Conflicting Analytical Approaches to Late Nineteenth- and Early Twentieth-century Tonal Music PDF Download
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Author: Jonathan Robert Pieslak
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 534
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Book Description
Author: Jonathan Robert Pieslak
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 534
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Book Description
Author: William Kinderman
Publisher: U of Nebraska Press
ISBN: 9780803227248
Category : Music
Languages : en
Pages : 302
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Book Description
In 1861, a half-century before Arnold Schoenberg's break with tonality, a young composer associated with Liszt saw a threshold to musical modernism as lodged in the "suspension of the main key." As the unified tonal perspective of earlier music yielded increasingly to dualistic key structures often laden with chromaticism, the language of music was transformed. In The Second Practice of Nineteenth-Century Tonality, nine prominent theorists and historians explore aspects of this musical evolution, from Schubert to the end of the nineteenth century. Many works discussed are masterpieces of the performance repertory, ranging from Chopin's piano pieces and Wagner's music dramas to the symphonies of Bruckner. The integration of analytical and historical approaches in the essays seeks to avoid narrow specialization as well as the polemic stance of some recent studies. A critical assessment of issues including inter-textuality, narrative, and dramatic symbolism enriches this investigation of what may be described as the "second practice" of nineteenth-century tonality.
Author: Allen Clayton Cadwallader
Publisher: Oxford University Press, USA
ISBN: 9780199732487
Category : Schenkerian analysis
Languages : en
Pages : 0
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Book Description
Analysis of Tonal Music: A Schenkerian Approach, Third Edition, introduces the fundamental principles of Schenkerian technique. Rather than relying on stereotypical models or formulas, authors Allen Cadwallader and David Gagne use specific, memorable compositions to explain structuralprinciples. This approach teaches students how to think about and critically examine music in ways that will inform their understanding and performance of Western art music.Part I covers principles fundamental to the study of Schenkerian analysis and includes discussions of melody, counterpoint, bass-line structures, the imaginary continuo, linear techniques, and the essential properties of the Ursatz (fundamental structure). Part II presents complete compositions byformal category, beginning with one-part forms; proceeding through binary, ternary, and rondo forms; and concluding with the sonata principle. The book includes more than 200 analytical graphs-many new to this edition-an appendix on graphic notation, and a bibliography.
Author: John William MacKay
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 546
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Book Description
Author: Stefan M. Kostka
Publisher: Prentice Hall
ISBN: 9780205794553
Category : Composition
Languages : en
Pages : 0
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Book Description
From the publisher. Introduces basic concepts of contemporary post-tonal music theory. Provides a comprehensive text covering analytical and compositional aspects of post tonal music from the early 1900's through today. This text provides the most comprehensive analytical approach to post-tonal music available from Impressionism to recent trends. It covers music from the early 1900s through such movements as Minimalism and the Neoromanticism, and includes chapters on rhythm, form, electronic and computer music, and the roles of chance and choice in post-tonal music.
Author: Jeffrey Kresky
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
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Book Description
A frequent approach to musical analysis is to consider one term or concept at a time, illustrating it with fragments of several compositions. But the format of this original and lucidly written book features entire tonal compositions, one per chapter, analyzed on several levels simultaneously. The author builds up from very simple musical forms, skillfully leading the reader through a measure-by-measure, indeed often beat-by-beat or note-by-note, analysis. The literature chosen for study is that of the standard common-practice period, ranging from Corelli to Debussy, and hence illustrates both the flexibility and the historical development of the tonal system. At the same time, Kresky suggests a structural view of the tonal system, and the pieces come to be viewed as instances of tonal language. Hence, each chapter addresses the two questions, 'What makes this item a piece?' and, more specifically, 'What makes it a tonal piece?' A concluding essay projects the development of music into the twentieth century, with implications for the analysis of nontonal music. The music discussed in five of the twelve chapters is supplied; the rest of the compositions are standard works. The analyses center on the pitch information of the pieces, with the various non-pitch compositional elements (primarily rhythm; secondarily dynamics, texture, timbre, and register) playing reinforcing roles. Pitch is studied vertically, for a detailed as well as an overall harmonic view, and horizontally, for a local as well as a long-range view. Ultimately, the author joins both approaches in an embracing two-dimensional summary of compositional unity. As a series of connecting essays, this book is intended both for classroom use and for professional reading. In the classroom, the work can serve as a principal text in an undergraduate or graduate analysis course or seminar, or as an adjunct text in a variety of places in the theory and counterpoint curriculum. As professional reading, the book brings the reader through various pieces of music according to the observations of one listener who is sensitive and concerned, as both composer and teacher, about musical coherence.
Author: Stefan M. Kostka
Publisher:
ISBN: 9780394328300
Category : Harmony
Languages : en
Pages : 605
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Book Description
Author: Stefan Kostka
Publisher:
ISBN: 9781138714168
Category : Composition (Music)
Languages : en
Pages : 354
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Book Description
Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor's manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.
Author: David Carson Berry
Publisher: Pendragon Press
ISBN: 9781576470954
Category : Juvenile Nonfiction
Languages : en
Pages : 610
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Book Description
To the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.
Author: Bozhidar Chapkanov
Publisher: Vernon Press
ISBN: 1648898130
Category : Music
Languages : en
Pages : 368
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Book Description
'Transformational analysis in practice' is a Must-Have for everyone working in the field or aspiring to develop their music-analytical and theoretical skills in transformational theory. This co-authored book puts together a plethora of analytical studies, diverse both in the repertoires covered and the methodologies employed. It is a much-needed anthology in this sub-field of music analysis, which has been developing and growing in recent years, reaching ever wider outlets in English-speaking countries and beyond, from dedicated conference panels to YouTube videos. The book is divided into four parts based on the repertoires under discussion. Part I encompasses four analytical studies on familiar composers from the European Romanticism of the nineteenth century. Part II analyzes the music of less familiar composers from Brazil and Turkey. Part III offers four contrasting ways to adapt the analytical capabilities of neo-Riemannian theory to the post-tonal music of the twentieth century. Catering to the interests of jazz performers and researchers, as well as those into popular music production, Part IV offers transformational analytical approaches to both notated and improvised jazz, emphasizing John Coltrane’s performance. Providing an invaluable synthesis of a wide range of analytical studies, this book will be an essential companion for many musicology students, as well as for performers and composers.
