Author: J. G. Ballard
Publisher: Macmillan
ISBN: 9780312156831
Category : Literary Collections
Languages : en
Pages : 324
Book Description
A collection of novelist's non-fiction writings spanning more than thirty years addresses topics including the arts, science, literature, popular culture, and his own life.
A User's Guide to the Millennium
Author: J. G. Ballard
Publisher: Macmillan
ISBN: 9780312156831
Category : Literary Collections
Languages : en
Pages : 324
Book Description
A collection of novelist's non-fiction writings spanning more than thirty years addresses topics including the arts, science, literature, popular culture, and his own life.
Publisher: Macmillan
ISBN: 9780312156831
Category : Literary Collections
Languages : en
Pages : 324
Book Description
A collection of novelist's non-fiction writings spanning more than thirty years addresses topics including the arts, science, literature, popular culture, and his own life.
Under Conrad's Eyes
Author: Michael John DiSanto
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773535101
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
An innovative account of Joseph Conrad's engagement with nineteenth-century thought.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773535101
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
An innovative account of Joseph Conrad's engagement with nineteenth-century thought.
Modern Times, Modern Places
Author: Peter Conrad
Publisher: Alfred A. Knopf
ISBN:
Category : Art
Languages : en
Pages : 786
Book Description
This twentieth century retrospective studies modernism, literature, the visual arts, music, the performing arts, science, and psychoanalysis., and "sees the modern era as a whole."--Jacket.
Publisher: Alfred A. Knopf
ISBN:
Category : Art
Languages : en
Pages : 786
Book Description
This twentieth century retrospective studies modernism, literature, the visual arts, music, the performing arts, science, and psychoanalysis., and "sees the modern era as a whole."--Jacket.
Silence, Space and Absence in Conrad's Works
Author: John G. Peters
Publisher: Springer Nature
ISBN: 303144910X
Category : Literary Criticism
Languages : en
Pages : 121
Book Description
This book considers the relationship between sound and silence in the works of Joseph Conrad, along with their ties to Western and non-Western space. Throughout Conrad’s works, a pattern emerges where Western space is associated with sound and non-Western space is associated with silence; similarly, Western space is portrayed as full of objects and activity, whereas non-Western space is portrayed as empty. As these tales progress, though, Conrad’s characters embark on transformational journeys that cause them to reassess the world they live in and sometimes even the nature of the universe. These journeys invariably occur through encountering non-Western space, and during the course of these journeys, the dichotomy between Western space, perceived as replete with sound and activity, and non-Western space, empty of such, blurs such that the fullness of the West is revealed to be simply a surface hiding the emptiness beneath. In the end, both Western and non-Western space are revealed to be absences, as the absence of sound becomes a correlative for the emptiness of space and the emptiness of space becomes a metonym for the cosmological emptiness of nothingness.
Publisher: Springer Nature
ISBN: 303144910X
Category : Literary Criticism
Languages : en
Pages : 121
Book Description
This book considers the relationship between sound and silence in the works of Joseph Conrad, along with their ties to Western and non-Western space. Throughout Conrad’s works, a pattern emerges where Western space is associated with sound and non-Western space is associated with silence; similarly, Western space is portrayed as full of objects and activity, whereas non-Western space is portrayed as empty. As these tales progress, though, Conrad’s characters embark on transformational journeys that cause them to reassess the world they live in and sometimes even the nature of the universe. These journeys invariably occur through encountering non-Western space, and during the course of these journeys, the dichotomy between Western space, perceived as replete with sound and activity, and non-Western space, empty of such, blurs such that the fullness of the West is revealed to be simply a surface hiding the emptiness beneath. In the end, both Western and non-Western space are revealed to be absences, as the absence of sound becomes a correlative for the emptiness of space and the emptiness of space becomes a metonym for the cosmological emptiness of nothingness.
