Author: Carsten Stahn
Publisher: Oxford University Press
ISBN: 019269412X
Category : Law
Languages : en
Pages : 593
Book Description
The treatment of cultural colonial objects is one of the most debated questions of our time. Calls for a new international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. Confronting Colonial Objects seeks to go beyond these classic dichotomies and argues that contemporary practices are at a tipping point. The book shows that cultural takings were material to the colonial project throughout different periods and went far beyond looting. It presents micro histories and object biographies to trace recurring justifications and contestations of takings and returns while outlining the complicity of anthropology, racial science, and professional networks that enabled colonial collecting. The book demonstrates the dual role of law and cultural heritage regulation in facilitating colonial injustices and mobilizing resistance thereto. Drawing on the interplay between justice, ethics, and human rights, Stahn develops principles of relational cultural justice. He challenges the argument that takings were acceptable according to the standards of the time and outlines how future engagement requires a re-invention of knowledge systems and relations towards objects, including new forms of consent, provenance research, and partnership, and a re-thinking of the role of museums themselves. Following the life story and transformation of cultural objects, this book provides a fresh perspective on international law and colonial history that appeals to audiences across a variety of disciplines. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.
Confronting Colonial Objects
Author: Carsten Stahn
Publisher: Oxford University Press
ISBN: 019269412X
Category : Law
Languages : en
Pages : 593
Book Description
The treatment of cultural colonial objects is one of the most debated questions of our time. Calls for a new international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. Confronting Colonial Objects seeks to go beyond these classic dichotomies and argues that contemporary practices are at a tipping point. The book shows that cultural takings were material to the colonial project throughout different periods and went far beyond looting. It presents micro histories and object biographies to trace recurring justifications and contestations of takings and returns while outlining the complicity of anthropology, racial science, and professional networks that enabled colonial collecting. The book demonstrates the dual role of law and cultural heritage regulation in facilitating colonial injustices and mobilizing resistance thereto. Drawing on the interplay between justice, ethics, and human rights, Stahn develops principles of relational cultural justice. He challenges the argument that takings were acceptable according to the standards of the time and outlines how future engagement requires a re-invention of knowledge systems and relations towards objects, including new forms of consent, provenance research, and partnership, and a re-thinking of the role of museums themselves. Following the life story and transformation of cultural objects, this book provides a fresh perspective on international law and colonial history that appeals to audiences across a variety of disciplines. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.
Publisher: Oxford University Press
ISBN: 019269412X
Category : Law
Languages : en
Pages : 593
Book Description
The treatment of cultural colonial objects is one of the most debated questions of our time. Calls for a new international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. Confronting Colonial Objects seeks to go beyond these classic dichotomies and argues that contemporary practices are at a tipping point. The book shows that cultural takings were material to the colonial project throughout different periods and went far beyond looting. It presents micro histories and object biographies to trace recurring justifications and contestations of takings and returns while outlining the complicity of anthropology, racial science, and professional networks that enabled colonial collecting. The book demonstrates the dual role of law and cultural heritage regulation in facilitating colonial injustices and mobilizing resistance thereto. Drawing on the interplay between justice, ethics, and human rights, Stahn develops principles of relational cultural justice. He challenges the argument that takings were acceptable according to the standards of the time and outlines how future engagement requires a re-invention of knowledge systems and relations towards objects, including new forms of consent, provenance research, and partnership, and a re-thinking of the role of museums themselves. Following the life story and transformation of cultural objects, this book provides a fresh perspective on international law and colonial history that appeals to audiences across a variety of disciplines. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.
Confronting Colonial Objects
Author: Carsten Stahn
Publisher:
ISBN: 9780191960161
Category : Cultural property
Languages : en
Pages : 0
Book Description
'Confronting Colonial Objects' traces recurring justifications and contestations of takings and returns in colonial history through the life story of cultural objects. It develops a theory based on justice, ethics, and human rights that confronts ongoing historic, legal, and economic entanglements and enables normative transformation.
Publisher:
ISBN: 9780191960161
Category : Cultural property
Languages : en
Pages : 0
Book Description
'Confronting Colonial Objects' traces recurring justifications and contestations of takings and returns in colonial history through the life story of cultural objects. It develops a theory based on justice, ethics, and human rights that confronts ongoing historic, legal, and economic entanglements and enables normative transformation.
