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Author: Peter Miller
Publisher: Bard Graduate Center - Cultura
ISBN: 9781941792322
Category : Art
Languages : en
Pages : 400
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Book Description
Considers the future of conservation and its connection to the human sciences. This volume brings together the findings from a five-year research project that seeks to reimagine the relationship between conservation knowledge and the humanistic study of the material world. The project, "Cultures of Conservation," was supported by the Andrew W. Mellon Foundation and included events, seminars, and an artist-in-residence. The effort to conserve things amid change is part of the human struggle with the nature of matter. For as long as people have made things and kept things, they have also cared for and repaired them. Today, conservators use a variety of tools and categories developed over the last one hundred and fifty years to do this work, but in the coming decades, new kinds of materials and a new scale of change will pose unprecedented challenges. Looking ahead to this moment from the perspectives of history, philosophy, materials science, and anthropology, this volume explores new possibilities for both conservation and the humanities in the rethinking of active matter.
Author: Peter Miller
Publisher: Bard Graduate Center - Cultura
ISBN: 9781941792322
Category : Art
Languages : en
Pages : 400
Get Book Here
Book Description
Considers the future of conservation and its connection to the human sciences. This volume brings together the findings from a five-year research project that seeks to reimagine the relationship between conservation knowledge and the humanistic study of the material world. The project, "Cultures of Conservation," was supported by the Andrew W. Mellon Foundation and included events, seminars, and an artist-in-residence. The effort to conserve things amid change is part of the human struggle with the nature of matter. For as long as people have made things and kept things, they have also cared for and repaired them. Today, conservators use a variety of tools and categories developed over the last one hundred and fifty years to do this work, but in the coming decades, new kinds of materials and a new scale of change will pose unprecedented challenges. Looking ahead to this moment from the perspectives of history, philosophy, materials science, and anthropology, this volume explores new possibilities for both conservation and the humanities in the rethinking of active matter.
Author: Peter N. Miller
Publisher: University of Michigan Press
ISBN: 0472118919
Category : History
Languages : en
Pages : 313
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Book Description
All across the humanities fields there is a new interest in materials and materiality. This is the first book to capture and study the “material turn” in the humanities from all its varied perspectives. Cultural Histories of the Material World brings together top scholars from all these different fields—from Art History, Anthropology, Archaeology, Classics, Folklore, History, History of Science, Literature, Philosophy—to offer their vision of what cultural history of the material world looks like and attempt to show how attention to materiality can contribute to a more precise historical understanding of specific times, places, ways, and means. The result is a spectacular kaleidoscope of future possibilities and new perspectives.
Author: Matthew Sparkes
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Hanna B. Hölling
Publisher: BRILL
ISBN: 9004396853
Category : Art
Languages : en
Pages : 308
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Book Description
The Explicit Material focuses on objects as complex constructs of material relations, and points to the increased blurring of boundaries between practices of conservation and curation, thereby announcing a shift in sensibilities and understanding of the objects’ material significance.
Author: Julien Tailleur
Publisher: Oxford University Press
ISBN: 0192858319
Category :
Languages : en
Pages : 673
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Book Description
From molecular motors to bacteria, from crawling cells to large animals, active entities are found at all scales in the biological world. Active matter encompasses systems whose individual constituents irreversibly dissipate energy to exert self-propelling forces on their environment. Over the past twenty years, scientists have managed to engineer synthetic active particles in the lab, paving the way towards smart active materials. This book gathers a pedagogical set of lecture notes that cover topics in nonequilibrium statistical mechanics and active matter. These lecture notes stem from the first summer school on Active Matter delivered at the Les Houches school of Physics. The lectures covered four main research directions: collective behaviours in active-matter systems, passive and active colloidal systems, biophysics and active matter, and nonequilibrium statistical physics--from passive to active.