Forgery and Memory at the End of the First Millennium
Author: Levi Roach
Publisher: Princeton University Press
ISBN: 0691217866
Category : History
Languages : en
Pages : 360
Book Description
An in-depth exploration of documentary forgery at the turn of the first millennium Forgery and Memory at the End of the First Millennium takes a fresh look at documentary forgery and historical memory in the Middle Ages. In the tenth and eleventh centuries, religious houses across Europe began falsifying texts to improve local documentary records on an unprecedented scale. As Levi Roach illustrates, the resulting wave of forgery signaled major shifts in society and political culture, shifts which would lay the foundations for the European ancien régime. Spanning documentary traditions across France, England, Germany and northern Italy, Roach examines five sets of falsified texts to demonstrate how forged records produced in this period gave voice to new collective identities within and beyond the Church. Above all, he indicates how this fad for falsification points to new attitudes toward past and present—a developing fascination with the signs of antiquity. These conclusions revise traditional master narratives about the development of antiquarianism in the modern era, showing that medieval forgers were every bit as sophisticated as their Renaissance successors. Medieval forgers were simply interested in different subjects—the history of the Church and their local realms, rather than the literary world of classical antiquity. A comparative history of falsified records at a crucial turning point in the Middle Ages, Forgery and Memory at the End of the First Millennium offers valuable insights into how institutions and individuals rewrote and reimagined the past.
Publisher: Princeton University Press
ISBN: 0691217866
Category : History
Languages : en
Pages : 360
Book Description
An in-depth exploration of documentary forgery at the turn of the first millennium Forgery and Memory at the End of the First Millennium takes a fresh look at documentary forgery and historical memory in the Middle Ages. In the tenth and eleventh centuries, religious houses across Europe began falsifying texts to improve local documentary records on an unprecedented scale. As Levi Roach illustrates, the resulting wave of forgery signaled major shifts in society and political culture, shifts which would lay the foundations for the European ancien régime. Spanning documentary traditions across France, England, Germany and northern Italy, Roach examines five sets of falsified texts to demonstrate how forged records produced in this period gave voice to new collective identities within and beyond the Church. Above all, he indicates how this fad for falsification points to new attitudes toward past and present—a developing fascination with the signs of antiquity. These conclusions revise traditional master narratives about the development of antiquarianism in the modern era, showing that medieval forgers were every bit as sophisticated as their Renaissance successors. Medieval forgers were simply interested in different subjects—the history of the Church and their local realms, rather than the literary world of classical antiquity. A comparative history of falsified records at a crucial turning point in the Middle Ages, Forgery and Memory at the End of the First Millennium offers valuable insights into how institutions and individuals rewrote and reimagined the past.
Sexuality and the Erotic in the Fiction of Joseph Conrad
Author: Jeremy Hawthorn
Publisher: Bloomsbury Publishing
ISBN: 1441161384
Category : Literary Criticism
Languages : en
Pages : 189
Book Description
Awarded third place for The Adam Gillon Book Award in Conrad Studies 2009 The book presents a sustained critique of the interlinked (and contradictory) views that the fiction of Joseph Conrad is largely innocent of any interest in or concern with sexuality and the erotic, and that when Conrad does attempt to depict sexual desire or erotic excitement then this results in bad writing. Jeremy Hawthorn argues for a revision of the view that Conrad lacks understanding of and interest in sexuality. He argues that the comprehensiveness of Conrad's vision does not exclude a concern with the sexual and the erotic, and that this concern is not with the sexual and the erotic as separate spheres of human life, but as elements dialectically related to those matters public and political that have always been recognized as central to Conrad's fictional achievement. The book will open Conrad's fiction to readings enriched by the insights of critics and theorists associated with Gender Studies and Post-colonialism.
Publisher: Bloomsbury Publishing
ISBN: 1441161384
Category : Literary Criticism
Languages : en
Pages : 189
Book Description
Awarded third place for The Adam Gillon Book Award in Conrad Studies 2009 The book presents a sustained critique of the interlinked (and contradictory) views that the fiction of Joseph Conrad is largely innocent of any interest in or concern with sexuality and the erotic, and that when Conrad does attempt to depict sexual desire or erotic excitement then this results in bad writing. Jeremy Hawthorn argues for a revision of the view that Conrad lacks understanding of and interest in sexuality. He argues that the comprehensiveness of Conrad's vision does not exclude a concern with the sexual and the erotic, and that this concern is not with the sexual and the erotic as separate spheres of human life, but as elements dialectically related to those matters public and political that have always been recognized as central to Conrad's fictional achievement. The book will open Conrad's fiction to readings enriched by the insights of critics and theorists associated with Gender Studies and Post-colonialism.