Decolonizing German and European History at the Museum
Author: Katrin Sieg
Publisher: University of Michigan Press
ISBN: 0472055100
Category : History
Languages : en
Pages : 327
Book Description
How do museums confront the violence of European colonialism, conquest, dispossession, enslavement, and genocide?
Publisher: University of Michigan Press
ISBN: 0472055100
Category : History
Languages : en
Pages : 327
Book Description
How do museums confront the violence of European colonialism, conquest, dispossession, enslavement, and genocide?
Spaces of Care - Confronting Colonial Afterlives in European Ethnographic Museums
Author: Wayne Modest
Publisher: transcript Verlag
ISBN: 3839468485
Category : Art
Languages : en
Pages : 221
Book Description
Alarming environmental shifts and disasters have raised public awareness and anxieties regarding the future of the planet. While planetary in scale, the negative effects of this global crisis are distributed unequally, affecting some of the already most fragile communities most intensely, thus contributing to rising global inequality. The pairing of environmental crises and a sense of inadequacy facing hitherto celebrated models of citizenry informs a current spirit of the times. The contributors to this volume place ethnographic or world cultures museums at the centre of these debates - these museums have been embroiled in longstanding debates about their histories, collections, and practices in relation to the colonial past.
Publisher: transcript Verlag
ISBN: 3839468485
Category : Art
Languages : en
Pages : 221
Book Description
Alarming environmental shifts and disasters have raised public awareness and anxieties regarding the future of the planet. While planetary in scale, the negative effects of this global crisis are distributed unequally, affecting some of the already most fragile communities most intensely, thus contributing to rising global inequality. The pairing of environmental crises and a sense of inadequacy facing hitherto celebrated models of citizenry informs a current spirit of the times. The contributors to this volume place ethnographic or world cultures museums at the centre of these debates - these museums have been embroiled in longstanding debates about their histories, collections, and practices in relation to the colonial past.
Displacing and Displaying the Objects of Others
Author: Jürgen Zimmerer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111335569
Category : History
Languages : en
Pages : 224
Book Description
Displacing and Displaying the Objects of Others is a thought-provoking collection that brings together a diverse range of contributions inspired by research from the "Hamburg's (post-)colonial legacy" research center. The authors explore new perspectives in provenance research by situating it within the broader contexts of global history, colonial history, and postcolonial studies. This volume goes beyond simply tracing the origins of objects, considering the significant impact on the societies from which these objects originate. It also critically examines how these objects were used in collections and museums and how the process of musealization shaped collecting practices. With its multiperspective approach, Displacing and Displaying the Objects of Others encourages readers to reflect on the deep connections between past and present and to consider responsible ways of engaging with colonial collections.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111335569
Category : History
Languages : en
Pages : 224
Book Description
Displacing and Displaying the Objects of Others is a thought-provoking collection that brings together a diverse range of contributions inspired by research from the "Hamburg's (post-)colonial legacy" research center. The authors explore new perspectives in provenance research by situating it within the broader contexts of global history, colonial history, and postcolonial studies. This volume goes beyond simply tracing the origins of objects, considering the significant impact on the societies from which these objects originate. It also critically examines how these objects were used in collections and museums and how the process of musealization shaped collecting practices. With its multiperspective approach, Displacing and Displaying the Objects of Others encourages readers to reflect on the deep connections between past and present and to consider responsible ways of engaging with colonial collections.
The Whole Picture
Author: Alice Procter
Publisher: Cassell
ISBN: 1788402219
Category : Political Science
Languages : en
Pages : 310
Book Description
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.
Publisher: Cassell
ISBN: 1788402219
Category : Political Science
Languages : en
Pages : 310
Book Description
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.
A Research Agenda for Cultural Heritage Law
Author: Lucas Lixinski
Publisher: Edward Elgar Publishing
ISBN: 1035324423
Category : Law
Languages : en
Pages : 255
Book Description
This Research Agenda recasts cultural heritage law, emphasising the importance of developing rigorous and socially engaged scholarly research in the field. It analyses tensions and methodologies, using the return of colonial cultural objects as a key case study.
