data: 120,000 letters to the editor of the New York Times and Chicago Tribune from between 1890 and 2010; a two-wave survey from before and after the 2012 presidential election; and discussions of conspiracy theories culled from online news sources, blogs, and other Web sites, also from before and after the election. Through these sources, they are able to address crucial questions, such as similarities and differences in the nature of conspiracy theories over time, the role of the Internet and communications technologies in spreading modern conspiracy theories, and whether politics, economics, media, war, or other factors are most important in popularizing conspiratorial beliefs. Ultimately, they conclude that power asymmetries, both foreign and domestic, are the main drivers behind conspiracy theories, and that those at the bottom of power hierarchies have a strategic interest in blaming those at the top-in other words, "conspiracy theories are for losers." But these "losers" can end up having tremendous influence on the course of history, and American Conspiracy Theories is an unprecedented examination of one of the defining features of American political life.
Author: Timothy Melley
Publisher: Cornell University Press
ISBN: 1501713000
Category : Social Science
Languages : en
Pages : 252
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Book Description
Why, Timothy Melley asks, have paranoia and conspiracy theory become such prominent features of postwar American culture? In Empire of Conspiracy, Melley explores the recent growth of anxieties about thought-control, assassination, political indoctrination, stalking, surveillance, and corporate and government plots. At the heart of these developments, he believes, lies a widespread sense of crisis in the way Americans think about human autonomy and individuality. Nothing reveals this crisis more than the remarkably consistent form of expression that Melley calls "agency panic"—an intense fear that individuals can be shaped or controlled by powerful external forces. Drawing on a broad range of forms that manifest this fear—including fiction, film, television, sociology, political writing, self-help literature, and cultural theory—Melley provides a new understanding of the relation between postwar American literature, popular culture, and cultural theory. Empire of Conspiracy offers insightful new readings of texts ranging from Joseph Heller's Catch-22 to the Unabomber Manifesto, from Vance Packard's Hidden Persuaders to recent addiction discourse, and from the "stalker" novels of Margaret Atwood and Diane Johnson to the conspiracy fictions of Thomas Pynchon, William Burroughs, Don DeLillo, and Kathy Acker. Throughout, Melley finds recurrent anxieties about the power of large organizations to control human beings. These fears, he contends, indicate the continuing appeal of a form of individualism that is no longer wholly accurate or useful, but that still underpins a national fantasy of freedom from social control.
Author: Christina M. Knopf
Publisher: Univ. Press of Mississippi
ISBN: 1496834240
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
From the moment Captain America punched Hitler in the jaw, comic books have always been political, and whether it is Marvel’s chairman Ike Perlmutter making a campaign contribution to Donald Trump in 2016 or Marvel’s character Howard the Duck running for president during America’s bicentennial in 1976, the politics of comics have overlapped with the politics of campaigns and governance. Pop culture opens avenues for people to declare their participation in a collective project and helps them to shape their understandings of civic responsibility, leadership, communal history, and present concerns. Politics in the Gutters: American Politicians and Elections in Comic Book Media opens with an examination of campaign comic books used by the likes of Herbert Hoover and Harry S. Truman, follows the rise of political counterculture comix of the 1960s, and continues on to the graphic novel version of the 9/11 Report and the cottage industry of Sarah Palin comics. It ends with a consideration of comparisons to Donald Trump as a supervillain and a look at comics connections to the pandemic and protests that marked the 2020 election year. More than just escapist entertainment, comics offer a popular yet complicated vision of the American political tableau. Politics in the Gutters considers the political myths, moments, and mimeses, in comic books—from nonfiction to science fiction, superhero to supernatural, serious to satirical, golden age to present day—to consider how they represent, re-present, underpin, and/or undermine ideas and ideals about American electoral politics.
Author: Gordon B. Arnold
Publisher: Bloomsbury Publishing USA
ISBN: 0313385645
Category : Social Science
Languages : en
Pages : 294
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Book Description
This provocative book reveals how Hollywood films reflect our deepest fears and anxieties as a country, often recording our political beliefs and cultural conditions while underscoring the darker side of the American way of life. Long before the war in Iraq and the economic crises of the early 21st century, Hollywood has depicted a grim view of life in the United States, one that belies the prosperity and abundance of the so-called American Dream. While the country emerged from World War II as a world power, collectively our sense of security had been threatened. The result is a cinematic body of work that has America's decline and ruin as a central theme. The author draws from popular films across all genres and six decades to illustrate how the political climate of the times influenced their creation. Projecting the End of the American Dream: Hollywood's Visions of U.S. Decline combines film history, social history, and political history to reveal important themes in the unfolding American narrative. Discussions focus on a wide variety of films, including Rambo, Planet of the Apes, and Easy Rider.
Author: I.Q. Hunter
Publisher: Bloomsbury Publishing USA
ISBN: 1623568978
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
A collection of closely related essays on cult film, cult adaptations, and cultism as a way of life.