Conrad's Eastern Vision
Author: A. Yeow
Publisher: Springer
ISBN: 0230583288
Category : Language Arts & Disciplines
Languages : en
Pages : 246
Book Description
This book traces the dialogic relation between Conrad's Eastern fiction and other histories, arguing that it is in the intersections of art and history that we locate Conrad's irony. In a direct response to the visual culture of his times, Conrad sets up his fictional world as a hallucinated mirage stressing the veracity of his own Eastern vision.
Publisher: Springer
ISBN: 0230583288
Category : Language Arts & Disciplines
Languages : en
Pages : 246
Book Description
This book traces the dialogic relation between Conrad's Eastern fiction and other histories, arguing that it is in the intersections of art and history that we locate Conrad's irony. In a direct response to the visual culture of his times, Conrad sets up his fictional world as a hallucinated mirage stressing the veracity of his own Eastern vision.
The Salian Century
Author: Stefan Weinfurter
Publisher: University of Pennsylvania Press
ISBN: 9780812235081
Category : History
Languages : en
Pages : 256
Book Description
An important interpretation of a major epoch in German history.--John Freed, Illinois State University
Publisher: University of Pennsylvania Press
ISBN: 9780812235081
Category : History
Languages : en
Pages : 256
Book Description
An important interpretation of a major epoch in German history.--John Freed, Illinois State University
Literary Landscapes
Author: Attie De Lange
Publisher: Springer
ISBN: 0230227716
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
This book explores the varied ways in which modernist and postcolonial innovations in fiction are motivated by crises and revolutions in the human perception and appropriation of space. 'Space' for the writers concerned has its political, historical, cultural and gender dimensions as well as its geographical identity.
Publisher: Springer
ISBN: 0230227716
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
This book explores the varied ways in which modernist and postcolonial innovations in fiction are motivated by crises and revolutions in the human perception and appropriation of space. 'Space' for the writers concerned has its political, historical, cultural and gender dimensions as well as its geographical identity.
Joseph Conrad's Critical Reception
Author: John G. Peters
Publisher: Cambridge University Press
ISBN: 1107245125
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Throughout the twentieth and twenty-first centuries, Joseph Conrad's novels and short stories have consistently figured into - and helped to define - the dominant trends in literary criticism. This book is the first to provide a thorough yet accessible overview of Conrad scholarship and criticism spanning the entire history of Conrad studies, from the 1895 publication of his first book, Almayer's Folly, to the present. While tracing the general evolution of the commentary surrounding Conrad's work, John G. Peters's careful analysis also evaluates Conrad's impact on critical trends such as the belles lettres tradition, the New Criticism, psychoanalysis, structuralist and post-structuralist criticism, narratology, postcolonial studies, gender and women's studies, and ecocriticism. The breadth and scope of Peters's study make this text an essential resource for Conrad scholars and students of English literature and literary criticism.
Publisher: Cambridge University Press
ISBN: 1107245125
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Throughout the twentieth and twenty-first centuries, Joseph Conrad's novels and short stories have consistently figured into - and helped to define - the dominant trends in literary criticism. This book is the first to provide a thorough yet accessible overview of Conrad scholarship and criticism spanning the entire history of Conrad studies, from the 1895 publication of his first book, Almayer's Folly, to the present. While tracing the general evolution of the commentary surrounding Conrad's work, John G. Peters's careful analysis also evaluates Conrad's impact on critical trends such as the belles lettres tradition, the New Criticism, psychoanalysis, structuralist and post-structuralist criticism, narratology, postcolonial studies, gender and women's studies, and ecocriticism. The breadth and scope of Peters's study make this text an essential resource for Conrad scholars and students of English literature and literary criticism.