Publisher: Edward Elgar Publishing
ISBN: 1035324423
Category : Law
Languages : en
Pages : 255
Book Description
This Research Agenda recasts cultural heritage law, emphasising the importance of developing rigorous and socially engaged scholarly research in the field. It analyses tensions and methodologies, using the return of colonial cultural objects as a key case study.
The Long Shadow of German Colonialism
Author: Henning Melber
Publisher: Oxford University Press
ISBN: 019779582X
Category : History
Languages : en
Pages : 346
Book Description
A no-holds-barred account of how German society struggles with its colonial legacy.
Publisher: Oxford University Press
ISBN: 019779582X
Category : History
Languages : en
Pages : 346
Book Description
A no-holds-barred account of how German society struggles with its colonial legacy.
New Property in International Law
Author: Jean Ho
Publisher: Oxford University Press
ISBN: 0192873458
Category : Law
Languages : en
Pages : 262
Book Description
Until now, the definition of property in international law has been poorly addressed. It is assumed that international law possesses sufficient content to regulate property, that provisions in international instruments addressing property rights are shown to act, and that resolutions of property disputes are claimed to be in accordance with international law. Yet, when asked to define key attributes of property in international law are, the legal world draws a collective blank. New Property in International Law examines how international law consistently falls short when it comes to new property regulation, because key stakeholders have failed to define what property is. The book considers and categorises new property into three areas; cultural property, common property, and contingent property, aiming to carve out, update, and impart coherence to international property law. By sketching the contours of new property in international law through a rigorous analytical comparison of property concepts in the Western, Soviet, post-Soviet, Chinese and Islamic juristic traditions, this work enables a balanced distillation of core attributes of new property from diverse property concepts that can then be woven into a broadly acceptable and broadly applicable definition.
Publisher: Oxford University Press
ISBN: 0192873458
Category : Law
Languages : en
Pages : 262
Book Description
Until now, the definition of property in international law has been poorly addressed. It is assumed that international law possesses sufficient content to regulate property, that provisions in international instruments addressing property rights are shown to act, and that resolutions of property disputes are claimed to be in accordance with international law. Yet, when asked to define key attributes of property in international law are, the legal world draws a collective blank. New Property in International Law examines how international law consistently falls short when it comes to new property regulation, because key stakeholders have failed to define what property is. The book considers and categorises new property into three areas; cultural property, common property, and contingent property, aiming to carve out, update, and impart coherence to international property law. By sketching the contours of new property in international law through a rigorous analytical comparison of property concepts in the Western, Soviet, post-Soviet, Chinese and Islamic juristic traditions, this work enables a balanced distillation of core attributes of new property from diverse property concepts that can then be woven into a broadly acceptable and broadly applicable definition.
Confronting Culture
Author: David Inglis
Publisher: Polity
ISBN: 9780745625621
Category : Social Science
Languages : en
Pages : 264
Book Description
Confronting Culture offers a clear and accessible discussion and analysis of the complex field of the sociology of culture, and how it compares with approaches developed within cultural studies. An accessible guide to the complex field of the sociological study of culture. Unique in showing how sociological understandings of culture often differ from rival approaches in the discipline of cultural studies. Introduces the various ways of thinking sociologically about culture that have been developed over the last century. Examines the legacy of classical sociology for the sociology of culture, and situates thinking about culture within the historical, cultural and social contexts of the rival schools of thought in the US, UK, France and Germany. Examples of topics under discussion include the rise of postmodernism, the American production of culture approach, and the cultural sociology of Pierre Bourdieu.
Publisher: Polity
ISBN: 9780745625621
Category : Social Science
Languages : en
Pages : 264
Book Description
Confronting Culture offers a clear and accessible discussion and analysis of the complex field of the sociology of culture, and how it compares with approaches developed within cultural studies. An accessible guide to the complex field of the sociological study of culture. Unique in showing how sociological understandings of culture often differ from rival approaches in the discipline of cultural studies. Introduces the various ways of thinking sociologically about culture that have been developed over the last century. Examines the legacy of classical sociology for the sociology of culture, and situates thinking about culture within the historical, cultural and social contexts of the rival schools of thought in the US, UK, France and Germany. Examples of topics under discussion include the rise of postmodernism, the American production of culture approach, and the cultural sociology of Pierre Bourdieu.