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Author: John Jenkins
Publisher: London : Stainer and Bell
ISBN:
Category : Instrumental music
Languages : en
Pages : 208
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Book Description
Author: John Jenkins
Publisher: London : Stainer and Bell
ISBN:
Category : Instrumental music
Languages : en
Pages : 208
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Book Description
Author: Thomas Lupo
Publisher: Fretwork Publishing
ISBN:
Category : Music
Languages : en
Pages : 218
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Book Description
Thomas Lupo (1571-1627): The Three-Part Consort Music. Fantasia 1-17; Fantasia [Air] 18-25; Pavan 26-29. Appendix: Fantasia 1-2. Introduction, Critical Commentary and scores. Performing parts available direct from the publishers.
Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378
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Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.
Author: Thomas Lupo
Publisher:
ISBN:
Category : Canons, fugues, etc. (Viols (2))
Languages : en
Pages : 182
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Book Description
Author:
Publisher:
ISBN: 9780852498392
Category : Anthems
Languages : en
Pages : 166
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Book Description
Author: Giovanni Bassano
Publisher:
ISBN:
Category : String trios (Viols (3))
Languages : en
Pages : 40
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Book Description
Author: John Coperario
Publisher: Fretwork Publishing
ISBN:
Category : Music
Languages : en
Pages : 396
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Book Description
John Coprario (c. 1575-1626): the complete consort music in two, three and four parts. Introduction, critical commentaries and full scores. Performing parts available direct from the publisher. Published in 1993.
Author: Jon Banks
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754653400
Category : Music
Languages : en
Pages : 208
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Book Description
After a rigorous examination of the criteria by which music of this period may be judged to be instrumental, Jon Banks isolates all such pieces and establishes them as an explicit genre alongside the more commonly recognized vocal forms of the period. The distribution of these pieces in the manuscript and early printed sources of the time demonstrate how central instrumental consorts were to musical experience in Italy at this time. Banks also explores the social background to Italian music-making, and particularly the changing status of instrumentalists with respect to other musicians. This book restores an impressive but largely overlooked consort repertory to its rightful place in the history of music.
Author: Bettina Hoffmann
Publisher: Routledge
ISBN: 1315284235
Category : Music
Languages : en
Pages : 355
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Book Description
The viola da gamba was a central instrument in European music from the late 15th century well into the late 18th. In this comprehensive study, Bettina Hoffmann offers both an introduction to the instrument -- its construction, technique and history -- for the non-specialist, interweaving this information with a wealth of original archival scholarship that experts will relish. The book begins with a description of the instrument, and here Hoffmann grapples with the complexity of various names applied to this and related instruments. Following two chapters on the instrument's construction and ancestry, the core of the book is given to a historical and geographical survey of the instrument from its origins into the classical period. The book closes with a look at the revival of interest in the 19th and 20th centuries.
Author: Peter Walls
Publisher: Routledge
ISBN: 135157471X
Category : Music
Languages : en
Pages : 688
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Book Description
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