Author: Bram Buscher
Publisher: Verso Books
ISBN: 1788737717
Category : Nature
Languages : en
Pages : 225
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Book Description
A post-capitalist manifesto for conservation Conservation needs a revolution. This is the only way it can contribute to the drastic transformations needed to come to a truly sustainable model of development. The good news is that conservation is ready for revolution. Heated debates about the rise of the Anthropocene and the current ‘sixth extinction’ crisis demonstrate an urgent need and desire to move beyond mainstream approaches. Yet the conservation community is deeply divided over where to go from here. Some want to place ‘half earth’ into protected areas. Others want to move away from parks to focus on unexpected and ‘new’ natures. Many believe conservation requires full integration into capitalist production processes. Building a razor-sharp critique of current conservation proposals and their contradictions, Büscher and Fletcher argue that the Anthropocene challenge demands something bigger, better and bolder. Something truly revolutionary. They propose convivial conservation as the way forward. This approach goes beyond protected areas and faith in markets to incorporate the needs of humans and nonhumans within integrated and just landscapes. Theoretically astute and practically relevant, The Conservation Revolution offers a manifesto for conservation in the twenty-first century—a clarion call that cannot be ignored.
Author: Susan Weber
Publisher: Yale University Press
ISBN: 0300251041
Category : Antiques & Collectibles
Languages : en
Pages : 250
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Book Description
The first comprehensive study of the most important ceramic innovation of the 19th century Colorful, wildly imaginative, and technically innovative, majolica was functional and aesthetic ceramic ware. Its subject matter reflects a range of 19th-century preoccupations, from botany and zoology to popular humor and the macabre. Majolica Mania examines the medium’s considerable impact, from wares used in domestic settings to monumental pieces at the World’s Fairs. Essays by international experts address the extensive output of the originators and manufacturers in England—including Minton, Wedgwood, and George Jones—and the migration of English craftsmen to the U.S. New research including information on important American makers in New York, Baltimore, and Philadelphia is also featured. Fully illustrated, the book is enlivened by new photography of pieces from major museums and private collections in the U.S. and Great Britain.
Author: Dr Federica Goffi
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472401239
Category : Architecture
Languages : en
Pages : 516
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Book Description
Even though the idea of altering an existing building is presently a well established practice within the context of adaptive reuse, when the building in question is a 'mnemonic building', of recognized heritage value, alterations are viewed with suspicion, even when change is a recognized necessity. This book fills in a blind spot in current architectural theory and practice, looking into a notion of conservation as a form of invention and imagination, offering the reader a counter-viewpoint to a predominant western understanding that preservation should be a 'still shot' from the past. Through a micro-historical study of a Renaissance concept of restoration, a theoretical framework to question the issue of conservation as a creative endeavor arises. It focuses on Tiberio Alfarano's 1571 ichnography of St. Peter's Basilica in the Vatican, into which a complex body of religious, political, architectural and cultural elements is woven. By merging past and present temple's plans, he created a track-drawing questioning the design pursued after Michelangelo’s death (1564), opening the gaze towards other possible future imaginings. This book uncovers how the drawing was acted on by Carlo Maderno (1556-1629), who literally used it as physical substratum to for new design proposals, completing the renewal of the temple in 1626. Proposing a hybrid architectural-conservation approach, this study shows how these two practices can be merged in contemporary renovation. By creating hybrid drawings, the retrospective and prospective gaze of built conservation forms a continuous and contiguous reality, where a pre-existent condition engages with future design rejoining multiple temporalities within continuity of identity. This study might provide a paradigmatic and timely model to retune contemporary architectural sensibility when dealing with the dilemma between design and preservation when transforming a building of recognized significance.
Author: William P. Bengen
Publisher: Advisorpress
ISBN: 9780975344835
Category : Financial planning
Languages : en
Pages : 169
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Book Description
Author: Max Schweidler
Publisher: Getty Publications
ISBN: 9780892368358
Category : Books
Languages : en
Pages : 320
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Book Description
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
